February 10, 2010

Craig Kapp 2010

Constructing augmented reality worlds on the fly

Here’s a quick demo shows an experimental AR system that lets people construct their own augmented reality spaces by manipulating a series of printed cards.  The screenshot and video below showcase how this kind of system can be used to grow a small virtual garden on your desktop.

Creating a technocolor garden by moving around a series of printed cards

Creating a technocolor garden by moving around a series of printed cards

The eventual goal for this project is to create a series of physical manipulatives that can be used in a pediatric rehabilitation setting for recreation & therapy purposes.  I’ll be sure to provide more information as we begin testing the AR environment with actual users in the weeks ahead.

Feb 9, 2010 08:46 PM

February 09, 2010

Shahar Zaks 2011

intellipods

This week’s assignment was to build a “finite state machine.” I worked on this one with Jason, Tamar and Adib, and we were having a hard time figuring out what to do without constraints. So after several hours of brainstorming (including a visit to a few galleries in Chelsea), we came up with a vague idea. Similar to Todd’s suggestion of each of us making a machine, we wanted to make a few separate state machines that can interact with each other, maybe each having a different number of states. We ended up with Intellipods ™, four pods that have an LED mounted on a disc that spins back and forth in response to signals. The signal is the light coming off another pod, detected by one or more light sensors pointed in different directions. The different pods interact within themselves in unexpected ways, having organic, almost living qualities. Lo and behold:

Feb 9, 2010 06:35 PM

Sara Bremen 2010

Women in Love Documentation

Click to Play Women in Love opened the ITP Annual Big Screens show, presented on December 4th at the IAC building in New York City.

Feb 9, 2010 06:01 PM

No.

This campaign just makes me angry.  Yes, there is that one genuinely funny one of the guy, the girl, and the bear, but overall–Be Stupid?  No.

Feb 9, 2010 04:27 PM

Jenine Durland 2011

Objectified Animals: the Grizzly

“Individuals with inherent value must never be treated merely as a means to securing the best aggregate consequences.”  –Immanuel Kant

“Where poverty forced a conscious distribution of meat, men received it.”  –Carol Adams, “The Sexual Politics of Meat”, The Animals Reader, 174

“One…relevant issue is whether nonhuman animals have the same interest in continued life as normal humans do.” –Peter Singer, “Animal Liberation or Animal Rights?”, The Animals Reader, 16

What is it in our psyche that allows us to polarize our views of an animal so decisively?


An ode to spirit: the wild or the conquered?

Perhaps this polarization starts right here, in the symbol above. As a Californian, I grew up appreciating the flag for its “cuteness”, not realizing that the last Grizzly had been exterminated from the state in the 1920’s, nearly 30 years before it was selected as the state animal.

nat geo grizz

The National Geographic grizzly

 

the icon...

Grizzly as cute, cuddly fashion

How can our cute, cuddly teddy bear also be the source of some of the most disturbing practices in our culture: trophy hunting & extermination?

Grizzly as the hunted (for prize, not meat)...

 

What’s the price tag?

State of Alaska Big Game Permit Fees

http://www.admin.adfg.state.ak.us/license/prices.html#biggame

I’ve included excerpts below from Legend brewin‘ by Natalie Phillips for the Anchorage Daily News (Published: December 16, 2001) below to contextualize the graphic photo above. The bear was hunted and killed by a 21-year old Air Force airman, Theodore Winnen, who had this to say about his trophy: “With the small rooms in base housing, it’ll be more like wall-to-wall carpeting.”

His guide, familiar with the area and the wildlife said, “[Winnen's] bear is exceptional. It’s unbelievably unusual,” the guide said. “It’s safe to say that it is more than double the average size of brown bear coming out of Prince William Sound.”

The contrast between reactions is shocking.

More from the article…

Between 1970 to 1999, about 600 male brown bears were killed in Prince William Sound, according to state Fish and Game records. Of those, only two had skulls that scored more than 28 inches, Want said. The vast majority had skulls that scored 22 to 23 inches. Bears with heads that size typically weigh 350 to 400 pounds, Want added.
Winnen wasn’t there to hunt bear. Instead, he and his hunting buddies packed for a week of hunting for Sitka blacktail deer on the remote, wooded island. Winnen did, however, pick up a permit to shoot a bear just in case…

Forty yards away was a big brown bear with all four paws in the creek, flipping over logs looking for salmon.
“He’s a shooter,” Urban said under his breath.
“So I started getting in the zone,” Winnen said. “When I am going to take an animal, I am really concentrating. We racked shells into our guns and took off our packs and left them by the tree.”
The hunters moved a few feet upstream. About halfway between them and the bear was a large fallen tree. After the kill, Winnen and Urban spent six hours skinning the bear — and trying to drag its hide and skull back to the Forest Service cabin they had rented. The meat was left behind because grizzly meat is generally considered inedible.


Feb 9, 2010 03:00 PM

Jonathan Ystad 2010

More Squids Than You Can Shake A Stick At


Continuing my research into the wonderful world of squids: this week I was to search for various cultural images and references of my spirit animal, the squid, and break them down briefly. The interesting thing is that after watching and reading so much about real squids, it became very clear that the real thing is actually quite more magical and awesome than most of the cultural references aside, (except Squidward, perhaps).

Exhibit A

Exhibit A is one of the most interesting depictions of giant squids, since it is one of the earliest. Exhibit A is a pen and wash drawing by Pierre Dénys de Montfort. I had seen this image many times before in reference to the mythical, dangerous Kraken, but upon closer inspection, it looks more similar to an octopus. The funny thing is that when this drawing was made in 1801, hardly anything was known about squids (giant and not) and there was hardly a distinction between them and their octopus friends. However, because of the enormous, fanciful scale of this creature, it is important to think of this cultural reference as a sort of nautical archetype. The open sea was to be feared, as were the many dangerous denizens of the abyss. Now we have ROVs and submarines and can watch things that once were feared to be larger than massive boats on YouTube.

Exhibit B

Exhibit C-Taking down a ship!

Exhibit B + C are kind of a double whammy. B is of Davy Jones from the Pirates of the Caribbean trilogy, and C is of his pet Kraken, or giant squid. Both were feared and reviled by ordinary people and pirates alike in the movies. Jones had a telepathic link to the Kraken and could command it to sink ships at will, in order for him to ferry the hapless souls of passengers to the underworld. Jones himself is an amalgam of sorts of a squid and a man. He has all sorts of magical powers, but is a bit of a tormented soul, as his heart is separated from his body. This means he can live forever if it is safely hidden away, but if it falls into the wrong hands, he is at their disposal. Plot device if I ever heard one. Jones symbolizes a man long lost at sea and what can happen if you get too close to the secrets of the sea. The Kraken on the other hand, once again is the crystallization of our fears of things from the abyss, but this one is particularly heinous because it is weaponized via its mental link to Davy Jones.

