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January 31, 2006

Nam June Paik, 1932-2006

NamJunePaik.jpg

I lived right behind the Posco Bldg on Tehran Rd, in Seoul. His work was permanently exhibited inside this bldg. I clearly remember all those TV screens flickering...

RIP
Nam June Paik
1932-2006
Fluxus Video Artist

http://www.paikstudios.com/
http://en.wikipedia.org/wiki/Nam_June_Paik

Nam June Paik passed away at his Miami home at 8:00pm EST on Sunday, January
29th, 2006.
http://msnbc.msn.com/id/11098552/

Funeral Information:

Memorial services will be held at Frank E Campbell Funeral Chapel at
1076 Madison Avenue at 81 St. (phone 212-288-3500) New York City,
this Friday, February 3rd, at 3 PM. There will be a viewing at the same
location on Thursday from 11 AM to 8 PM.

Cards and letters of condolence should be sent to:

Nam June Paik/Shigeko Kubota
341 Lafayette St, # 4306
New York, NY 10012
USA

In lieu of flowers, contributions can be made to:

EAI (Electronic Arts Intermix)
535 W 22nd St, 5th floor
NY, New York 10011
212-337-0679

PRESS INQUIRIES should be made to Ken Hakuta at 202-669-7477, or to Dolores
An in Korean at 845-220-7870.

Posted by min at 11:28 PM | Comments (0)

High Tech Art, is it merely a trend?

hitghtechart.jpg

I've been asking myself this question for the longest time. Is high tech art really just a current trend that everyone's raving about? As brought up in the reading, where DOES one draw the line?

I completely agree with the fact that the art should not be driven by the technology available today. The technology is only a tool to the artists that aid them to realize what they exactly have in mind. It's a tool similar to the way monkeys may use tools to get certain things done. I've seen so many pieces that are just purely technical, where artistically and conceptually, does not carry through. There is a strong distinction between an artist and an inventor.

"High-tech artists do not necessarily engage in science... Technology is seen as "knowing how," while science is seen as "knowing why."

fi·nite (fī'nīt') pronunciation
adj.

1.
1. Having bounds; limited: a finite list of choices; our finite fossil fuel reserves.
2. Existing, persisting, or enduring for a limited time only; impermanent.
2. Mathematics.
1. Being neither infinite nor infinitesimal.
2. Having a positive or negative numerical value; not zero.
3. Possible to reach or exceed by counting. Used of a number.
4. Having a limited number of elements. Used of a set.

Posted by min at 10:28 PM | Comments (0)

PlasmaProject Update

Todd, Tracy and I tried to figure out the preamp box tonight. We opened one up and looked up the part number and found out that they were using a separate preamp component used for car sound systems!

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KIA6280H

We're going to try and build our own preamp boards soon. We're a little confused about the transformer section, but we believe that this does not play a very important part in the whole setup.

We'll be using the preamp component instead of trying to build our own using the LM386s.

We'll be meeting again to discuss about the project and what kind of first application we could come up with using these.

Interesting read on the film speaker.

Posted by min at 10:14 PM | Comments (0)

Todd Holoubek's father...

Was the inventor of the iron on T-shirts in the 70s.
I learn new things every day.

Posted by min at 09:23 PM | Comments (0)

A set of rules

In the classroom.


1. One person in the classroom.
2. Place 2 gray chairs side by side with the seat facing up.
3. Go on top of the seat.
4. Get as many people on the seat as possible onto the 2 seats.

Posted by min at 05:35 PM | Comments (0)

Types of Sensors, interfaces 01.31.06

Review of assignment

  • hystereses: the circuit itself may carry a lot of noise. ex. breadboard. Trying to detect the slope change of the sensors may be more effective. How long is the slope being maintained until the change?
  • Flex Sensors: the base part of the sensor should be stable to get proper readings from the flexing.
    IMG_1465.JPG
  • CAPACITORS
    ex. decoupling capacitors- time delay the passage of electricity. this is the same way we'd protect our computers from a possible sudden, voltage drop. A capacitor before the sensor may smooth out the electrical flow for a better reading.
    IMG_1466.JPG
  • IR sensors from radio shack
    The emitter and the transmitter. In regular transistors (base, collector and the emitter), electrons are sent into the base that fill holes and lets current pass through the collector and the emitter, creating a "gateway"
    IMG_1467.JPG

    The transmitter in the IR acts as a transistor w.o the base. The phototransistors in the IR uses photons, instead of the electrons. Light comes into the IR and charges the sensor.

