{"id":16443,"date":"2015-01-28T08:06:09","date_gmt":"2015-01-28T13:06:09","guid":{"rendered":"https:\/\/itp.nyu.edu\/opportunities\/?p=16443"},"modified":"2015-01-28T08:06:09","modified_gmt":"2015-01-28T13:06:09","slug":"gig-robotics-person-for-artist","status":"publish","type":"post","link":"https:\/\/itp.nyu.edu\/opportunities\/2015\/01\/28\/gig-robotics-person-for-artist\/","title":{"rendered":"[GIG] Robotics Person for Artist"},"content":{"rendered":"<p><b>I&#8217;m looking for a robotics person &#8211; metal fabrication, servo robotics, control systems. Also planning to work with muscle wire which might be the same person or an additional one<\/b>.<\/p>\n<p>I\u2019m in the process of building\u00a0<b>a robotic dress cinema interface<\/b>\u00a0for an installation. A speculative commentary on our relationship with technology on the body\u00a0<b>:\u00a0<\/b><span style=\"font-family: Arial;\">\u00a0<\/span>A robotic Dress with integrated projection mapping video scrims is rigged in a room. It mirrors the movement of a viewer as if they are wearing it, collecting motion data to assemble a customized 5 min. horror movie\u00a0across\u00a0its cinemascope screens.<\/p>\n<p>The Dress has a servo driven stick figure skeleton controlled by a kinect to mirror a viewer\u2019s body movement. The movement is then scaled from servo driven robotics and rigging to subtler robotic movements. The dress torso, panniers and pleats are made from 3d printed died gray plastic rigged with muscle wire &#8211; which creates a subtle creeping motion.\u00a0In addition a wearable multiple based on the 3d printed and muscle wire driven tech of the installation will be created.<\/p>\n<div><b>Toni Dove:<\/b>\u00a0<a href=\"http:\/\/www.tonidove.com\/blog\" target=\"_blank\">www.tonidove.com\/blog<\/a><\/div>\n<div>Considered a pioneer of interactive cinema,\u00a0Dove produces unique and highly imaginative embodied hybrids of film, installation art and experimental theater. In her work, performers and participants interact with an unfolding narrative, using interface technologies such as motion sensing and laser harp to \u201cperform\u201d on-screen avatars.<\/div>\n<div>\n<p><b><span style=\"text-decoration: underline;\">Creative Team:<\/span>\u00a0<\/b><b>Dana Karwas<\/b>\u00a0:\u00a0<a href=\"http:\/\/danakarwas.com\/\" target=\"_blank\">http:\/\/danakarwas.com<\/a><wbr \/>, Executive Producer:\u00a0<a href=\"https:\/\/www.facebook.com\/pages\/Co-founder\/106324149403234\" target=\"_blank\">Co-founder<\/a>\u00a0at\u00a0<a href=\"https:\/\/www.facebook.com\/bldgblok\" target=\"_blank\">BLDG BLOK<\/a>,\u00a0<a href=\"https:\/\/www.facebook.com\/pages\/Instructor-of-Integrated-Digital-Media\/453550614706531\" target=\"_blank\">Instructor of Integrated Digital Media<\/a>\u00a0at\u00a0<a href=\"https:\/\/www.facebook.com\/pages\/NYU-Poly\/106284962743495\" target=\"_blank\">NYU Poly<\/a>\u00a0and\u00a0<a href=\"https:\/\/www.facebook.com\/pages\/Media-Director\/140549782643151\" target=\"_blank\">Media Director<\/a>\u00a0at\u00a0<a href=\"https:\/\/www.facebook.com\/pages\/Maya-Lin-Studio\/153503141523528\" target=\"_blank\">Maya Lin Studio<\/a>;\u00a0<b>Rene Steinke<\/b>: Script and text development: Novelist, finalist for 2005 National Book award for\u00a0<i>Holy Skirts;\u00a0<\/i><b>Luke DuBois<\/b>:\u00a0<a href=\"http:\/\/lukedubois.com\/\" target=\"_blank\">http:\/\/lukedubois.com<\/a>, Max and Jitter software design:\u00a0<a href=\"https:\/\/www.facebook.com\/pages\/Director-of-the-Brooklyn-Experimental-Media-Center-BxmC\/416436358402511\" target=\"_blank\">Director of the Brooklyn Experimental Media Center (BxmC)<\/a>\u00a0at\u00a0<a