{"id":20228,"date":"2019-07-29T12:03:42","date_gmt":"2019-07-29T16:03:42","guid":{"rendered":"https:\/\/itp.nyu.edu\/opportunities\/?p=20228"},"modified":"2019-07-29T12:03:42","modified_gmt":"2019-07-29T16:03:42","slug":"call-absurd-musical-interfaces-queen-mary-university-of-london","status":"publish","type":"post","link":"https:\/\/itp.nyu.edu\/opportunities\/2019\/07\/29\/call-absurd-musical-interfaces-queen-mary-university-of-london\/","title":{"rendered":"CALL: Absurd Musical Interfaces, Queen Mary University of London"},"content":{"rendered":"<h3><b>Call for Participation &#8211; Absurd Musical Interfaces<\/b><\/h3>\n<div><b style=\"font-size: large;\">8-9 NOVEMBER 2019 &#8211;\u00a0<\/b><b style=\"font-size: large;\">Queen Mary University of London<\/b><\/div>\n<div>\n<div><\/div>\n<p>Artists, technologists and makers are invited to take part in a hackathon focused on the themes of absurd musical interfaces, questionable sonic interactions and unworkable music designs.<\/p><\/div>\n<div><\/div>\n<div>\n<div>\n<div><i>Making absurd, surreal and silly musical propositions.<br \/>\n<\/i><\/p>\n<div><i>Composing unconventional artifacts challenging current music technology.<br \/>\n<\/i><\/div>\n<div><i>Subverting the ways we use musical tools to reveal unstated assumptions and explore alternatives.<br \/>\n<\/i><\/div>\n<div><i>\u00a0<\/i><\/div>\n<div><i>Does this sound fun to you? Please, join us!<\/i><\/div>\n<div><\/div>\n<p><b><span style=\"font-size: large;\">APPLICATION DEADLINE: 8 SEPTEMBER 2019<br \/>\n<\/span><\/b><\/div>\n<div><\/div>\n<div><i>Featured mentors:<\/i><\/div>\n<div><\/div>\n<div><b><i><a title=\"https:\/\/www.ncl.ac.uk\/sacs\/staff\/profile\/johnbowers.html\" href=\"https:\/\/urldefense.proofpoint.com\/v2\/url?u=https-3A__www.ncl.ac.uk_sacs_staff_profile_johnbowers.html&amp;d=DwMFaQ&amp;c=slrrB7dE8n7gBJbeO0g-IQ&amp;r=6mNXpvBEZ0Ligfr5AXVHG1dO_LIz7ct6h-SHXJgcgD8&amp;m=BHuzaVz-aDYwUIZeVV9UCvD48v3B0u19FYp5zO6R1-Y&amp;s=Y3TQ9OevvHb1Zf8nJKiVLENzxJIBgpYZqdTevoLsAEQ&amp;e=\" target=\"_blank\" rel=\"noopener noreferrer\" data-saferedirecturl=\"https:\/\/www.google.com\/url?q=https:\/\/urldefense.proofpoint.com\/v2\/url?u%3Dhttps-3A__www.ncl.ac.uk_sacs_staff_profile_johnbowers.html%26d%3DDwMFaQ%26c%3DslrrB7dE8n7gBJbeO0g-IQ%26r%3D6mNXpvBEZ0Ligfr5AXVHG1dO_LIz7ct6h-SHXJgcgD8%26m%3DBHuzaVz-aDYwUIZeVV9UCvD48v3B0u19FYp5zO6R1-Y%26s%3DY3TQ9OevvHb1Zf8nJKiVLENzxJIBgpYZqdTevoLsAEQ%26e%3D&amp;source=gmail&amp;ust=1564497783638000&amp;usg=AFQjCNH0QwFjvS_HFw4wvLuoqXKIrAe2oQ\">John Bowers<\/a><\/i><\/b><\/div>\n<div><b><i><a title=\"https:\/\/www.plusea.at\" href=\"https:\/\/urldefense.proofpoint.com\/v2\/url?u=https-3A__www.plusea.at_&amp;d=DwMFaQ&amp;c=slrrB7dE8n7gBJbeO0g-IQ&amp;r=6mNXpvBEZ0Ligfr5AXVHG1dO_LIz7ct6h-SHXJgcgD8&amp;m=BHuzaVz-aDYwUIZeVV9UCvD48v3B0u19FYp5zO6R1-Y&amp;s=4LqiYolXe0YXkaOhyYKtBFwMhRypgVAmyeubs6pg7aI&amp;e=\" target=\"_blank\" rel=\"noopener