Announcing the<\/b><\/p>\n
New York City Electroacoustic Music Festival<\/b><\/p>\n
June 2-8, 2014<\/b><\/p>\n
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The New York City Electroacoustic Music Festival solicits works for its Festival in June, 2014.\u00a0 The festival will take place at the\u00a0Abrons Arts Center<\/a>, and other locations throughout New York City.\u00a0 Details of the festival are shown below.\u00a0 Our web site,\u00a0https:\/\/www.nycemf.org\/<\/a>, is now open for submissions.<\/p>\n <\/p>\n Call for Works<\/b><\/p>\n <\/p>\n Composers may submit one work in any the following categories:<\/p>\n <\/p>\n – Works for recorded media alone with up to eight channels<\/p>\n – Works involving live electronics, including computer processing and laptop orchestras<\/p>\n – Works combining musical instruments or voices with recorded media or live electronics<\/p>\n – Video and multimedia works<\/p>\n – Installations involving music or video<\/p>\n <\/p>\n Works of any length may be submitted, but only a limited number of works longer than 15 minutes will be accepted.<\/p>\n <\/p>\n Composers may submit one additional work in any of the above categories if it is a \u201cminiature\u201d (under five minutes in length).<\/p>\n <\/p>\n There is no fee for submission, but composers whose works are accepted will have to pay a registration fee, which will entitle them to free admission to all events at the Festival.\u00a0 Attendance is not required, but if the composers do not attend, the fee must still be paid.<\/p>\n <\/p>\n All works must be uploaded by the persons submitting the pieces on line.\u00a0 Incomplete or preliminary versions of works may be submitted, but accepted works cannot exceed the duration indicated at the time of submission, and the final versions cannot be substantially different from the versions submitted.\u00a0 Stereo versions of multichannel works may be submitted.<\/p>\n <\/p>\n 3D Spatialization Lab<\/b><\/p>\n <\/p>\n During the 2014 festival, a special room will be equipped with an array of 16 speakers, 8 in the usual surround sound configuration and 8 at a higher level, allowing sound to be spatialized in three dimensions.\u00a0 The audience will be seated in the center of the space.\u00a0 We solicit works that will take advantage of these resources, and we encourage works that use the full 16-channel capability as well as octaphonic works.\u00a0 We will allow composers whose works are played in this space additional tech time to plan their diffusions.\u00a0 Only multi-channel electroacoustic works will be played in this space, not works involving musical instruments or video.<\/p>\n <\/p>\n Performers<\/b><\/p>\n <\/p>\n Featured performer:\u00a0Francesco Prode<\/b><\/a>,\u00a0<\/b>piano\u00a0<\/i><\/p>\n <\/p>\n Francesco Prode will play a concert of electroacoustic music with piano.<\/p>\n <\/p>\n Other featured performers:<\/p>\n <\/p>\n Mari Kimura<\/b><\/a>,\u00a0<\/b>violin<\/i><\/p>\n Esther Lamneck<\/b><\/a>,<\/b>\u00a0clarinet\/ t\u00e1rogat\u00f3<\/i><\/p>\n