  • When searching for datatsheets, the manufacture's part number is found on the part itself.
  • Changing the voltage in a circuit depending on the sensor could give us better and wider readings. That same voltage goes into the analog pin of the PIC
  • ADCON 1 register: we can also change the VREF on the PIC
    VDD of the PIC becomes the automatic VREF but we can also reference it separately
  • Photocells: look into the light spectrum sensitivity on the datasheet
  • Use the new processing version to create a separate app to observe sensor datalogging for a longer period
  • TwoByte Sender: sensorVar.highbyte and sensorVar.lowbyte

    Sensor Interfaces

  • physical and the electrical interface

    Flex Sensor

  • graphite structure inside that changes the resistance of it

    Piezo Sensor

  • vibration
  • creates a charge inside- voltage
  • with most piezos we need to use an opamp to get any kind of values
  • limit the range using a zener diode
    this charges up to a certain point and then stops it. ex. in XPORT circuits
    IMG_1468.JPG

    Different types of sensors, true analog sensors

  • change in capacitance
    IMG_1471.JPG
  • change in voltage
    IMG_1470.JPG
  • change in resistance
    IMG_1469.JPG
  • change in frequency: measure the frequency / pulses using the PIC



    RC circuit
    (resistor capacitor circuit)

  • RCTIME command in the PIC to show you when the state of the pin has changed. Initially taking the pin to low then waits until the pin goes high again.

    Ref from MCS
    RCTIME Pin,State,Var

    RCTIME measures the time a Pin stays in a particular State. It is basically half a PULSIN. Pin may be a constant, 0 - 15, or a variable that contains a number 0 - 15 (e.g. B0) or a pin name (e.g. PORTA.0). RCTIME may be used to read a potentiometer (or some other resistive device). Resistance can be measured by discharging and timing the charge (or vice versa) of a capacitor through the resistor (typically 5K to 50K). The resolution of RCTIME is dependent upon the oscillator frequency. If a 4MHz oscillator is used, the time in state is returned in 10us increments. If a 20MHz oscillator is used, the time in state will have a 2us resolution. Defining an OSC value has no effect on RCTIME. The resolution always changes with the actual oscillator speed. If the pin never changes state, 0 is returned.

    Example

    LOW PORTB.3 ' Discharge cap to start
    PAUSE 10 ' Discharge for 10ms
    RCTIME PORTB.3,0,W0 ' Read potentiometer on Pin3

  • use this when there are not enough analog inputs, we can get a wider range than ADCIN
  • can carry more noise
  • detects the change in time for a capacitor to discharge
  • can be slower than the ADCIN but not too significantly
  • can apply with sensors that change in resistance, voltage and capacitance

    Posted by min at 12:55 PM | Comments (0)

    January 30, 2006

    Sensor and Time Assignment

    It was hard to get back into the pcomp mode once again...

    I did the assignment with an FSR (force sensor) and a flex sensor. Initially, I had no problem getting values using the serial communicator. I had placed a pot (variable resistor) so that I could control the resolution of the sensor values.
    IMG_1454.JPG
    IMG_1457.JPG

    PIC code

    However, in Processing Datalogging, I wasn't able to see any change in graphics.
    Processing code by Tom Igoe.
    processing.jpg

    I had fogotten to just do serial out on the [ADCvar] in the pic code. After the error was found, I was able to see some changes in graphics, but not too evident.
    Untitled-2 copy.jpg

    I was able to use 2 different sensors to see the different values being output using serial communication.
    IMG_1459.JPG

    PIC Code.


    Posted by min at 11:49 PM | Comments (0)

    The Coming Age of Calm Technology

    I enjoyed reading this article by Mark Weiser and John Seely Brown.
    I was quite surprised by the fact that people had such ideas in 1996, when personal computers and networks weren't as available to individuals.

