{"id":2895,"date":"2022-10-19T07:10:16","date_gmt":"2022-10-19T07:10:16","guid":{"rendered":"https:\/\/itp.nyu.edu\/lowres\/critex-monika\/?p=2895"},"modified":"2022-10-21T09:11:55","modified_gmt":"2022-10-21T09:11:55","slug":"daily-practice-day1","status":"publish","type":"post","link":"https:\/\/itp.nyu.edu\/lowres\/critex-monika\/2022\/10\/19\/daily-practice-day1\/","title":{"rendered":"Jun-Daily Practice day1-1960s"},"content":{"rendered":"<p>&nbsp;<\/p>\n<p>Origin of robot animation-Astro Boy<\/p>\n<p><img loading=\"lazy\" decoding=\"async\" class=\"alignnone size-medium wp-image-2897\" src=\"https:\/\/itp.nyu.edu\/lowres\/critex-monika\/wp-content\/uploads\/sites\/19\/2022\/10\/atom-1-230x300.jpg\" alt=\"\" width=\"230\" height=\"300\" srcset=\"https:\/\/itp.nyu.edu\/lowres\/critex-monika\/wp-content\/uploads\/sites\/19\/2022\/10\/atom-1-230x300.jpg 230w, https:\/\/itp.nyu.edu\/lowres\/critex-monika\/wp-content\/uploads\/sites\/19\/2022\/10\/atom-1.jpg 766w\" sizes=\"(max-width: 230px) 100vw, 230px\" \/><\/p>\n<p>January 1, 1963 marks the birth of serialized TV anime in Japan. That is the day when the first thirty-minute episode of Osamu Tezuka&#8217;s &#8220;Tetsuwan Atom&#8221; (literally &#8220;Mighty Atom,&#8221; aka &#8220;Astro Boy&#8221;) was broadcast. An instant hit, it kicked off the era of mass-produced televised animation in Japan, with a great many production companies both new and old jumping into the fray. At this point, shows generally centered on human-sized heroes that were actually more like hybrids of man and machine than true robots. This trend came to play a major role in shaping the development of Japanese anime culture.<\/p>\n<p>Animators designed robot characters with sleek, gleaming bodies, evoking the clean new roadways, the speeding bullet trains, and shining skyscrapers that were rising up all around them.<\/p>\n<p>Early robot shows were deeply influenced by a &#8220;modern-day folklore&#8221; of limitless scientific potential. The televised anime of this era was a perfect fit for this moment in Japanese history, portraying a future where science would make life better for everyone. Unlike manga, printed in black and white on rough paper, anime was painted on plastic sheets called cels, giving it a bright luster. When projected on the sheet of glass used as the display for a cathode-ray tube, it accentuated the robotic gleam of the characters all<br \/>\nthe more.<\/p>\n<p>For the largely still impoverished children of Japan, this &#8220;clean look&#8221; glimmered like an arrow pointing to the future. Among the generation who grew up watching the shows in realtime, the first thing that inevitably comes to mind isn&#8217;t the actual storylines but rather the merchandise. Specifically, the &#8220;magic&#8221; rub-off transfers packaged with Marble Chocolates. The shiny, smooth transfers perfectly mimicked the texture of the images on the television screen, and their &#8220;robotic&#8221; appeal kicked off a fad among<br \/>\nchildren. In other words, among children of the era, these broader qualities in and of themselves were perceived as &#8220;robotic,&#8221; and connected to the changes in the cityscape around them.<\/p>\n","protected":false},"excerpt":{"rendered":"<p>&nbsp; Origin of robot animation-Astro Boy January 1, 1963 marks the birth of serialized TV anime in Japan. That is the day when the first thirty-minute episode of Osamu Tezuka&#8217;s &#8220;Tetsuwan Atom&#8221; (literally &#8220;Mighty Atom,&#8221; aka &#8220;Astro Boy&#8221;) was broadcast. An instant hit, it kicked off the era of mass-produced televised animation in Japan, with&hellip;&nbsp;<a href=\"https:\/\/itp.nyu.edu\/lowres\/critex-monika\/2022\/10\/19\/daily-practice-day1\/\" rel=\"bookmark\">Read More &raquo;<span class=\"screen-reader-text\">Jun-Daily Practice day1-1960s<\/span><\/a><\/p>\n","protected":false},"author":141,"featured_media":0,"comment_status":"open","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"neve_meta_sidebar":"","neve_meta_container":"","neve_meta_enable_content_width":"off","neve_meta_content_width":70,"neve_meta_title_alignment":"","neve_meta_author_avatar":"","neve_post_elements_order":"","neve_meta_disable_header":"","neve_meta_disable_footer":"","neve_meta_disable_title":"","footnotes":""},"categories":[16],"tags":[],"_links":{"self":[{"href":"https:\/\/itp.nyu.edu\/lowres\/critex-monika\/wp-json\/wp\/v2\/posts\/2895"}],"collection":[{"href":"https:\/\/itp.nyu.edu\/lowres\/critex-monika\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/itp.nyu.edu\/lowres\/critex-monika\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/itp.nyu.edu\/lowres\/critex-monika\/wp-json\/wp\/v2\/users\/141"}],"replies":[{"embeddable":true,"href":"https:\/\/itp.nyu.edu\/lowres\/critex-monika\/wp-json\/wp\/v2\/comments?post=2895"}],"version-history":[{"count":3,"href":"https:\/\/itp.nyu.edu\/lowres\/critex-monika\/wp-json\/wp\/v2\/posts\/2895\/revisions"}],"predecessor-version":[{"id":2970,"href":"https:\/\/itp.nyu.edu\/lowres\/critex-monika\/wp-json\/wp\/v2\/posts\/2895\/revisions\/2970"}],"wp:attachment":[{"href":"https:\/\/itp.nyu.edu\/lowres\/critex-monika\/wp-json\/wp\/v2\/media?parent=2895"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/itp.nyu.edu\/lowres\/critex-monika\/wp-json\/wp\/v2\/categories?post=2895"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/itp.nyu.edu\/lowres\/critex-monika\/wp-json\/wp\/v2\/tags?post=2895"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}