Thesis Journal vol.2 wk3.5 – Design experiments vs framework
Based on the previous framework I created, I was encouraged by Ruta to think about what exactly a project will look like if I try to fit my topic toward them?
I further articulate my previous design experiment ideas could mean to this project of exploring sound perception – voice confrontation. Then I simply made 3D quadrant of my framework and try to get a sense of them as they are now each getting alphabet for a better visual reference.
A. To resonate by hearing and touch – conscious and reality – An installation where you will experience both sonically and haptically of a sound
B. To comprehend by a huge variety of samples – A sound distorted environment where your own voice is recorded (or altered) in various ways and played in separate channels
C. To dehumanize and cyberize a voice – A space where you can only hear the high or low frequency of a speech
D. To create a confused then enlightened(surprised) moment – Receive a phone call from a stranger who has an identical voice of your own
E. To surprise a familiar moment – Meet someone who has almost identical voice to your mother
F. To create a cognitive dissonance – Experience a car accident simulation where the car is coming at you but you hear the sound from behind
G. To reproduce and recreate – Use your own voice as an atomic property to create objects (How would a generative object look like if we in put our voice with a simulation algorithm?)
H. To transform and explore – Something that alters your own voice
I. To recognize, take advantage and control (your voice) – An application allows you to adjust your own voice in online meetings
J. To mimic, modulate and generate – Voice deep fake (eg with mic that can deep fake your favorite tone?)
K. To empathize and embrace – Love my own voice – how?
The third axis of attitude toward this project is not clear at the moment – performer or stage designer.
Po-Wen Shih
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