    The first sentence of the articles is powerful, "What matters is not technology, but its relationship to us." Technology is only a tool that people use to facilitate their lives. It can not be the core factor in life, nor can it be disruptive to us. So the relationship is something that I've always asked myself about. There are so many peripherals today that we all own. However, I sometimes get all wound up in the whole idea of the cool gadgets and techs and I find myself feeling overburdened by these new technology.

    It is important that as artists, engineers and inventors at ITP, we try to embed this idea of "calm technology" into our projects.

    I was recently in Korea over the break and learned quite a lot about the new ubiquitous city, in development, the Song Do City, Incheon. It's a city where the whole community will be networked, creating smart homes, appartments and environments that is aware of the human activity. Even today, in Seoul, there are new apparments in the city where the appliances and the utilities within a home is networked. One could use their cell phones to connect into their appartments to check in on the heating, gas leaks and possible burglaries. One could even monitor the humidity and oxygen levels.

    "Ubiquitous computing is fundamentally characterized by the connection of things in the world with computation." When this is true, it is essential that the user should have the choice to stay out of all this networking. The user should NOT be overburdened and he should be able to have complete control.

    Personally, I find that my cell phone for instance is a form of calm technology. I may choose to leave it on vibrate mode, ignore it and get back to it when I can. However, the email application is not "calm" to me what so ever. Constantly notifying me of the emails that I get that require my attention. I can choose to ignore it, just like I would with my cell phone, but currently being a student, it's my habit that I choose to put emails at a higher priority.

    Interesting recent read, Real-time design in the "world as spread-sheet"

    Posted by min at 02:09 PM | Comments (0)

    Calm Technology, Xport 01.26.06

    Discussion

  • My ass is in traffic radio show, a community, disperse information in real-time

    Calm tech, with the abundance of info, computers, gadgets and peripherals that are widely available today, it has to be a form of passive technology.

  • Indoor, inner office windows: we keep the outside in mind, but this does not require any kind of technology
  • emails: non calm tech, when we get notified of our messages, the application switch within the computer is almost disruptive. expensive contact switch
  • predicitive tech, sensory tech
  • different levels, ways to contact people?
  • sender, receipient (person specific) the tech needs to be smart.
  • Major contact switch: switching from one app to another. disruptive to the primary task
  • personalization of the networked objects is a must. give this option and preferences
  • smart homes? Ex. SongDoCity, Ubiquitous City, Korea
  • presupposing certain things depending on the audience and user
  • visual and audio cues
  • are the users going to become familar?
  • basic expert modes: machine knowing what the user exactly wants
  • smart apps that konw how you use it and adapts accordingly

    OSI [Open Systems Interconnections Model]

    More info in this link.

    7 layers

  • physical: the medium when it happens. ex. ethernet
  • datalink: what is going across this hardware. ex. bits, electrons
  • network: how things are moved about. ex protocols, IP addresses
  • transport: way of how things move about. ex. TCP/IP, UDP for us, quicker than TCP (info moves faster but we cannot see if it's been received)
  • session: type of connection ex. ftp
  • presentation
  • application

    Any of these layers can be removed and won't affect the other layers below it.

    Control Issues in Networks

  • immediacy: needs to be considered in networks, delays etc, communication between two objects, worldwide/locally
  • information formatting: talking to a remote server when I have no control over it on the other end, need to consider errors, systems etc, in case of failures

    Xport, the communication
    IMG_1450.JPG

    Posted by min at 01:17 PM | Comments (0)

    Generative Artists 01.25.06

    Generative Art = Using generative processes to create art

  • It is merely a "way" of making art and not a type of art
  • "math"
  • painting: there is a direct feedback in this process of making itself.
  • generative: unpredictable
  • coincidence? mistakes? does math have to be in place?
  • the intentional process over time, conceptual art,
  • pollack? generative artist?
  • generative? reactive?
  • predictability/ unpredictability?
  • complex systems
  • generative methods: the fibonacci numbers, applying rules found in nature

    Artists

    Rube Goldberg
    Damien Hirst
    Catherine Chalmers
    livingsculpture.com
    Eshel Ben-Jabcom
    Tulum
    Tara Donovan
    Amy Youngs
    Christo and Jeanne-Claude
    potatoland.com
    Cloaca Original

    Posted by min at 01:09 PM | Comments (0)

    Class One 01.18.06

    Class structure
    Class link

    Required text book: Information Arts by Steven Wilson. Thank you Alice for lending me your book! :)

    Generative Art?