Exhibit D

Squidward, on the other hand, hardly has a mental link to anyone in Bikini Bottoms. The poor guy in exhibit D has Spongebob and Patrick as neighbors, and is constantly irritated by their antics with Sandy the Texan squirrel. He is a bit of a know it all, and he loves to play the clarinet. He also works at the Krusty Krab with Spongebob, but he prefers to man the register, as opposed to cook like Spongebob loves to do. Interestingly, Squidward has such a salty temperament, it is ironic that he is the one who interacts with customers. Squidward is a fantastic cartoon rendering of an anthropomorphic squid, much like a Mindflayer from RPGs and things of that nature, but much less evil. Squidward is known the world over by children and adults alike, and because of his comedic neighbors and their agitation of him, Squidward is one of the few cultural references we have to a squid (giant or not) that is not something to be feared or mystified by. Instead, Squidward is the same height as the other characters and though he has a short temper, he hardly has the destructive power of his Kraken kin. From his design to his demeanor, Squidward is a thing of comedy.

As a bonus, please enjoy this fascinating video of the Vampire Squid. It predates both squids and octopi, and resembles a mix of both, but it gets better! Not only does it have light emitting circles on its head, it has proto tentacles to sense movement, AND it can shoot out bioluminescent particles at its enemies to distract them instead of messy ink. It pretty much shoots out GLITTER. How awesome is that!? We don’t need to find aliens in space, we have them right here under the sea.

Feb 9, 2010 11:16 AM

Jelani John 2010

thesis story ideas

I’ll actually revisit these at some point, but these are the first 3 ideas I have for thesis stories. In the end I’ll probably combine their best elements.


Idea:

Time. It’s like a warm explosion of sunlight. This hesitation makes for a flare a constant state of change this thing. And then there is the other on the horizon. Hovering. But slowly drawing closer and pushing the other away. Like balance except it orbits in circles.


Idea:

There is a rather enjoyable feeling to chewing a piece of gum. A gnashing a thrasing of the teeth that is confident even as the teeth destroy themselves through repetitive motion. The stringy strands that sing, stretch and *pop*. The bubbles that vanish even before they appear. There is a manchild masochist in the bubbles. It appears he likes being chewed on.


Idea:

A shadow. Pool of darkness to be stepped in. Consumes. You are fearful. You are brave. It seeps in through the cracks. Only when you take it on and absorb it and absorb you do you die and survive.


Feb 9, 2010 02:06 AM

Daniel Shiffman Faculty

Box2D and Processing

 

I’m pleased to announce I’ve published a first draft of a tutorial about using Box2D in Processing.

Tutorial: http://www.shiffman.net/teaching/nature/box2d-processing/
Google code repository: http://code.google.com/p/pbox2d/

I’m struggling here to figure out whether I’m (a) creating a Processing Box2D library or (b) simply creating a tutorial and set of examples piggybacking off of JBox2D. For now, I’m doing a little bit of both. The library is just a few helper functions, but the examples require you to dig into actual Box2D code. These examples aren’t nearly as comprehensive as what you’ll find in the JBox2D demos. It’s my goal, however, to make the material accessible and easy to use. Hopefully, with some feedback and more time, I’ll be able to publish a more sophisticated library and thorough suite of example. Who knows, maybe no one will ever need any of my previous Nature of Code tutorials any more!

Next up, I’m planning on creating a few simple examples that use the fantastic and awe-inspiring toxiclibs.

Feb 8, 2010 11:03 PM

Arturo Vidich 2011

Rats in Art and Pop Culture

I am taking this assignment in a looser way than may have been intended. I’m defining pop culture as anything in the media public domain that may have been seen by many people, or a persona perpetuated by a well-known image.

Rat. It’s the animal I’ve chosen for the “three views of an animal” assignment. It’s one of the universally reviled, thwarted, killed, mocked, and shunned species that exists on Earth today. I am choosing to show the rat as a being of the light rather than the dark, as a public servant hero (in the case of rats that detect landmines), underground art hero (as in the spray stencils of Banksy), and symbol of solidarity against corruption (as in the giant inflatable rats that union workers rally around).

There are places in the world where nobody lives or tills the field, or goes for walks, because there are active landmines from old wars. Starting in 2003, rats (primarily large Gambian pouched rats) were trained to sniff out explosive material in small areas with the hope they could be of service in safe mine detection. The rat was chosen for its size (too light to set off a mine), for its superior sense of smell, low cost maintenance, intelligence and ability to be trained, and ability to navigate space. A small team of rats and handlers can cover a much larger tract in a shorter period of time, in fact, they, “can check an area a man would take two days to cover in 30 minutes.” Far from being “vermin” these rats are saving the lives and limbs of children, adults, livestock and wildlife. Here is a recent article about the humanitarian organization that works in the field. Here is a paper that focuses on methodology.

This image says it all. Underground art hero, Banksy (not to be confused with Blek le Rat), is mysterious as ever. His real name and origin are not well-known, even Wikipedia the Great has very little information about this graffiti art star. One of the reasons he is so popular is that he blurs the line between art and criminal activity, and certainly the rat has ever been charged with misdemeanor upon petty larceny. His images are subliminal, happened upon, like a rat scratching behind the wall, or underneath your bed. One of the recurring personas found in his work is the anarchist rat, seemingly a self-portrait, a clandestine rebel. His art requires the talents of a rat, sneaking around, avoiding detection and detention (especially when making something like this and this) yet the work is for the public viewer not the private buyer. There is no signature except style. The rat in Bansky’s work functions not only as dark knight, critical of The Man, but also functions as a system of values to aspire to:  don’t sell out motherfucker.

The worker unions are plenty and powerful. They have huge influence on corporations, politicians and the course of history. Belonging to a union ensures a worker that certain expectations about pay, hours, safety and quality of life will be met. When an employer does not meet these expectations, or does not hire union labor, the giant inflatable rat descends upon their auspices to show what kind of “rat” runs the place or works there. While originally intended to mock, scare and call attention to such “scum,” the giant air-filled rodent seems to have become a symbol of fidelity around which to rally for a common cause. This representation of a loathed creature has been adopted and re-casted as a political mascot. But ‘lo, the rat was reported “endangered” in NY back in 2005– and was protected as “free” in NJ, according to the first amendment (which was ratified on Dec 15th 1791). Here is a quote within a quote about the rat from this article:

Does the Rat work? “Usually, employers go bonkers when they see it across from their property,” says Randy Mayhew, organizing director of Laborers International Union of North America, which employs about 20 rats. “It’s an effective piece of street theater,” says Peter Jones, executive director of the Labor Heritage Foundation.

So the rat has apparently added to its repertoire. The inflatable rat has also made it out of the political arena and into art and infamy, fascination and cult following.

Other occurrences of rats I considered looking into were:

Splinter

year of the rat

Ratatouille

Templeton

Rat (The Rotter)

Ben (the sequel to Willard)

Rat King from Nutcracker

And this rat king, which is when a large group of rats gets their tails tangled and wreak havoc. Reports date back to the 16th century.

Rat Fink

Feb 8, 2010 10:53 PM

Tom Igoe Faculty

Using PepperMill to turn a motor into a sensor

Nicolas Villar sent me a sample of the PepperMill, a new sensor board he and Steve Hodges designed at Microsoft Research in Cambridge, UK.  It’s a nifty little board.  You attach a DC motor and the board can an output voltage when the motor is turned,  and analog signals telling you the direction and speed [...]

