{"id":1986,"date":"2022-09-13T03:14:45","date_gmt":"2022-09-13T03:14:45","guid":{"rendered":"https:\/\/itp.nyu.edu\/lowres\/critex-monika\/?p=1986"},"modified":"2022-09-13T03:14:45","modified_gmt":"2022-09-13T03:14:45","slug":"emergent-strategy-response-7","status":"publish","type":"post","link":"https:\/\/itp.nyu.edu\/lowres\/critex-monika\/2022\/09\/13\/emergent-strategy-response-7\/","title":{"rendered":"Emergent Strategy Response"},"content":{"rendered":"<p><strong>Principles<\/strong><\/p>\n<p><strong>Q: Do you find any of these principles more difficult to achieve than others in your own creative practice? How?<\/strong><\/p>\n<p>I find many of the principles difficult to achieve or maintain. For example, I don&#8217;t do very well with <strong><em>change<\/em><\/strong>, even though I agree, that <em>change<\/em> is constant, and to the extreme, Change IS god. I am not very good at adapting to a new environment, and often time, before I noticed, everyone around me had already become friends but me. Thus, when I am finally used to something, it hurts a lot to lose it. I think I&#8217;ve accepted Change is constant, but it is still difficult.<\/p>\n<p>However, in terms of my own creative practice, I find<strong> &#8220;There is always enough time for the right work&#8221;<\/strong> to be the most challenging principle out of all. I spent the last 3 years in an MFA painting program, where you meet with two advisors bi-weekly to talk about your works. Where curators and gallerists come into studios to judge and find something that they can make use of. I always felt behind, as I was a slow painter. I learned to adapt to the speed, and told myself MFA was all for exploration, I can take as much time as I want when I&#8217;m out of the program. I graduated from the program more than a year ago now, and I&#8217;ve stopped painting completely, as I don&#8217;t remember how to get back my patience, the natural way that I used to paint. When I paint now, I always lost patience within a week, and so my work became gimmicky and fast. I feel conflicted, as they are now more contemporary, but is this really who I am, or had I become a product of an MFA factory?<\/p>\n<p>&nbsp;<\/p>\n<p><strong>Elements<\/strong><\/p>\n<p><strong>Q: Without overthinking it: which of these elements brown describes most immediately feels evident as part of your creative work, and how?\u00a0<\/strong><\/p>\n<p>I found<strong> &#8220;fractal&#8221;<\/strong> and <strong>&#8220;interdependence and decentralization&#8221;<\/strong> the two elements that feel more like part of my existing creative work. In my own practice, I focus on my response to little things that happened around me. Trivial things that happen in corners of our society that I believe are foreshadowing the future of our society as a whole. As a first-generation Asian immigrant in this country, I also find the idea of<strong> &#8220;who we are and how we share&#8221;<\/strong> a constant question I try to answer in my own creative work. I&#8217;m well aware of my difference from the existing Asian-American community in the country, but also aware of others&#8217; profiling and expectations of me for being an obvious female Asian. I don&#8217;t want to overwhelm people or annoy people with my work, but at the same time I want my work to influence the people who see it, so I&#8217;m constantly looking for angles in presenting things.<\/p>\n","protected":false},"excerpt":{"rendered":"<p>Principles Q: Do you find any of these principles more difficult to achieve than others in your own creative practice? How? I find many of the principles difficult to achieve or maintain. For example, I don&#8217;t do very well with change, even though I agree, that change is constant, and to the extreme, Change IS&hellip;&nbsp;<a href=\"https:\/\/itp.nyu.edu\/lowres\/critex-monika\/2022\/09\/13\/emergent-strategy-response-7\/\" rel=\"bookmark\">Read More &raquo;<span class=\"screen-reader-text\">Emergent Strategy Response<\/span><\/a><\/p>\n","protected":false},"author":150,"featured_media":0,"comment_status":"open","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"neve_meta_sidebar":"","neve_meta_container":"","neve_meta_enable_content_width":"off","neve_meta_content_width":70,"neve_meta_title_alignment":"","neve_meta_author_avatar":"","neve_post_elements_order":"","neve_meta_disable_header":"","neve_meta_disable_footer":"","neve_meta_disable_title":"","footnotes":""},"categories":[4],"tags":[],"_links":{"self":[{"href":"https:\/\/itp.nyu.edu\/lowres\/critex-monika\/wp-json\/wp\/v2\/posts\/1986"}],"collection":[{"href":"https:\/\/itp.nyu.edu\/lowres\/critex-monika\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/itp.nyu.edu\/lowres\/critex-monika\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/itp.nyu.edu\/lowres\/critex-monika\/wp-json\/wp\/v2\/users\/150"}],"replies":[{"embeddable":true,"href":"https:\/\/itp.nyu.edu\/lowres\/critex-monika\/wp-json\/wp\/v2\/comments?post=1986"}],"version-history":[{"count":1,"href":"https:\/\/itp.nyu.edu\/lowres\/critex-monika\/wp-json\/wp\/v2\/posts\/1986\/revisions"}],"predecessor-version":[{"id":1987,"href":"https:\/\/itp.nyu.edu\/lowres\/critex-monika\/wp-json\/wp\/v2\/posts\/1986\/revisions\/1987"}],"wp:attachment":[{"href":"https:\/\/itp.nyu.edu\/lowres\/critex-monika\/wp-json\/wp\/v2\/media?parent=1986"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/itp.nyu.edu\/lowres\/critex-monika\/wp-json\/wp\/v2\/categories?post=1986"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/itp.nyu.edu\/lowres\/critex-monika\/wp-json\/wp\/v2\/tags?post=1986"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}