    Set up rules then the art comes along from it. Set up our own rules.

  • generators
  • producing
  • evolving
  • over time
  • life of its own
  • systems
  • patterns
  • transducer: translating one form of energy into anther
  • emergence
  • unpredictable
  • viral

    Definitions from Answers.com

    Posted by min at 12:37 PM | Comments (0)

    January 29, 2006

    Class one 01.19.06

    Class structure
    Class link

    Three hardware projects

  • One pair assignment
  • Two production : mid term and final

    Reponses on readings on blogs

    Discussions on networks today

  • Reward on the user side to interact w. the network? ex. games
  • MOB mentality : larger, outnumbering the odds, social hierarchy, the idea of inclusion, groups, social patterns

    Posted by min at 02:11 PM | Comments (0)

    January 28, 2006

    Sensors and Time 01.24.06

    Schematics show how the parts are electrically related.

    Voltage divider
    IMG_1406.JPG

    We can find out how much V is depending on the ratio of the X resistance.
    IMG_1407.JPG

    Raising the voltage in cases of audio.
    IMG_1408.JPG

  • Changing the ratio of the resistance = bigger range of sensor data

  • Measure the resistance needed for sensor by using a pot as the fixed resistor.
    Ex. When tuning of the circuit.

    Taking in and reading 2 relative voltages.
    IMG_1409.JPG

    ADC compare: comparing two different analogs.

    CODE: (ADC ins are 10 bits)

    ADCON1
    Special function registers, preference settings: how fast it samples, how many bits move.

  • VREF + PIN … add the max voltage that can go in here.

  • Sensors that can only read up to 3.3volts

  • Negative numbers from the PIC loops itself back to 255 max and then minuses again.

  • ADCON0 for clock conversion.

  • 18F2525: 13 ADCs

  • “DEC” result in ascii encoded decimals, Raw byte into DEC


    In case of force sensors.
    IMG_1411.JPG

  • Establish a threshold

    Code for keeping track of past and the current

    Beginning

    IF (past <=threshold) and (current> threshold)

    End

    IF (past >=threshold) and (current

    Peak

    IF (current>=peak) then peak= current

    Finding local peaks

    IF (current<=past) and (past>=ancient) then local peak=past

    problems- noise


    Visualization of sensors over time

  • Using “processing” for data visualization

  • Reading in as bytes, hence, the max value is 255

  • When graphing, consider all the parts to translate this data.

  • Visualization: look from the end system, what is it going through? Make sure that the data is exchanged correctly.


    Posted by min at 03:58 PM | Comments (0)

    Basics of Sensors 01.17.06

    What is a sensor?
    Converting one form of energy into another.
    How can we exchange energy forms?

    • RFIDs (Radio Freq Identification) embedded into pets to locate and track them.

    • Inductance: When current is passed through a wire, it generates a magnetic field. Ex. Motors, radios etc

    • Passive RFIDs : Reading the bounced back energy; the difference in signals.

    • RS232 : Serial Protocol

    Class Requirements

    Sensor Report: individual
    • What the sensor does
    • The interface
    • How to use it
    • Schematics and codes

    In-class sensor reports
    Reading and questions of the datasheets


    When looking at different sensors, we look at
    • Its stability
    • What energy it reads
    • States in analog, the sensitivity (threshold) and the range of voltage that we get
    Threshold: The point at which a signal (voltage, current, etc.) is perceived as valid.
    • Dynamic range input and the output range
    • Resolution in different applications, what resolution does our application need?
    • Temporal resolution (the time that affects the sensor), depending on the response time. Ex light switches, when they don’t react in time, we may end up switching it a few times. HMI lights ((Hydrargyrum Medium arc Iodide) A flicker-free light source recommended for digital cameras that require long periods of exposure) take a while to turn on. In this case, the output is taking long.
    • Bandwidth of sensor : how fast it can read.
    • Transfer: how does input become an output? Linear growth. y=mx+b
    Non-linear growth: usually the end points, the data that we can not work with.
    • Hystereses in sensors : contained in one zone that shows a range of possible relationships in the readings. Variability within a range (bouncing on and off)
    • Debouncing in switches: allows the values to settle.
    • Noise: values that you don’t want in the readings. High signal to noise are reliable sensors. Which means that the hardware itself filters out and averages.