Feb 8, 2010 09:14 PM

February 08, 2010

Greylock Arts Faculty Site

Next Exhibit › Arrested Time: Nathaniel Stern with Jessica Meuninck-Ganger

An exhibition of works combining contemporary technologies with traditional drawing and printmaking methods.


Nathaniel Stern is an experimental installation and video artist, net.artist, printmaker and writer. He has produced and collaborated on projects ranging from interactive and immersive environments, networked art and multimedia physical theater performances, to digital printing and collage, stone lithography and slam poetry.

Opening Reception:
Friday February 26th 2010, 5:30 – 8:30 p.m.
Saturday February 27th 2010, 5:30 – 8:30 p.m. in case of heavy snow or freezing rain.

Exhibit Dates & Times:
Admission is free and open to the public.
Saturdays, 1:00 – 4:00 p.m.
Otherwise by appointment.

Contact:
info@greylockarts.net
413-241-8692

Location:
93 Summer Street, Adams, MA 01220

Feb 8, 2010 06:35 PM

Michael Doherty 2011

Ray Ray and the Market

I met Ray Ray this summer through my good friends and neighbors at the McKibbin lofts. Not only is Ray Ray and amazing illustrator and artist, he has a strong integration with the cycles of food and its affects on ourselves and our environment. Ray Ray coordinates the composting efforts at the Fort Greene farmers market, so you can find him out there every Saturday until about noon.

This weekend I road out to the market to meet up with Ray Ray and get some veggies. Often times we’ll get food from a greenmarket and then have a McKibbin community dinner Sunday night. As I arrived, Ray Ray was just finishing up loading all the compost donations into the truck to be hauled off to a community garden. Over the summer, there was such an overabundance of compost that Ray Ray organized some of market farmers to take some of the compost back to use at their own farms.

After he’d finished loading, we made a round at the market. Ray Ray knows everyone by name at the market and if he doesn’t know them, he would by the end of the day. I see that as a sign of a true locavor. Someone that knows not only about where their food is coming from, but the people who are growing and distributing it. We visited his friend at DiPaola Turkeys. We had actually bought a turkey from this guy at the Union Square market for Thanksgiving. He was very adamant about the fact that their farm only had one type of livestock. I didn’t find out if this was for economic reasons or specific environmental or health reasons.

We got some apples for a pie from Red Jacket Orchards. The guy

Feb 8, 2010 04:30 PM

Ted Hayes 2010

Thesis Research Part I

Sketches of possible sculptural forms (these are roughly 8-10″ in height).  The first four are my favorites:

Sound prototyping: A short composition of 4-7 sine wave oscillators harmonizing and disharmonizing:

Two videos of synth design approaches: 8-bit R2R DAC and Schmidt trigger oscillator.

Share/Bookmark

Feb 8, 2010 02:37 PM

Alex Kaufmann 2010

Back Pocket in the Front: An Exploration of Modularity

modular banana

Make a module. This is the kind of assignment that is always better in retrospect (as this tardy write-up can attest).

Thinking about modules and the arenas in which they frequently appear led me to some interesting insights, not the least of which was a clear idea of the connector I want to build this coming week.

A module encapsulates a functionality within some larger, more complicated system. When properly designed, it can be joined smoothly with existing modules of the same or different types. Modular furniture, trains, pre-fab architecture, object-oriented programming, modulated and demodulated data streams, toys, and space stations are all modular because modularity makes decorating, managing freight, building, coding, communicating, playing, and not dying in a vacuum easier and less error prone, even in the presence of significant future uncertainty. Think back to Powers of Ten—the entire universe is modular!

I started my exploration of modularity by making modules of something homogeneous, which if my notions above are true achieves no added efficiency or ease through modularization. I peeled and sliced a banana such that the slices could be interchanged within the peel. Then I ate it. Not quite the robustness I was aiming for.

I then toyed with creating a code-based exploration of image pixels and letters (by translating one into the other so that an email might be encoded as an image composed of apparently arbitrary pixels), but the spatial advantages of modularity were just too compelling to ignore. You can place a modular couch in a space of any shape! Have a corner? It wraps around it! Straight wall? It becomes a love seat for twenty!

But how does one modularize without atomizing, without simply breaking something big into identical smaller segments? By separating functions the way code does. For some reason, I immediately thought about clothes and those zip-off sleeves from the Eighties. Clothing’s modularity (at least wearable clothing’s) is anatomically constrained. In theory I could make pants that accept as many legs as you care to attach—fun maybe, but not so useful.

Thinking about pant legs got me thinking about the make-up of clothing more generally—and led me to pockets. Most of my pants have at least two sets of pockets: the side ones that are sewn into the garment and the back ones that are sewn on. I carry lots of stuff in my pockets and I don’t ever seem to have enough room, and I prefer the bulge of a full exterior back pocket to the chafing of a stuffed inner one, though I can’t stand carrying things around where I can’t see them and inevitably crush them when I sit too enthusiastically. The answer?

finishedback of pocket and magnet stripboxers(empty)boxers(full)

Modular magnetic pockets. They can be attached to any part of any garment using a discreet, low-profile magnetic strip (or wadded up and crazily sewn elastic as in my prototype) that lies flat along the inside and firmly attaches the pocket to the outside.

And if it’s not in use? Just put it in your pocket.

Feb 8, 2010 11:12 AM

Greg Borenstein 2011

The Little Wine Key That Could

For Methods of Motion last week, our assignment was to create a storyboard for a character animation. Using all that we've been learning about giving personality to characters through their motion (especially the 12 basic principles of animation) we were supposed to outline a short, simple scene that would introduce a character.

I decided to tell the story of a simple wine key. Like everyone else, I can't help but see a human form every time I look at one of these guys. With its extended arm, upturned eager face, monopod leg, and arm-like motion the temptation to personify these is so strong, I'm surprised I've never seen one as an animated character before.

Corkscrew

Once I had the idea of animating a wine key, I started thinking about the world a wine key might inhabit, its hopes and dreams. The storyboard I ended up with tells the tale of a wine key's epic journey out of the drawer onto the counter in order to fulfill its lifelong dream of opening a bottle.

Here's an animated GIF that will show you the storyboard in five second frames (may take a little while to load, it's a 1.5mb file).

For something I'm supposed to animate in a week, this story ended up a bit.. .complex. Hence, this week I'm working on exploring just the basics of bringing the wine key to life: how it will move around, how it will express emotion, how it will interact with a few objects in its surroundings.

I'll post the final animation this week when it's done. Wish me luck!

Feb 8, 2010 03:23 AM

Jelani John 2010

busy busy flop

Today was a pretty busy day. So i’ll just do a sort of freewrite. Whatever pops into my head. I’ll attempt to make it more or less coherent though. No story bumbling about inside my head. Which is pretty bad considering I have to make up a few for thesis tomorrow.


