Archive for January, 2010

Big Brush & Birdsong

Thursday, January 28th, 2010

Big BrushSong
This project is inspired by the work of Kazuaki Tanahashi and the big brush calligraphy in the Zen tradition.

Kaz Tanahashi

Kaz Tanahashi's "White Enso"

This first iteration of “BrushSong” is a the large brush that paints both with ink and with birdsong. As the brush moves, it modulates the volume of bird recordings according the the movement of the brush on the x and y axis. In its next iteration, I’d like to make the brush fully wireless, making more ready for real performance.

Here’s a recording:
Birdsong


Big BrushSong

Performance for final day.

Performance for final day

I left My Heart at Brooklyn Bridge

Tuesday, January 26th, 2010

Wishing locks

Listening for Locked Secrets

Concrete purring
Rubber tympanies
The bells of people’s voices
Wood on steel
Steel on wood
Surprise
Delight
Splendor
Surrender

The sound of surrender
Hurtling thru space
The moans of velocity
The pensiveness of wind thru rails
Wires humming
Below the ear
Just below hearing
Sound above below front side and center
Swirling all around
It’s a circus

Brooklyn Bridge
1.26.10

Skin Scripts

Wednesday, January 20th, 2010

A Tentative Project Proposal:

This project is to be executed in two parts. The first as an installation at Project Row Houses, Houston, TX and the second at the exhibition “Drawing Out Conversations” in Taipei, Taiwan.

Much of my work is around hybridity as it surfaces in mark making and meaning making in diasporic culture. At PRH, I am interested in creating an installation engaging the Filipino and surrounding communities around Baybayin, an almost forgotten indigenous Filipino script that predates the Spanish colonization but was virtually eliminated by the end of 400 years of colonial rule. It has enjoyed a resurgence in the US in the form of tattoos as a way to mark and trace identity. What I’d like to do is tell the story of the script as a means of telling the story of what happens to people in diaspora. In the story of Baybayin is the story of the Philippine people, the legacy of imperialism and the evolution of hybrid transnational cultural identity across the world.

A print from the colonial manuscript "Doctrina Christiana" (1593) showing a Spanish friar with traces of Baybayin script in the illustration.

Map of the Spanish East Indies (Colonies in Southeast Asia)

For”Drawing Out Conversations”, I would like to present a multi-channel animation piece that draws from Filipino and Chinese myths, language, and writing to tell the story of my experience of the Asian diaspora. I will be taking inspiration from historical illustrations, painting, and calligraphy to create a dreamscape that follows follows the flux of people and culture through time–taking  an intimate personal look at the legacy of colonization, migration, assimilation, hybridization, and nostalgia.

Int'l Boxing Champion Manny Pacquiao on Baybayin.com

(Roughly, the text in this image “Ang mamatay nang dahil sa ‘yo” means “To die for you”)

On flocking: Richard Barnes’ Starlings

Tuesday, January 19th, 2010

Richard Barnes' "Murmer"

In thinking about the application of natural processes in technology, I was reminded of Richard Barnes’ work which I saw in the exhibition “Dark Matter” at the Yerba Buena Center for the Arts in San Francisco. There is another piece that I saw in Miami where he took the patterns he photographed in starlings and applied it to a multi-media piece in the form of a light box that framed a moving “painting” of the birds. It was really elegant and beautiful, I wish I could find it on the web to post a video.

But here is an unrelated video of starlings moving in unison to rebuff an attack from a falcon:

The Starling Defence