anna pinkas
one in an ongoing series of diptychs
2010
Pinhole photography, graphite drawing
The photographs and drawings in this series of 10, are fragments of life on location movie shoots in New York City. For the past six months, I have researched and followed these temporary microcosms constructed to materialize fictional narratives. The pinhole camera aims to echo the transitional time-frame inherent to movie-sets: caught between real-time and cinematic pace. The members of the crew portrayed in graphite become characters within the production narrative overlapping with that of the film being shot.