Ha.


my laughter rebounds off the walls, filling the room with a senseless chill of dread. Much like the butter free curls on a princess, the brown dog finds the quick fox sainted and fainted in nightly glory. this isn’t exactly a new song, but then again what is. all that has come before has come before and all that has come after has come before too, but then again what is life, if not that. this peanut butter sandwhich which lies in my nose is rather large and uncomfortable and sticky too and also, it smells like peanut butter which is of a consistency which reminds me of poo and the dreary sound of molasses running down a wall. after being thrown there.


thrown there with so much pizaaz. so much flash, vim and vigor that one might wonder, what, what. in a better world if it had not been revealed to be a master. this lumpless turn that i drop on the paper. i still call it paper even though it is digital and ink, if archaic, is a medium which the old folks use the subjugate the new. this virtuoso masturbation is a mental freedom only afforded to the stiff masses in their phallic symbols and their massive e-peens of glory.


oh dear. i was supposed to keep this coherent. well i guess i’ll just call it a freewrite at that.


day after tomorrow, a real story. i promise.


and because i promised, so it i must keep.


Feb 8, 2010 02:57 AM

Arturo Vidich 2011

Sam Easterson puts cameras on animals

I tried getting in touch with Sam Easterson to see what kind of cameras he uses and how he attaches them to large wild animals like wolves, and small nearly weightless animals like chicks. I wanted to know about power, transmission, and hardware, but he replied that he is short on time and cannot answer my questions. I hope he finds the time soon…

On a slightly different and somewhat less appetizing note, neuroscientist John Chapin at SUNY Downstate Medical Center in Brooklyn has been affixing cameras to rats for search and rescue missions, as well as to locate bombs. The rats, however, are remote controlled via direct neural interface, with electrodes attached to the portion of the brain that reads impulses from the whiskers, the most sensitive physical sensor on a rat. I heard a rumor from my friend Karl Cronin that rats with cameras had been used in the days following 9/11 to search for people trapped under the rubble.  I know dogs are very good at this task, but rats can navigate much smaller spaces and find their way back out again. Dogs trained in search and recover are divided into two categories through training, 1) search for living people, 2) search for dead people. The former is replaced by the latter after about three days of search because if a dog trained to find living people kept finding dead people it would place a huge amount of emotional stress on the dog, who expects a living person at the end of a search. The reward, in this case, is not a hot-dog, but a reunion with a stranger.

Feb 8, 2010 02:53 AM

Juri Imamura 2010

The Map of “How I got to my thesis idea”

I just had a breakthrough. I got an idea for my thesis, and I am in love with it. Yes, I want to make an online community for nail art enthusiasts like myself! After all, I realized that I wanted to do something I care about. I love nails. By Wednesday, I will have to write up [...]

Feb 8, 2010 01:49 AM

Arturo Vidich 2011

Radio collar testing (and live bear webcam)

Had some trouble with the small radio collar today, got a regular “thump” approximately every 1.3 seconds, rather than a beep. Took them to the park and had signal from the center nearly to the western park limits (nearly 500 ft). Then we had a weak signal when I took the collar to the 10th floor of Skirball Center.  Almost no signal at ITP (interference?). The frequency of the collar was 148.9000 MHz, if that means anything. Tony says, “I suggest FINE TUNING the frequency when the collar is close to the receiver to get a nice “ping” rather than a “thump”.  I don’t figure you’ll get much range with the receiver since the antenna is omnidirectional.”

Radio Collar Test

More pics here.

On the plus side, here’s a website I just stumbled on. A live 24-hour web cam in a black bear’s den. There’s videos of her giving birth 2 weeks ago.  She’s hibernating right now.  http://www.pixcontroller.com/WebCam/BearDenWebCam.htm

They could only do this because the “bear comes from a long line of research bears” and there was a power supply very near to the shallow den. But it certainly gives ideas. Bears don’t see IR.

Feb 8, 2010 01:08 AM

Jonathan Ystad 2010

Photogrammatically Correct


OMG Giant Nautilus Attack!!!!

My film photo class is turning out to be lots of fun. I like experimenting with the knowledge I have of digital cameras and manual exposure and applying it to film photography. This week we learned all about film development, which is kind of scary, but fun. My first rolls will be developed by my own hands tomorrow, so I am excited to see the results. I bought a film scanner to be able to digitize anything awesome from class, so I can’t wait until my film is developed. Terry, our professor was so caught up in the magic of film processing, that we didn’t go over our photograms and have a critique like we had planned. I was kind of upset, since I spent my whole evening on Wednesday making them. Apparently, we will turn them all in and discuss the results next week. I want some feedback on my more bizarre imagery, to see if it is something I could run with in future projects. I played around a lot with my nautilus shell, bubble wrap, and some small figurines that I have in my apartment, as well as old film I had laying around and zapped them under the enlarger in the darkroom to make these images. What do you guys think of them?

Enlightenment

Cosmic Nautilus

Enlightenment Cosmic Nautilus

Feb 7, 2010 08:50 PM

My New Best Friend: Canon 10-22mm lens!


I treated myself to a new toy/tool last week, and bought an ultra wide angle lens. It is specifically built for APS-C sensor cameras, so it won’t fit on a full frame camera, sadly, but it brings a whole new set of angles to my photography that I didn’t know were there. It is not the fastest lens, so without a tripod it is not suited for low light settings, but because it captures such a wide angle, so much more can fit into the frame. This adds a sense of grandeur and large scale to even the most mundane things, like subway cars, or empty streets. It is freezing outside right now, so I won’t do too much outdoor photography until it warms up a bit, so in the meantime, I will learn to use it for portraits and fashion shoots to spice everything up a bit.

Check out some of the shots I’ve taken so far outside and in the train! You’ll see much more from this lens soon!

Feb 7, 2010 08:07 PM

February 07, 2010

February 06, 2010

Jelani John 2010

Writing Fail?

My idea of posting a new written thing every day is going through a bit of fail. I will perservere though. Yesterday I wrote something, but didn’t post it here. Tonight i will continue strong! However, in spirit I’m still winning. I’m averaging approx. 1 writing per day.


This is what I did last night. A bit of a cop out but… meh


It’s Friday night and

I have nothing to do.

I find

myself

at loose ends.

 

Once upon a time,

this would have distressed me.

Now

it’s a bit of relief.

 

Perhaps this is what

they call “getting older.”

Or perhaps it has something to do with my constantly busy life.

 

In any case I grow restless.

I just finished my last book.

It takes a

long

long

time

for a minute

to pass

on a clock that doesn’t tick.

 

It’s time for some mischief.

I need you

- you -

to guide me.

Tell me, O wise ones.

What should I do?

 

I could go kill a bottle

but I [never]

drink alone.

 

I could call up a friend

but its a hassle

to press

that button on the phone.

 

Besides its friday night.

They’re probably not

alone.

 

There’s always masturbation

which is meta.

And meta.

And though it can pause cancer,

I’ll end up in the same position.

 

It’s 9.45.

Help me.

I don’t know what to do.

 

Or call me.

You know the number.