noreferrer\" data-saferedirecturl=\"https:\/\/www.google.com\/url?q=https:\/\/urldefense.proofpoint.com\/v2\/url?u%3Dhttps-3A__www.plusea.at_%26d%3DDwMFaQ%26c%3DslrrB7dE8n7gBJbeO0g-IQ%26r%3D6mNXpvBEZ0Ligfr5AXVHG1dO_LIz7ct6h-SHXJgcgD8%26m%3DBHuzaVz-aDYwUIZeVV9UCvD48v3B0u19FYp5zO6R1-Y%26s%3D4LqiYolXe0YXkaOhyYKtBFwMhRypgVAmyeubs6pg7aI%26e%3D&amp;source=gmail&amp;ust=1564497783638000&amp;usg=AFQjCNGjgANY_my7llfFmcAVr74Y6HgM3w\">Hannah Perner-Wilson<\/a><\/i><\/b><\/div>\n<div><\/div>\n<div>More info and application instructions at<\/div>\n<\/div>\n<div><a href=\"https:\/\/urldefense.proofpoint.com\/v2\/url?u=http-3A__instrumentslab.org_research_absurd-2Dmusic-2Ddesign.html&amp;d=DwMFaQ&amp;c=slrrB7dE8n7gBJbeO0g-IQ&amp;r=6mNXpvBEZ0Ligfr5AXVHG1dO_LIz7ct6h-SHXJgcgD8&amp;m=BHuzaVz-aDYwUIZeVV9UCvD48v3B0u19FYp5zO6R1-Y&amp;s=IueydnGOFSFhaviV4Q0F3TcBrADlILzMkLy9qzJqhuA&amp;e=\" target=\"_blank\" rel=\"noopener noreferrer\" data-saferedirecturl=\"https:\/\/www.google.com\/url?q=https:\/\/urldefense.proofpoint.com\/v2\/url?u%3Dhttp-3A__instrumentslab.org_research_absurd-2Dmusic-2Ddesign.html%26d%3DDwMFaQ%26c%3DslrrB7dE8n7gBJbeO0g-IQ%26r%3D6mNXpvBEZ0Ligfr5AXVHG1dO_LIz7ct6h-SHXJgcgD8%26m%3DBHuzaVz-aDYwUIZeVV9UCvD48v3B0u19FYp5zO6R1-Y%26s%3DIueydnGOFSFhaviV4Q0F3TcBrADlILzMkLy9qzJqhuA%26e%3D&amp;source=gmail&amp;ust=1564497783638000&amp;usg=AFQjCNG5VgIL3GQWEAX9xf1k6TnAdyJUOQ\">http:\/\/instrumentslab.org\/<wbr \/>research\/absurd-music-design.<wbr \/>html<\/a><\/div>\n<div><\/div>\n<\/div>\n","protected":false},"excerpt":{"rendered":"<p>Call for Participation &#8211; Absurd Musical Interfaces 8-9 NOVEMBER 2019 &#8211;\u00a0Queen Mary University of London Artists, technologists and makers are invited to take part in&#8230;<\/p>\n","protected":false},"author":122,"featured_media":0,"comment_status":"closed","ping_status":"closed","sticky":false,"template":"","format":"standard","meta":{"footnotes":""},"categories":[5],"tags":[],"class_list":["post-20228","post","type-post","status-publish","format-standard","hentry","category-call","entry"],"_links":{"self":[{"href":"https:\/\/itp.nyu.edu\/opportunities\/wp-json\/wp\/v2\/posts\/20228","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/itp.nyu.edu\/opportunities\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/itp.nyu.edu\/opportunities\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/itp.nyu.edu\/opportunities\/wp-json\/wp\/v2\/users\/122"}],"replies":[{"embeddable":true,"href":"https:\/\/itp.nyu.edu\/opportunities\/wp-json\/wp\/v2\/comments?post=20228"}],"version-history":[{"count":0,"href":"https:\/\/itp.nyu.edu\/opportunities\/wp-json\/wp\/v2\/posts\/20228\/revisions"}],"wp:attachment":[{"href":"https:\/\/itp.nyu.edu\/opportunities\/wp-json\/wp\/v2\/media?parent=20228"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/itp.nyu.edu\/opportunities\/wp-json\/wp\/v2\/categories?post=20228"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/itp.nyu.edu\/opportunities\/wp-json\/wp\/v2\/tags?post=20228"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}