{"id":2945,"date":"2022-10-20T16:15:17","date_gmt":"2022-10-20T16:15:17","guid":{"rendered":"https:\/\/itp.nyu.edu\/lowres\/critex-monika\/?p=2945"},"modified":"2022-10-20T16:15:17","modified_gmt":"2022-10-20T16:15:17","slug":"daily-practice-2","status":"publish","type":"post","link":"https:\/\/itp.nyu.edu\/lowres\/critex-monika\/2022\/10\/20\/daily-practice-2\/","title":{"rendered":"Daily Practice 2"},"content":{"rendered":"<p>Day 2:<\/p>\n<p>Avalokitesvara figure from Chinese Buddhism:<span class=\"Apple-converted-space\">\u00a0<\/span><\/p>\n<p>When the Buddhism was imported to Han Chinese culture, there are some changes for the figures of Avalokitesvara. We can see the figure\u2019s transition from west to east across China. In the westernmost city of China, Dunhuang caves painting show the characteristics of Avalokitesvara as similar as Indian style. However, it already merged Han Chinese aesthetics. Foe example, the face and body changed to east Asian looking. Also, the gender of Avalokitesvara is always female in Han Chinese culture. When we look at the east part of China, the clothes, hair style and race all changed to Chinese. Besides, most of the<span class=\"Apple-converted-space\">\u00a0 <\/span>Avalokitesvara\u2019s figure in east side of China don\u2019t have thousands of arm and eye. They looked more like regular people.<\/p>\n<p><img loading=\"lazy\" decoding=\"async\" class=\"alignnone size-medium wp-image-2946\" src=\"https:\/\/itp.nyu.edu\/lowres\/critex-monika\/wp-content\/uploads\/sites\/19\/2022\/10\/51-300x262.jpg\" alt=\"\" width=\"300\" height=\"262\" srcset=\"https:\/\/itp.nyu.edu\/lowres\/critex-monika\/wp-content\/uploads\/sites\/19\/2022\/10\/51-300x262.jpg 300w, https:\/\/itp.nyu.edu\/lowres\/critex-monika\/wp-content\/uploads\/sites\/19\/2022\/10\/51-768x670.jpg 768w, https:\/\/itp.nyu.edu\/lowres\/critex-monika\/wp-content\/uploads\/sites\/19\/2022\/10\/51.jpg 916w\" sizes=\"(max-width: 300px) 100vw, 300px\" \/><img loading=\"lazy\" decoding=\"async\" class=\"alignnone size-medium wp-image-2947\" src=\"https:\/\/itp.nyu.edu\/lowres\/critex-monika\/wp-content\/uploads\/sites\/19\/2022\/10\/06ce42c8-7bc8-454e-84f9-0b096eb22e10-997-000000eb275333cc-228x300.jpg\" alt=\"\" width=\"228\" height=\"300\" srcset=\"https:\/\/itp.nyu.edu\/lowres\/critex-monika\/wp-content\/uploads\/sites\/19\/2022\/10\/06ce42c8-7bc8-454e-84f9-0b096eb22e10-997-000000eb275333cc-228x300.jpg 228w, https:\/\/itp.nyu.edu\/lowres\/critex-monika\/wp-content\/uploads\/sites\/19\/2022\/10\/06ce42c8-7bc8-454e-84f9-0b096eb22e10-997-000000eb275333cc-768x1012.jpg 768w, https:\/\/itp.nyu.edu\/lowres\/critex-monika\/wp-content\/uploads\/sites\/19\/2022\/10\/06ce42c8-7bc8-454e-84f9-0b096eb22e10-997-000000eb275333cc.jpg 777w\" sizes=\"(max-width: 228px) 100vw, 228px\" \/> <img loading=\"lazy\" decoding=\"async\" class=\"alignnone size-medium wp-image-2948\" src=\"https:\/\/itp.nyu.edu\/lowres\/critex-monika\/wp-content\/uploads\/sites\/19\/2022\/10\/1509280284-1532449283_wn-300x201.jpg\" alt=\"\" width=\"300\" height=\"201\" srcset=\"https:\/\/itp.nyu.edu\/lowres\/critex-monika\/wp-content\/uploads\/sites\/19\/2022\/10\/1509280284-1532449283_wn-300x201.jpg 300w, https:\/\/itp.nyu.edu\/lowres\/critex-monika\/wp-content\/uploads\/sites\/19\/2022\/10\/1509280284-1532449283_wn.jpg 600w\" sizes=\"(max-width: 300px) 100vw, 300px\" \/><\/p>\n","protected":false},"excerpt":{"rendered":"<p>Day 2: Avalokitesvara figure from Chinese Buddhism:\u00a0 When the Buddhism was imported to Han Chinese culture, there are some changes for the figures of Avalokitesvara. We can see the figure\u2019s transition from west to east across China. In the westernmost city of China, Dunhuang caves painting show the characteristics of Avalokitesvara as similar as Indian&hellip;&nbsp;<a href=\"https:\/\/itp.nyu.edu\/lowres\/critex-monika\/2022\/10\/20\/daily-practice-2\/\" rel=\"bookmark\">Read More &raquo;<span class=\"screen-reader-text\">Daily Practice 2<\/span><\/a><\/p>\n","protected":false},"author":157,"featured_media":0,"comment_status":"open","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"neve_meta_sidebar":"","neve_meta_container":"","neve_meta_enable_content_width":"off","neve_meta_content_width":70,"neve_meta_title_alignment":"","neve_meta_author_avatar":"","neve_post_elements_order":"","neve_meta_disable_header":"","neve_meta_disable_footer":"","neve_meta_disable_title":"","footnotes":""},"categories":[16],"tags":[],"_links":{"self":[{"href":"https:\/\/itp.nyu.edu\/lowres\/critex-monika\/wp-json\/wp\/v2\/posts\/2945"}],"collection":[{"href":"https:\/\/itp.nyu.edu\/lowres\/critex-monika\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/itp.nyu.edu\/lowres\/critex-monika\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/itp.nyu.edu\/lowres\/critex-monika\/wp-json\/wp\/v2\/users\/157"}],"replies":[{"embeddable":true,"href":"https:\/\/itp.nyu.edu\/lowres\/critex-monika\/wp-json\/wp\/v2\/comments?post=2945"}],"version-history":[{"count":1,"href":"https:\/\/itp.nyu.edu\/lowres\/critex-monika\/wp-json\/wp\/v2\/posts\/2945\/revisions"}],"predecessor-version":[{"id":2949,"href":"https:\/\/itp.nyu.edu\/lowres\/critex-monika\/wp-json\/wp\/v2\/posts\/2945\/revisions\/2949"}],"wp:attachment":[{"href":"https:\/\/itp.nyu.edu\/lowres\/critex-monika\/wp-json\/wp\/v2\/media?parent=2945"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/itp.nyu.edu\/lowres\/critex-monika\/wp-json\/wp\/v2\/categories?post=2945"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/itp.nyu.edu\/lowres\/critex-monika\/wp-json\/wp\/v2\/tags?post=2945"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}