 

Feb 6, 2010 07:37 PM

Mustafa Bagdatli 2010

Live Daft Punk Mesh-up

This is our first project for Live Experimental Interactive TV. We tried to do some live mash-up video. Our audience are texting some samples of the lyrics to our system and we display it on the video with audio. I worked with Edward Gordon(Gordie), Adam Harvey and Jeff Howard  for this project.

System has 3 different parts. First part is the TextMarks system and php code. User sends a text to TextMarks and php code saves it in a text file. Then, there is a processing application keeps checking the the text messages that user send and matches them with the ones in the song. Processing checks the text file in every half second. Then, processing application sends the keyword to Max/Msp by using OSC. Then in Max/Msp we have a video that skips to marked keyword points audio, that matches with video and also an audio part that plays under the video.

I think our work was creative and fun to play. Also it worked so well. I think some additions could be, not using a song but some other mesh-up thing that is not related to time. Also, maybe some more reflection of the user on the video would be useful.

Feb 6, 2010 01:46 PM

Daniel Shiffman Faculty

Big Screens 2009 Show Video

For anyone who missed it, here’s a video of the 2009 Big Screens show at IAC. Thanks to Lina Giraldo for editing it together, and a great group of student volunteers who did the shooting.

Feb 5, 2010 11:05 PM

Allison Walker 2011

Missed Connections

Lucas Werthein and I made a video project of still images for a Missed Connection post we found on Craigslist. See if you can figure out what the story is about…

Feb 5, 2010 08:47 PM

February 05, 2010

David Phillips 2011

Talk Back – SMS Television App

Talk Back ScreenGrab
Talk Back – Careful Jack, the Characters Talk Back!

Elevator Pitch – User-generated MST3k.  Users watching a show on tv/web can text in any comments/questions they have and the characters will respond back, the best of which appear on the screen for everyone to see.

Origin – Talk Back was created out of a desire to pick up the snarky commentary on screen that was used in “Blind Date,” “Next,” and other dating shows, not to mention Pop Up Video by VH1, and expand it to television and movies to a point where you are interacting with the characters.  Our constraints included the use of only pre-taped material, so we decided administrators would read the comments texted in and respond as in the characters voice.  There was a level of excitement that came with improvising responses immediately and then showing them on screen as they arrived.  We ended up choosing a 5 minute scene from “Real Genius,” due to Robert Carlsen and I’s mutual love and the film’s insatiable quotability.

Structure – Textmarks would send the messages to a page, which was then redirected into a Google Spreadsheets, wherein, multiple admins could be logged in at the same time.  We each would speak in the voice of the character.  Each row has a Flag column.  When the flag was marked Yes, the Question and Answer were sent into a queue to be shown above and below the screen.

Success – The textmarks did transfer into Google Documents and the information was able to show up on screen.

Failures – Google Documents would not let the sheer amount of text messages to be injected into the database, so we ended up with a bottleneck with the messages, which created a delay time for the responses to show up on screen.

The Future - In Phase 2, the messages would go directly to the individual who wrote it.  Eventually, there could be the capability to respond to people in various languages.

Screen Grabs:

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Feb 5, 2010 07:46 PM

Alex Kaufmann 2010

Eggsistence

This week’s cinematic challenge was to create the visual equivalent of Hemingway’s terse but complete “For Sale: Baby shoes, never worn,” a microcinematic three-shot story. I composed and shot a story about putting an egg carton with only two eggs left in it in the fridge and opening the next morning to find the two eggs snuggling cozily in adjacent spaces, surrounded by half a dozen quail eggs. Then I read Robert Bresson’s Notes sur le Cinématographe, and it made me think that maybe I shouldn’t force the egg to tell a story but rather to capture the story inherent in the egg.

Feb 5, 2010 05:44 PM

Shahar Zaks 2011

lego lab

For this week’s assignment for the Mechanisms class we had to play with lego, which is pretty awesome. Too bad almost all the kits are missing a lot of stuff. Anyhow, here are the results of several hours of Neil and I messing around:

Feb 5, 2010 04:38 PM

Eric Mika 2011

Interstitial Wasteland

Homework #1. Create a program that behaves like a UNIX text processing program (such as cat, grep, tr, etc.). Your program should take text as input (any text, or a particular text of your choosing) and output a version of the text that has been filtered and/or munged. Be creative, insightful, or intentionally banal.

Choose one text that you created with your program to read in class.

Bonus: Use the program that you created in tandem with another UNIX command line utility.

I try to avoid destroying data. I draw upon the usual set of justifications: Storage is only getting cheaper, an empty HD occupies the same physical space as a full HD, yadda yadda.

Whether or not this policy is for the best, it’s left me with over a million lines of instant messenger conversation logs from my earlier years — mundane, personal conversations between myself and a handful of friends. (Running from about Jr. High to end end of High School.) If not of much general interest, the contents of these (often painfully angst-ridden) logs are a personally surreal thing to revisit.

In response to the first assignment, I wanted to draw from this well of text in some way. I’m particularly interested in the idea of accidental art — the daily, unintended collisions with things that might be formally construed as art.

I wrote a quick algorithm to put my variation of the Infinite monkey theorem to the test. Can enough angsty teens, given enough time to type, eventually produce something resembling a traditionally recognized “great work”?

I decided to pit my adolescent conversations against T.S. Eliot’s The Waste Land. I wasn’t interested in simply recreating the poem verbatim, instead I used the first and last words of each line as anchors between the poem and my logs, and anything in the middle would be filled in from my conversations based on nearby words.

So, the algorithm takes the first and last word from each line of the poem, and then looks for matches in my conversation logs. If it finds a match for both words in my logs, then it will walk forward from the first word, and backward from the last word, to create a line of text which starts and ends identically to a line in The Waste Land.

Finally, if the resulting line is too long, it will cut words out of the middle until the length of the output line matches the length of the line in The Waste Land. Currently, lines that are shorter than their equivalents in the original poem are just printed as-is. (It would be nice to find a reasonable way to beef these up to size.)

When matches aren’t found, the line is dropped. Only about 60% of the poem could be reconstructed from my million lines of conversation text. (e.g., words like “abolie” never turned up in my logs, and therefore were not available to reconstruct that line of The Waste Land.)

The code is happy to work with any plain text files. Supply it with a model text (in this case, Eliot’s poem) and a source text (in this case, my conversation logs), and it will do its best to shape the source text into the model text.

The first argument to the program is the source text, and the second is the model text. For example, from the command line, this would use aim.txt as the source and wasteland.txt as the model, and save the results to a text file named aim-wasteland.txt:
python interstitial-wasteland.py aim.txt wasteland.txt >> aim-wasteland.txt

It takes a while to run, and you won’t get decent results unless the source text is huge.

Here’s the full output: interstitial-wasteland-output.txt

And the output with the original poem in parallel: interstitial-wasteland-output-parallel.txt

A small excerpt of the raw output:

I… wasn’t going us, he’s DEAD!

