**Submission deadline: 31 January 2020**<\/p>\n
xCoAx is an exploration of the intersection where computational tools
\nand media meet art and culture, in the form of a multi-disciplinary
\nenquiry on aesthetics, computation, communication and the elusive X
\nfactor that connects them all.<\/p>\n
xCoAx has been an occasion for international audiences to meet and
\nexchange ideas, in search for interdisciplinary synergies among computer
\nscientists, artists, media practitioners, and theoreticians at the
\nthresholds between digital arts and culture. Starting in 2013 in
\nBergamo, xCoAx has so far taken place also in Porto, Glasgow, Lisbon,
\nMadrid, and Milan.<\/p>\n
The focus of xCoAx is on the unpredictable overlaps between the freedom
\nof creativity and the rules of algorithms, between human nature and
\nmachine technology, with the aim to evolve towards new directions in
\naesthetics.<\/p>\n
In 2020 xCoAx will take place in Graz, Austria, directly adjoining the **Topics**<\/p>\n You are invited to submit theoretical, practical or experimental **Submission Categories**<\/p>\n Papers, artworks, performances, ongoing doctoral research (all details **Publications**<\/p>\n All accepted works will be published in a proceedings book with ISBN **Keynote Speakers**<\/p>\n Yuk Hui **Doctoral Symposium Chairs**<\/p>\n Marko Ciciliani<\/p>\n **Organizing Committee**<\/p>\n Andr\u00e9 Rangel: CITAR \/ i2ADS **Local Organizing Committee**<\/p>\n David Pirr\u00f2: Institute of Electronic Music and Acoustics, University of **Contacts**<\/p>\n info@xcoax.org<\/a> **Submission deadline: 31 January 2020** xCoAx is an exploration of the intersection where computational tools and media meet art and culture, in the form of…<\/p>\n","protected":false},"author":122,"featured_media":0,"comment_status":"closed","ping_status":"closed","sticky":false,"template":"","format":"standard","meta":{"footnotes":""},"categories":[5],"tags":[],"class_list":["post-20341","post","type-post","status-publish","format-standard","hentry","category-call","entry"],"_links":{"self":[{"href":"https:\/\/itp.nyu.edu\/opportunities\/wp-json\/wp\/v2\/posts\/20341","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/itp.nyu.edu\/opportunities\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/itp.nyu.edu\/opportunities\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/itp.nyu.edu\/opportunities\/wp-json\/wp\/v2\/users\/122"}],"replies":[{"embeddable":true,"href":"https:\/\/itp.nyu.edu\/opportunities\/wp-json\/wp\/v2\/comments?post=20341"}],"version-history":[{"count":0,"href":"https:\/\/itp.nyu.edu\/opportunities\/wp-json\/wp\/v2\/posts\/20341\/revisions"}],"wp:attachment":[{"href":"https:\/\/itp.nyu.edu\/opportunities\/wp-json\/wp\/v2\/media?parent=20341"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/itp.nyu.edu\/opportunities\/wp-json\/wp\/v2\/categories?post=20341"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/itp.nyu.edu\/opportunities\/wp-json\/wp\/v2\/tags?post=20341"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}
\nsymposium **Algorithms that Matter (ALMAT)**. On the two days preceding
\nxCoAx, ALMAT gathers artists and researchers to present and discuss the
\nrelations between algorithmic agency and artistic research, the practice
\nof algorithmic experimentation and its impact on compositional process.
\nALMAT has issued a separate call for participation –
\nhttps:\/\/urldefense.proofpoint.
\navailable for xCoAx + ALMAT.<\/p>\n
\nresearch work that includes but is not limited to the following topics:
\nComputation, Communication, Aesthetics, X, Algorithms \/ Systems \/
\nModels, Artificial Aesthetics, Artificial Intelligence, Audiovisuals \/
\nMultimodality, Creativity, Design, Interaction, Games, Generative Art \/
\nDesign, History, Mechatronics \/ Physical Computing, Music \/ Sound Art,
\nPerformance, Philosophy of Art \/ of Computation, Technology \/ Ethics \/
\nEpistemology.<\/p>\n
\nfor submission at\u00a0https:\/\/urldefense.proofpoint.
\nspecial call for performances for MUMUTH’s Ligeti Hall is also being
\nlaunched.<\/p>\n
\n(see\u00a0https:\/\/urldefense.proofpoint.
\nof the best papers will be invited to a special issue of the
\nScopus-indexed Journal of Science and Technology of the Arts
\n(https:\/\/urldefense.
\n\u0160pela Petri\u010d<\/p>\n
\nDavid Pirr\u00f2: Institute of Electronic Music and Acoustics, University of
\nMusic and Performing Arts, Graz
\nHanns Holger Rutz: Institute of Electronic Music and Acoustics,
\nUniversity of Music and Performing Arts, Graz
\nJason Reizner: Bauhaus-Universit\u00e4t Weimar
\nLu\u00eds Nunes: i2ADS \/ Faculty of Fine Arts, University of Porto
\nLu\u00edsa Ribas: CIEBA \/ Faculty of Fine Arts, University of Lisbon
\nMario Verdicchio: Universit\u00e0 degli Studi di Bergamo
\nMiguel Carvalhais: INESC TEC \/ Faculty of Fine Arts, University of Porto<\/p>\n
\nMusic and Performing Arts, Graz
\nHanns Holger Rutz: Institute of Electronic Music and Acoustics,
\nUniversity of Music and Performing Arts, Graz
\nDaniele Pozzi: Institute of Electronic Music and Acoustics, University
\nof Music and Performing Arts, Graz<\/p>\n
\nhttps:\/\/urldefense.proofpoint.
\nhttps:\/\/urldefense.proofpoint.
\nhttps:\/\/urldefense.proofpoint.
\nhttps:\/\/urldefense.proofpoint.