For this session, we will delve into the hot topic of "cultural appropriation" in the arenas of fashion, tech, gaming, music, and other sectors—especially as relates to and impacts Indigenous Peoples around the world (and others.)

Uncountable images, sounds, stories, formulas, and information sources are accessible to anyone with a phone or computer today, too-often disconnected from their original creators, cultures, and context—as such, far too often presumed as being "there for the taking" by all. Traditional copyright and trademark protections can be insufficient to address the issue of who gets to decide who can (and cannot) create and/or use and/or reproduce something.

Meanwhile, inauthentic and often offensive and stereotyped projects, performances, and products persist in the public imaginary and, too often, the marketplace. The term "tribal" is thrown around as a generic catch-all description for all kinds of things, intending to evoke Indigeneity, yet not actually specific to any actual tribal people, culture, or aesthetic. Confusion abounds! The tide is changing, but not fast enough.

We'll discuss what makes for ethical engagement, as well as equitable partnerships and licensing by mainstream, non-Indigenous entities. Also, you will learn about FPIC (free, prior, and informed consent)—a rights-based approach that prevails in current discussions with regard to (for a few examples) the World Intellectual Property Organization (WIPO,) the World Trade Organization (WTO,) and the United Nations Declaration on the Rights of Indigenous Peoples.

This session will include checking out some examples of appropriation (the wrong way) and some hopeful notes of appreciation and collaboration (the right way.) I look forward to an open, earnest conversation about complexities and nuances around the issue.