April one is designed for inbreeding,
Memory Lane and stirring
Winter Olympic Games. of recovering
Earth, yet we and feeding
And let me tell for like an hour..by
Individuals can be dangerous though
I”m confused http://winter.squaw.com/html/squawcambig.html

-What are the current problems problems?- it grows
Out man,

The same excerpt in parallel with the model text:

I. THE BURIAL OF THE DEAD
I… wasn’t going us, he’s DEAD!

April is the cruellest month, breeding
April one is designed for inbreeding,

Memory and desire, stirring
Memory Lane and stirring

Winter kept us warm, covering
Winter Olympic Games. of recovering

Earth in forgetful snow, feeding
Earth, yet we and feeding

And drank coffee, and talked for an hour.
And let me tell for like an hour..by

In the mountains, there you feel free.
Individuals can be dangerous though

I read, much of the night, and go south in the winter.
I”m confused http://winter.squaw.com/html/squawcambig.html

What are the roots that clutch, what branches grow
-What are the current problems problems?- it grows

Out of this stony rubbish? Son of man,
Out man,

And the source code:

  1. import sys
  2. args = sys.argv
  3.  
  4. # I hard coded these for my local testing.
  5. #args = [‘self’, ‘aim.txt’, ‘wasteland.txt’]
  6.  
  7. # Set to true if you want extra output for debugging.
  8. # TK turn this into a command line parameters.
  9. verbose = 0
  10.  
  11. # Set to true if you want to show the original line above the munged one.
  12. # TK turn this into a command line parameters.
  13. print_original = 0
  14.  
  15. if verbose: print args
  16. if verbose: print ‘Take the text from ‘ + args[1] + ’ and model it after ‘ + args[2]
  17.  
  18. # Pull the filenames from stdin.
  19. source_file_name = args[1]
  20. model_file_name = args[2]
  21.  
  22. # Open each file. (Error handling would be good here…)
  23. source_file = open(source_file_name, ‘r’)
  24. model_file = open(model_file_name, ‘r’)
  25.  
  26. # Read each line of each file into a list.
  27. source_lines = source_file.readlines()
  28. model_lines = model_file.readlines()
  29.  
  30.  
  31. # Removes usernames from the start of a line, e.g. removes "OBRIGADO:"
  32. def anonymize(line):
  33.   if ’:’ in line:
  34.     colon_index = line.index(’:’) + 1
  35.     anonymous_line = line[colon_index:len(line)]
  36.     return anonymous_line.strip()
  37.    
  38.   return line
  39.  
  40. # Clean up line breaks.
  41. def remove_breaks(line):
  42.   line = line.replace(\n,)
  43.   line = line.replace(\r,)
  44.   return line
  45.  
  46.  
  47. # Gives index of element containing word.
  48. # Less strict than .index(string) since it finds partial matches.
  49. def word_at(string, list):
  50.   index = 0
  51.   for item in list:
  52.     if string in item:
  53.       return index
  54.       break
  55.     index += 1
  56.        
  57.   return -1
  58.  
  59.  
  60. # Go through the model and look for matches to the first and last words.
  61. index = 0
  62. for line in model_lines:
  63.   # Make sure it’s not a blank line.
  64.   line = line.strip()
  65.  
  66.   # Put in line breaks if it is blank.
  67.   if len(line) == 0:
  68.     print
  69.  
  70.   # Otherwise, start processing.
  71.   if len(line) > 1:
  72.     # Place each word in a list.
  73.     line_list = line.split(’ ‘)
  74.     first_word = line_list[0];
  75.     last_word = line_list[-1];
  76.    
  77.     if verbose: print ‘––––––––––––’    
  78.     if verbose: print ‘Line ‘ + str(index) + ’ starts with "’ + first_word + ‘" ends with "’ + last_word + ‘"’
  79.  
  80.     # Find first instance of first word in source file.
  81.     for first_word_line in source_lines:
  82.       if first_word in first_word_line:
  83.        
  84.         # We found the starting word, now find the ending word.
  85.         for last_word_line in source_lines:
  86.           if last_word in last_word_line:
  87.            
  88.             # We have both a starting and ending word match!
  89.            
  90.             # Clean up, remove line breaks and attribution.
  91.             # TK problem if match was in name?
  92.             first_word_line = anonymize(remove_breaks(first_word_line))
  93.             last_word_line = anonymize(remove_breaks(last_word_line))      
  94.            
  95.             # For the first line, save from the word forward.
  96.             first_line_list = first_word_line.split(’ ‘)
  97.             first_word_index = word_at(first_word, first_line_list)
  98.             first_line_list = first_line_list[first_word_index:len(first_line_list)]
  99.            
  100.             # For the last line, save from the word backward.
  101.             last_line_list = last_word_line.split(’ ‘)            
  102.             last_word_index = word_at(last_word, last_line_list)
  103.             last_line_list = last_line_list[0:last_word_index + 1]
  104.            
  105.             # TK remove blank stuff.
  106.             complete_line_list = first_line_list + last_line_list
  107.             if verbose: print complete_line_list
  108.            
  109.             # Construct a sentence as close to the original length as possible.
  110.             model_line_length = len(line_list);
  111.            
  112.             # remove words until we have the desired length.
  113.             # TK single word line problems?
  114.             while len(complete_line_list) > model_line_length:
  115.               # Pop from the middle.
  116.               complete_line_list.pop(int(len(complete_line_list) / 2))
  117.            
  118.             complete_line = ’ ‘.join(complete_line_list)
  119.            
  120.             # Print the original above the munged line.
  121.             if print_original: print line
  122.            
  123.             print complete_line
  124.            
  125.             # Print add some line breaks for readability.
  126.             if print_original: print
  127.            
  128.             break
  129.        
  130.         break
  131.        
  132.   index += 1

Feb 5, 2010 04:37 PM

Greg Borenstein 2011

The Prisoner's Dilemma: A Game

This is the current working draft of the "People" game my team is working on for Big Games. The Prisoner's Dilemma seeks to see if a group of prisoners can stick together long enough to pull off a daring prison break. In the process, they'll have to hold out against the crafty warden who works to divide and catch them.

Note: all the 'balancing' between the players and the warden in this game has been tuned for games with four prisoners as that's all we have available. Certain numbers such as nights of work needed to escape and points needed for parole points may need to be tweaked for larger groups.

Players

  • 1 Warden
  • 4-? Prisoners

Objectives

The prisoners have two ways to win:

  1. 1) Breaking out of prison
  2. 2) Getting paroled

The warden has two ways to win:

  1. 1) Parole a prisoner
  2. 2) Catch all the prisoners working before they escape

To break out of prison, the prisoners, as a group, must complete (6) nights of work on their escape. Each night, each prisoner has the chance to work on the escape or not. For each prisoner who works without getting caught, one night's work is completed.

If all (6) nights of work are completed, all surviving prisoners win and the game is over.

In order to get paroled, a prisoner needs to receive 3 parole tokens from the warden. The warden can give these out each round in exchange for information about who's working.

If a single prisoner is paroled, the game ends, that prisoner wins and the warden also wins.

The warden also wins if all the prisoners have been caught working without any of them getting paroled.

Playing

Each day, while the warden is sequestered in his office, the prisoners formulate a plan. They decide who will work and those who will place a work token secretly in front of them.

