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September 27, 2005
Stanislavsky: Plasticity of Motion
In his discussion of motion, Stanislavsky suggests a mutually beneficial relationship based on structural form/mechanics that are consistent with inner motivation. His approach does not suggest a stylized ideal, instead he suggests one that is rooted in the mechanics of the body. This method which encourages self/physical awareness, reminds me of the Alexander Technique. Alexander Technique focuses on de-habituating the body to unconscious, repetitive patterns of movement, thought and sensation. Stanislavsky and Alexander Technique encourage individuals to deeply explore the anatomical functioning of their body and retrain patterns of movement.
Within the context of this class----how do we apply this notion to architecture or spatial design? Physical extensions of our bodies protect and shepherd us. Associating this principle of inner/outer cohesion to such structures might allow for an economy of human action that would better serve the needs, materials and individuals using the space.
A yielding architecture, would adapt to seismic shifts, light changes (like the phot-sensitive apertures that cover the surface of l’Institut du Monde Arabe in Paris), and other conditions or uses. Within the adaptability these spaces must be strong and flexibile. A body that is open to dynamically adjusting in relation to the moment is generally strong and resilient—so too one can imagine an elastic and intelligent space that is unyielding in its strength.
A good place to start would be studying the use for a space and the movement patterns that will frequent it. For this week’s assignment, I chose to examine the sequential movements of a polar bear underwater. In this scenario water serves as a powerful model for a responsive and strong interior space. It seems that it would be appropriate to examine the structural properties of water as a beginning.
Posted by Kati London at September 27, 2005 03:15 PM