    Negative feedback (to the direction going): reverses the data received.
    Positive feedback: amplifies the data received. Ex in EEG system
    When tiny voltages are involved, we amplify the signal to a particular point to get better readings. This may cause the signal to increase faster when it is rising

    Reading sensors
    Digital Oscilloscope: To read sensors over a long period of time. Reading the electrical signal change. One can look at the signals very closely
    Channel 1, VOL TS-DVV to amplify visual and to read finer resolutions.
    SEC/DEV

    Posted by min at 03:37 PM | Comments (0)

    January 26, 2006

    James Clar's latest work

    2004 ITP alum, James Clar came up in our discussion once again. I absolutely love all his works.

    This time, Interactive Architecture! I'd love to see this bldg in real life. I've seen his other works but this is definately something a lot grander in scale!
    Interactive Architecture dot org featured his works.

    One vid, featuring his work.

    Posted by min at 01:36 PM | Comments (0)

    January 24, 2006

    Generative Artists

    immanent cosmos.jpg

    I've decided to look at the works of my friend, a new york-based artist, Eun Joo Shin.

    I quote,
    "First, I distinguish the different physical uniqueness of a human with the idea of the four primary elements derived from the ancient Greek philosophy. These four elements, soil, water, fire and the air represent the physique, blood, energy and the soul in the human body. These elements interlace distinctively to create a novel human physique and furthermore, the entire universe... Every human being has its very own soul. Even though a human clone may physically be replicated, its soul is not. My kinetic sculpture installation, “New Family,” consists of six round-shaped objects, which symbolize the “human embryo.” These objects interact and re-act off of one another. Based on the idea of genetic cloning, one unique light source stimulates and affects the other “human embryos” with its same behavior. The six separate objects generate their own sounds, which imply their unique soulfulness."

    This piece in particular has 6 globes that have a life of its own. They interact with each other and constantly interact with one another.

    albagreen.jpeg

    Another artist that struck my attention is one of my professors back at the School of the Art Institute of Chicago.

    He had created a fluorescent bunny that would glow green when blue light was lit on. He had realized this by combining the genes of the jelly fish with the rabbit. Is this generative? I'm still not quite sure...

    "My transgenic artwork "GFP Bunny" comprises the creation of a green fluorescent rabbit, the public dialogue generated by the project, and the social integration of the rabbit. GFP stands for green fluorescent protein. "GFP Bunny" was realized in 2000 and first presented publicly in Avignon, France. Transgenic art, I proposed elsewhere, is a new art form based on the use of genetic engineering to transfer natural or synthetic genes to an organism, to create unique living beings. This must be done with great care, with acknowledgment of the complex issues thus raised and, above all, with a commitment to respect, nurture, and love the life thus created."

    While browsing for some different artitsts, I've noticed a strong connection between human genes / biology and generative art. Multiple artists have attempted to translate the rules, patterns and the functionality into an art form. Some art work suggest this quite evidently, some, a little difficult to see its system.

    Posted by min at 05:45 PM | Comments (0)

    Come by here for more inputs

    soon.

    Posted by min at 12:56 PM | Comments (0)

    January 22, 2006

    Preamp and the Plasma

    IMG_1298.JPG

    Got to figure out the preamp part.

    Posted by min at 06:39 PM | Comments (0)

    January 20, 2006

    PlasmaIonSpeakers Tested

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    Todd H and I tried out the 2m sheet that I brought back from Korea. The cool thing about these is that the sound changes as one bends the sheet, changing the EQ as you play around with it.

    See here for their website.

    As of now, the COO of the company has agreed to give me 1m for $100. If you get the sample set, it's $150 for the film and the preamp box and the power supply. When only the film is ordered, it comes in 35cm in width and whatever length. The sample film is about 10" by 8". I'm sure that we could build the preamp part and experiment with different ones to get different sound qualities out of them. When the film is bent, it produces a louder, more fuller sound.

    I will email him and let him know as to how many people are interested in purchasing. Let me know how many meters you would like to purchase.