Once they have decided who is working and who is not, each prisoner, one-by-one, goes to visit the warden for a private conversation. If the prisoner and the warden come to an agreement, the prisoner gives the warden information in exchange for a parole token. If the prisoner does not agree to accept the parole token, no information is exchanged.

The warden can only give out one parole token per day. If any prisoner receives (3) parole tokens, then that prisoner is paroled and wins the game. The warden also wins.

Once the warden has visited with all the prisoners, the warden returns to the yard and chooses which prisoner's cell to search. It the chosen prisoner is working that night, he is caught and out of the game. If not, he is safe and remains in the game.

With the warden's back turned, the prisoners who successfully worked now place their work tokens in public. If they have greater than (6), the remaining prisoners escape and the game is over.

If the prisoners have not yet escaped, they get a chance to investigate each other for collaboration with the warden. At the start of the game, each prisoner is issued a shiv. At this point in play, any prisoner with a shiv can accuse one of his fellows of collaborating with the warden. If the accused has received any parole tokens from the warden, he is shived and out of the game. Otherwise, if he has none, the accused takes possession of the accuser's shiv.

If the prisoners have not yet escaped and no one has been paroled, the day ends and the next day begins.

Feb 5, 2010 03:29 PM

Rob Faludi Adjunct

GroundedPower on Fox Boston


Fox Boston ran an in-depth report on the initial results of the Cape Light Compact pilot that our GroundedPower project installed in 100 homes on Cape Cod and Martha’s Vineyard. We’re now taking this to at least six more municipal utilities, tripling the size of the pilot program. GroundedPower focuses on customer engagement—employing technology as a means to creating a desirable behavioral outcomes, in this case supporting energy efficiency in homes and businesses.

Feb 5, 2010 11:12 AM

Sara Bremen 2010

Schedule

In three-week periods, with much overlap. Research Historical points of departure Community building today Use of technology today Find case studies Art museum vs. cultural/historical museum Local vs. traveling In person vs. online Develop exhibit proposal Why and How Where and When

Feb 5, 2010 10:44 AM

Jason Aston 2011

Needs More Time – a somatic time piece

This past week, for the class Time, our assignment was to create a time piece based on or measuring one of the various bodily cycles: digestion, hair growth, skin renewal, menstruation, etc. As always, my viscera nudged me into a clean concept suffused with humor. I immediately thought of a nondescript box with [...]

Feb 5, 2010 10:38 AM

Arturo Vidich 2011

Email from Lotek/Biotrack

I received an email back from Biotrack (which is now a part of Lotek Wireless), a company that produces radio collars and other tracking devices.  Probably not what I need anyway– I’m not tracking in a huge territory, nor do I need to ruggedize so thoroughly. Plus they’re prohibitively expensive, unless I can borrow a receiver that can listen to the device… No GPS sized for rats! But Lotek does have these amazing pit tag data logging GPS devices for fish and birds that, at first glance, seem pretty amazing. Datasheets for several different kinds are downloadable here: LotekGPS and here: lat-tdr.

Jan 17

Dear BioTrack,
My name is Arturo Vidich and I am a graduate student at the Interactive Telecommunications Program at New York University. I am tracking wild rats in New York City to find out more about their secret social lives when they’re out and about, as well as in the burrow. This project will be funded (hopefully) by iLand arts residency and NYU.  Below are some questions and general interests in your products:

-Rats can sometimes get out of collars and chew through harnesses, so I am looking into biodegradable/ingestible glue solutions to affix the tracking devices. That way I don’t have to catch the same rat twice– the device will fall off on its own, and on the off chance the device is found it can be returned. Another option I’m looking into is a harness or collar that has a biodegradable clasp that will cause it to fall off within 7-14 days. Do you offer something like that?

-Given the short nature of the study period, a stronger signal with a shorter battery life would seem to make sense. The area I’m going to cover (pending rat range assessments) will probably not be very large, but I’m concerned about on-board data storage when the rats go into enclosed areas– I want to be sure that as much in-burrow activity as possible will be stored for logging later when the rat emerges– is that possible with your line of devices?

-One aspect of this project that I am considering is affixing a video recording device to get visual contact once the rat is out of sight. Does your company make any device, or have an interface on existing devices that could pair with something I build myself?

Lastly, if possible, could I have some quotes for this species, with the various options you offer?
Thank you!
Arturo

Jan 18

Dear Arturo,

Thank you for your enquiry and your interest in our products.

Biotrack specialise in VHF radio-tracking equipment for wildlife. I am afraid that none of our transmitters currently store data on board. The VHF transmitters emit a signal that can be detected with a receiver and antenna to locate each individual animal when you want to.

However, we do have receivers that can be set-up and left to detect presence or absence of the individuals in certain areas, the SRX-DL. I have attached the datasheet for this receiver for more information.

Previously for Rats we have supplied our transmitters on Brass or cable-tie collars. The brass makes the collars much more difficult to chew through. We can also supply transmitters that can be glued to the fur and these transmitters will fall off over time. The time that they will take to fall off is variable, especially if the rats will attempt to prise the tag off themselves. I have attached the datasheet for our small mammal collars for more information.

We do not make any collars with biodegradable clasps or similar break-away options but would be happy to make the collars so that you can add in your own break-away section.

We can also make these transmitters with activity sensors which change the speed of the VHF signal when the animal is moving and this signal rate can be logged by the DataSika.

Do you think that our transmitters and receivers could be suitable for your study?

Glue-on backpack transmitters start from 165 US Dollars and collars from 195 US Dollars. All prices exclude taxes, duty and shipping.

Our manual tracking receiver, the Sika or Biotracker, starts from 2,780 US Dollars, and with this you will need an antenna at 370 US Dollars. The SRX-DL (model B) for tracking our beeper transmitters is 2,995 US Dollars.

If you are looking for tags that continuously store location (and activity) data, you will need a GPS collar/backpack. However, these will not work underground as they will not be able to communicate with the satellites. We do not currently have any GPS collars small enough for Rats.

Please feel free to ask any questions and I look forward to hearing more about your study.

Best wishes,

Sarah

Sarah Walley
Technical Sales Advisor

Biotrack Ltd, 52 Furzebrook Road, Wareham, Dorset, BH20 5AX
Tel: +44 (0)1929 552992, Fax +44 (0)1929 554948

Biotrack is now part of Lotek Wireless.
Together we offer a greatly expanded range of telemetry equipment and expertise.

Small Mammal Collar

SRX-DL

Feb 5, 2010 10:15 AM

Rat resources (people so far)

I’ve compiled a list of people with whom I’ve had email contact in the last two weeks about my NYC rat tracking project. Some have been very helpful, and others have yet to reply.  If anyone reading this has any other insights into non-ITP people who would have useful expertise, or who might want to collaborate on this project, email me. The Wildlife Observation Tools class with Tom Igoe and Tony di Fiore is already panning out, and Marina Zurkow will be an informal adviser.