href=\"https:\/\/www.facebook.com\/pages\/Polytechnic-Institute-of-New-York-University\/104061339631190\" target=\"_blank\">Polytechnic Institute of New York University<\/a>\u00a0and\u00a0<a href=\"https:\/\/www.facebook.com\/pages\/Engineer-Product-Manager\/189987027700998\" target=\"_blank\">Engineer, Product Manager<\/a>\u00a0at\u00a0<a href=\"https:\/\/www.facebook.com\/cycling74\" target=\"_blank\"><span style=\"color: rgba(0, 0, 0, 0); font-family: Arial;\">Cycling\u00a0<\/span><span style=\"font-family: Arial;\">\u2019<\/span><span style=\"color: rgba(0, 0, 0, 0); font-family: Arial;\">74<\/span><\/a>;\u00a0<span style=\"color: rgba(0, 0, 0, 0); font-family: Arial;\">\u00a0<\/span><b>Franc<wbr \/>is Bitonti<\/b>, of Francis Bitonti studios,\u00a0<a href=\"http:\/\/www.francisbitonti.com\/\" target=\"_blank\">http:\/\/www.<wbr \/>francisbitonti.com<\/a>, known for the 3d printed dress for Dita Von Teese, joins us to work on soft robotics and innovative 3d printing design.\u00a0<a href=\"http:\/\/www.societeperrier.com\/blog\/3d-fashion-designers-who-will-help-you-step-into-the-future\/\" target=\"_blank\">http:\/\/www.<wbr \/>societeperrier.com\/blog\/3d-<wbr \/>fashion-designers-who-will-<wbr \/>help-you-step-into-the-future\/<\/a><wbr \/>;\u00a0<b>Leif Mangelson<\/b>:\u00a0<a href=\"http:\/\/vfl.sva.edu\/about\/,\" target=\"_blank\">http:\/\/vfl.sva.edu\/<wbr \/>about\/,<\/a>\u00a0Robotics construction and controller electronics: Director of the Visible Futures Lab, School of Visual Arts;<b>\u00a0<\/b><b>Karen Young<\/b>:\u00a0<a href=\"http:\/\/www.karenyoungcostume.com\/\" target=\"_blank\">www.karenyoungcostume.<wbr \/>com<\/a>,\u00a0Costume design and construction: Costume Designer for Film and Theater;\u00a0<b>Paul Geluso<\/b>:\u00a0<a href=\"http:\/\/steinhardt.nyu.edu\/faculty_bios\/view\/Paul_Geluso\" target=\"_blank\">http:\/\/steinhardt.nyu.<wbr \/>edu\/faculty_bios\/view\/Paul_<wbr \/>Geluso<\/a>, Spatialized Sound Design: Master Teacher of Music Technology, Steinhardt School of Music, NYU;\u00a0J<b>en Wood<\/b>\u00a0: Assistant: Graduate<\/p>\n<p>Contact:\u00a0Toni Dove\u00a0&lt;<a href=\"mailto:tonidove@gmail.com\" target=\"_blank\">tonidove@gmail.com<\/a>&gt;<\/p>\n<\/div>\n","protected":false},"excerpt":{"rendered":"<p>I&#8217;m looking for a robotics person &#8211; metal fabrication, servo robotics, control systems. Also planning to work with muscle wire which might be the same&#8230;<\/p>\n","protected":false},"author":122,"featured_media":0,"comment_status":"closed","ping_status":"closed","sticky":false,"template":"","format":"standard","meta":{"footnotes":""},"categories":[3],"tags":[],"class_list":["post-16443","post","type-post","status-publish","format-standard","hentry","category-job","entry"],"_links":{"self":[{"href":"https:\/\/itp.nyu.edu\/opportunities\/wp-json\/wp\/v2\/posts\/16443","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/itp.nyu.edu\/opportunities\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/itp.nyu.edu\/opportunities\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/itp.nyu.edu\/opportunities\/wp-json\/wp\/v2\/users\/122"}],"replies":[{"embeddable":true,"href":"https:\/\/itp.nyu.edu\/opportunities\/wp-json\/wp\/v2\/comments?post=16443"}],"version-history":[{"count":0,"href":"https:\/\/itp.nyu.edu\/opportunities\/wp-json\/wp\/v2\/posts\/16443\/revisions"}],"wp:attachment":[{"href":"https:\/\/itp.nyu.edu\/opportunities\/wp-json\/wp\/v2\/media?parent=16443"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/itp.nyu.edu\/opportunities\/wp-json\/wp\/v2\/categories?post=16443"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/itp.nyu.edu\/opportunities\/wp-json\/wp\/v2\/tags?post=16443"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}