    Email me if you need more details.
    min.lee@nyu.edu

    Posted by min at 12:23 AM | Comments (0)

    January 19, 2006

    ThinkGeek

    glitter-bingirl.jpg

    A surprising gift in the mail.

    Thank you! :)

    Posted by min at 02:42 PM | Comments (0)

    USB PIC programmer, melabs

    Exchanged my serial usb programmer with the USB one that's just come out of melabs. It is on its way!!!


    Our latest PIC® Programmer is driven and powered from a single USB port on your computer. No additional AC power adapter is needed. The programmer is recognized by Windows as an HID (Human Interface Device) rather than a virtual serial port, simplifying driver installation.

    The programmer consists of two parts. The programmer board is specifically designed for In-Circuit Serial Programming (ICSP). An adapter is included to allow the programming of DIP-packaged PICs from 8 to 40 pins. The programmer is compatible with the complete line of Programming Adapters. This allows you to program almost any ICSP-capable PIC in almost any package.

    The new design is small and compact. The programmer board measures only 1.5" x 2.3". A dual color LED indicates programmer status. The connection to the computer is via a standard USB cable (Type-A male to Type-B male).

    Posted by min at 02:31 PM | Comments (0)

    Music Column comes to a close

    IMG_1256.JPG
    IMG_1253.JPG

    Working with Jin Yo has been more than inspiring and rewarding to say the least. Even at the end of the semester, I was really excited to make it down there. It's almost like going into a play area, a little different from the one at ITP.

    Just sitting in his studio and observing and listening to him is more than what I could learn in a single class.

    The music column project has come to an end here in NYC. The full installation will go on in Jeju Islands, Daum Headquarters in Korea for the opening on the 16th of Feb 2006. I hope everything just comes together for him over there. He made everything from scratch! From looking at his project, I've noticed that he's a pefectionist. Jin Yo knows detail and is a fine crafter. I'm just lucky he decided to use my help.

    Jin Yo worked with a professional engineer, Steve Hirschman, to get some help in the audio part and the serial communication part.

    Can't wait till he comes back in Feb to start his new project.

    Posted by min at 01:56 PM | Comments (0)

    January 10, 2006

    SMLEDs

    IMG_1196.JPG

    I really like them.

    Posted by min at 06:58 AM | Comments (0)

    PS1 Visit

    IMG_1207.JPG

    Went to PS1 in Long Island City with JD today to see a big "pcompy" exhibition.

    IMG_1210.JPG

    Jon Kessler, The Palace at 4 A.M, encorporates video work and motors with interesting print work. H e dealt with current political issues in the US as a theme for this work. My personal reaction is that the artist showed a little too much of this working process as a whole, and that the piece seemed too complicated and a bit hard to comprehend at times.

    "All of the apparatuses used for The Palace at 4 A.M. are in plain view. Thus, the wires, gears, cameras, motors, etc. constitute the body of the work itself, creating yet another dual relationship. Though Kessler demystifies the physical structure, it also serves to further mystify his manipulations; viewers must trust themselves to ponder the power of each image despite that fact that everything is visible to the eye."

    Posted by min at 06:46 AM | Comments (0)

    January 09, 2006

    Final PCBs

    IMG_1194.JPG

    Think we soldered for a good 12 plus hours! :)

    Posted by min at 09:36 AM | Comments (0)

    January 07, 2006

    Inbar Barak

    Random sitings.
    Amazing work by Inabar, DIMobile. Can't wait to see it on the streets everywhere.

    Posted by min at 09:18 AM | Comments (0)

    Outtings in Korea

    IMG_1168.JPG

    Went to Bitforms Korea. They had Michel Joaquin Grey's exhibition. His large prints and interactive screen based projects that he worked on. Pretty cool work. Amazing visuals.

    Too bad I'm going to miss Danny Rozin's opening on the 13th. Those in Seoul, please have some pics to share! :)

    On my way back saw a v. pretty store front.

    IMG_1185.JPG

    Posted by min at 09:11 AM | Comments (0)

    January 06, 2006

    Korea, YongSan

    Ended up going to the candie stores before my departure. Fun things! Found a very cool speaker place.

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    Posted by min at 11:53 PM | Comments (0)