-Carolyn Kurle PhD (Dept. of Ecology, Evolution and Marine Biology, UCSB)
-Dr. Robert Corrigan (senior scientist in NYC Dept. of Health)
-Katherine McFadden PhD (Dept. of Ecology, Evolution and Environmental Biology, Columbia University)
-Natalie Jeremijenko (artist, engineer and scientist)
-Sam Easterson (artist and wildlife documentation specialist)
-Jennifer Monson (dance artist and iLand Arts director)
-Caroline Bragdon (NYC Health Dept.)
-Carolyn Weiss (Co-producer, “The World Without…” Science Channel)
-Cathy High (visual/media artist, independent curator, educator, possible dramaturge)
-Lorie Bierbrier DVM (Veterinarian specializing in rodents, dogs, cats)

COLLABORATORS I’M STILL LOOKING FOR:

-rat (a docile pet rat that I can size/fit tracking equipment to for non-invasive testing/optimization)
-tech (tracking devices, attaching sound/video to rats, visualizing data)
-video documentation (it’s really going to be a mockumentary, in a way)
-costume (I’m going to need help with this giant rat suit with motors, moving parts…)
-dramaturge (someone who will work on research and development, both conceptually and pragmatically)

These roles will be as collaborative as possible, but with any project, people end up doing more of one thing than another. Ideally, all these elements would be in dialogue towards an ultimate end project.

Feb 5, 2010 02:20 AM

Juri Imamura 2010

Facebook Fail

Facebook tweaked their design again on Thursday. This time I could not resist but to say one word: FAIL. I personally do not mind having some “UI enhancements (Tech Crunch)” if the changes are subtle and minor. I will calm down and sip a cup of English tea even if my profile menu moved from [...]

Feb 5, 2010 12:08 AM

Daniel Shiffman Faculty

New Processing Books

  

It seems like every day I hear about another Processing book being published (or soon to be published). Joshua Noble’s recent book includes Processing along with openFrameworks and Arduino: Programming Interactivity: A Designer’s Guide to Processing, Arduino, and Openframeworks. Processing for Visual Artists is another new book I know little about, but am excited to check out. And I’m particularly thrilled for the upcoming Getting Started with Processing. An inexpensive, short beginner’s guide is a big gaping hole in the landscape of Processing books and this book should fill it nicely. It’s really what I imagined Learning Processing: A Beginner’s Guide to be, but the book ballooned a bit into a more comprehensive beginner textbook. Hopefully Casey and Ben’s new book can introduce a lot of new people to Processing.

Finally, Ira Greenberg’s new book The Essential Guide to Processing for Flash Developers recently came out. And if you didn’t notice, I wrote the forward! Which, strangely enough, means that my name is somehow on the cover along with Ira’s. Which is pretty crazy considering that I only wrote a few short paragraphs.

Oh and I still am working on a The Nature of Code book, with more PDF chapters to be available soon!

Feb 4, 2010 11:28 PM

February 04, 2010

Jelani John 2010

she is the queen…

she is the queen…
and the troops are coming to get her.
roaring and thundering through
the night, they ride down the
backwood ways. she is the queen and
her hair
flows like silver. shutter windows close
as the hooves come crashing down.
she is a queen and
her blood will flow like water.
little does she know.
soon they will show.


inspired by carolina


Feb 4, 2010 06:46 PM

Lucas Werthein 2011

The Loving Thief

For our first assignment for Video for New Media, we had to make a still video based on the idea behind the french film La Jetee. Allison and I teamed together and we made a short film about a post made on the misconnections section of Craiglist. The post was:

Saturday night around 11:30. Outside kings cross station. You came out of the station and I followed you. You looked over your shoulder, saw me and started walking faster. I ran up, grabbed your arm, took your purse and ran away. I’ve done many a snatch-and-grab but no one has ever stuck in my mind like you. There was a quick moment when our eyes met that I felt something strong. I think you felt it too. If I wasn’t so shy (or so committing a crime) I would have asked your name. I, of course, later got your name from your drivers license. So Jennifer if you’d like to get together for a drink sometime get back to me.

Feb 4, 2010 04:59 PM

Allison Walker 2011

Spatial Media: Assignment 2, The (Kitchen) Table

My concept for this assignment was to make a kitchen table that mimics the surface of water. It allows the diners and the items on the surface of the table to be equal partners in the interaction experience. The PDF description is here and the OpenFrameworks zip file is here. I also found an excellent Processing [...]

Feb 4, 2010 04:12 PM

Belisario de la Torre 2011

Week 2 – Lego Crane

Luis and I met on to build a Lego Crane.  The crane used levers and pulleys two of the simple machines in mechanisms.

Photo Gallery

Lego Crane With Hand Crank from Russell de la Torre on Vimeo.

Lego Crane With Motor Winch from Russell de la Torre on Vimeo.

Feb 4, 2010 04:06 PM

Cindy Wong 2011

SMS: ITP Geek Pick Up Line Generator

Castlevania Heart by Loserkid5150

In the spirit of Valentine’s Day, I decided to create an SMS service that would help socially awkward nerds find other socially awkward nerds: ITP NYU Geek Pick Up Line Generator. Using TextMarks, I created an account and keyword that would trigger my  PHP script that prints out  a randomized funny (or terribly corny) line that nerds (may) relate to one another. I tried for some variety after using this as my source of witticisms.  Whether you’re a math geek, gamer geek, or coder geek, I hope you can enjoy this. How does it work? Text 41411 to NYUITP Geek and have fun with the response back! Who knows, maybe you’ll find a good ice breaker at your next social meetup.

Add on: I’m also flexing my n00b MySQL skills and created a table so I can log the frequency of people trying out this service for metric purposes. Privacy will be preserved since I’m only using this as an educational exercise. My original idea, Free Food Notification system @ ITP, didn’t have enough data to populate it as I was searching for free food deals in the NYU area and couldn’t find a consistent, up-to-date source. Looks like, it may be a work in progress for later.


Feb 4, 2010 03:42 PM

Jelani John 2010

modules – digital poetry

Thinking about modules and how different seperate elements combine to make whole complete elements. Which then in turn become modules that can used for other things.

Here’s the sound. ~link~.


I mixed a reading of “The Applicant” by Sylvia Plath I found on youtube with a remix I found on ccMixter by mogantj.

Feb 4, 2010 03:22 PM

Elias Zananiri 2010

Animation Module

This week’s assignment was to make a module so I made an animation sequence that begins and ends with the same frame: a simple circle.

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If the sequence is repeated, it creates a seamless loop. Another module can also be created and it will follow this one seamlessly as long as it begins and ends with the circle frame.

Click here to view the embedded video.

Feb 4, 2010 02:41 PM

Caroline Brown 2010

Thesis: Mood Board

Thesis Mood Board

Stuff it includes:
America Windows by Marc Chagall
Bioglyphs exhibit at MSU Bozeman
Rocky Shore exhibit at Monterey Bay Aquarium
Wind Board by Leah Buechley
Funky Forest by Theo Watson
Bestiary by me and Bryan Lence
Firefly by Jason Krugman

Music:
where_have_all_my_files_gone? by Rachel’s

Feb 4, 2010 02:13 PM