Issue 13: Ornament
Objects











I would call myself a collector. I have a hard time letting go of trinkets, memories, and people. My bedroom walls are covered in photos, collages, notes, and drawings; every surface has a dish for jewelry or lighters or rocks, and in the corner of my room, I have a classical-style bust of a woman’s torso. The first thing I do when I move into a new place is decorate my room with the physical manifestation of my memories. But sometimes memories sour and their ornaments simply become reminders. I wrote this poem in a moment when I felt very similar to those objects left behind, and left on display.
I write poetry to process emotions and often start a poem by writing a bunch of phrases to describe a current feeling or memory I’m sitting with. From there, of course, I rewrite, cut, and write more… but a lot of my time editing is spent arranging, much like I arrange the ornaments in my room. I saved 11 versions of Objects throughout my time working on it. Even when I had the final poem, the one I was truly happy with, I still thought about the previous 10. Together they show a process, but apart they are just a memory or an underdeveloped feeling. I wanted them to be included in the composition for Objects, but also to be situated as unlike the 11th poem. So, I created 10 collages to introduce it, using the 10 poems and photographs from my camera roll. I chose pictures that were related to the imagery or specific phrases in the poem, like pictures of myself, my bedroom wall, physical collages, and relevant art / artifacts I had captured while traveling, such as Bernini’s statue, The Abduction of Proserpina. I wanted to layer my memories while also placing myself as a character in conversation with the objects I felt so similar to.
Those 10 previous versions are mainly decorative, consisting of photos that are probably on my wall and words that are difficult to read, but they carry a feeling still, something necessary. At least, that’s how I see it… though I do have trouble letting things go.
The first 10 versions of Objects are ornamental, so that the 11th can arrive with purpose.
objects
all my deficiencies
a paper plane receipt
on it dust collecting,
enough to put me in my place.
all the ways that I’m left wanting
a wood-cut print,
the midst of falling
I can’t be rid, but I’ll make space.
these here are my failings
a necklace in my pocket,
an absent sort of following
and I’m sickened by the chase.
delirious from your disownings
yes, you and you and
you is just a collection of things
my gathering of curated waste.
if I stand for long enough, all statuesque,
in contrapasso
up high, and so untouchable, right back up & on my pedestal
I will collect myself, I will.
and suture up a pretty (worthy) face.
what makes an object artifact
time and time and time and
how could I possibly last forever
time and time and time again
a cheap antique with not one buyer
Put that bitch right back on sale!
so I’m partial to the returner
though they love to stop and stare
It’s far too pricey to dissect her
I’m on the table: please rate me fair
It’s enough for us to window-shop
all that exotic wear and tear
So can we watch?
Can we gawk?
Will you let us play?
Film it for us, would you?
all that pain, it seems so lovely,
when you put it on display!
