>
\n> University of Washington, 2 professorships available
\n>
\n> 1.
\n> DXARTS | PROFESSORSHIP in HYBRID ARTS PRACTICE
\n> www.dxarts.washington.edu
\n>
\n> Pending budgetary approval, The Center for Digital Arts and
\n> Experimental
\n> Media (DXARTS) at the University of Washington is seeking to fill a
\n> tenured
\n> or tenure track faculty position in HYBRID ARTS PRACTICE. Rank is
\n> open, and
\n> we will consider hires from Assistant to Full Professor with tenure.
\n>
\n> Established in 2001, DXARTS is a pioneering experimental arts unit
\n> with
\n> exciting undergraduate and doctoral degree programs. DXARTS brings
\n> together
\n> faculty from Art, Music, Dance, Computer Science, Electrical
\n> Engineering,
\n> Physics, Biology, History of Ideas, and Design in a hybrid research
\n> environment dedicated to the invention and exploration of new forms of
\n> digital and experimental art.
\n>
\n> The successful candidate for this position should be an artist hybrid
\n> engaged in advanced generative digital and experimental arts
\n> practice, as
\n> well as integrating research on the epistemological and ontological
\n> questions raised by the broader art, science and technology
\n> discipline.
\n> Applicants for this position should at minimum hold a Masters
\n> Degree or
\n> equivalent experience and present a well documented career of
\n> significant
\n> creative accomplishments. The ideal candidate will have a strong
\n> and deeply
\n> integrated background blended across numerous creative,
\n> interpretive and
\n> technical fields such as art, music, film, design, dance, theater,
\n> computer
\n> science, cognitive science, engineering, history, psychology, and
\n> philosophy. Applicants should be prepared to pursue innovative art and
\n> technology research, as well as teach introductory and advanced
\n> courses in
\n> comprehensive studio practice, and the history and analysis of
\n> digital and
\n> experimental arts.
\n>
\n> Applications must include: CV, artist statement, statement on
\n> pedagogy, and
\n> a cohesive portfolio of professional creative work. Support
\n> materials must
\n> include three references with phone numbers, mail and e-mail
\n> addresses,
\n> samples of previous course design and recent student work.
\n> Portfolio work
\n> should be formatted for viewing on any platform. Please include a
\n> SASE for
\n> return of materials. Also inform us if you will be attending the CAA
\n> conference in Los Angeles, CA.
\n>
\n> Application materials should be addressed to: Chair, HYBRID ARTS
\n> PRACTICE
\n> Search Committee, DXARTS, 207 Raitt Hall, Box 353414, University of
\n> Washington, Seattle, Washington 98195-3414. Priority will be given to
\n> applications received before January 15, 2009. The University of
\n> Washington
\n> is building a culturally diverse faculty, and strongly encourages
\n> applications from female and minority candidates. The University is
\n> an Equal
\n> Opportunity, Affirmative Action employer.
\n>
\n> A competitive recruitment and selection process is being conducted
\n> and if a
\n> U.S. worker is not selected pursuant to this process, an
\n> application for
\n> Alien Employment Certification may be filed on behalf of an alien
\n> to fill
\n> this job opportunity. Any person may provide documentary evidence
\n> bearing on
\n> the application (such as information on available workers, wages,
\n> working
\n> terms and conditions, or other pertinent information) to either:
\n>
\n> Employment Security Department
\n> AEC Unit
\n> P.O. Box 9046
\n> Olympia, WA 98507-9046
\n>
\n> OR
\n>
\n> Employment & Training Administration
\n> Region VI, U.S. Department of Labor
\n> Certifying Officer
\n> P.O.Box 193767
\n> San Francisco, CA 94119-3767
\n>
\n> and
\n>
\n> 2.
\n> DXARTS | PROFESSORSHIP in DIGITAL CINEMA and EXPERIMENTAL VIDEO
\n> www.dxarts.washington.edu
\n>
\n> Pending budgetary approval, The Center for Digital Arts and
\n> Experimental
\n> Media (DXARTS) at the University of Washington is seeking to fill a
\n> tenured
\n> or tenure track faculty position in DIGITAL CINEMA and EXPERIMENTAL
\n> VIDEO.
\n> Rank is open, and we will consider hires from Assistant to Full
\n> Professor
\n> with tenure.
\n>
\n> Established in 2001, DXARTS is a pioneering experimental arts unit
\n> with
\n> exciting undergraduate and doctoral degree programs. DXARTS brings
\n> together
\n> faculty from Art, Music, Dance, Computer Science, Electrical
\n> Engineering,
\n> Physics, Biology, History of Ideas and Design in a hybrid research
\n> environment dedicated to the invention and exploration of new forms of
\n> digital and experimental art.
\n>
\n> The successful candidate should be prepared to pursue highly
\n> innovative
\n> research in their main field of study (DIGITAL CINEMA and EXPERIMENTAL
\n> VIDEO), and to teach introductory and advanced level graduate courses
\n> comprehensive studio practice in film making, digital cinema and
\n> experimental video, as well as the history and theory of the genre.
\n> Applicants for this position should at a minimum have a Masters
\n> Degree or
\n> equivalent experience, be broadly interdisciplinary with strong
\n> creative and
\n> technical skills, have substantial practical experience synthesized
\n> across
\n> multiple areas of experimental arts, with their primary focus
\n> emerging out
\n> of experimental film, cinema, and digital video genres. Further,
\n> applicants
\n> should be fluently versed in a wide array of digital cinema
\n> production and
\n> post-production techniques, including directing, field and studio
\n> lighting,
\n> cinematography, motion control, non-linear editing, visual fx &
\n> compositing,
\n> motion capture, motion graphics, art direction, and writing for film.
\n> Special attention will be given to artists who have capabilities in
\n> emerging
\n> experimental video areas such as custom electronics, machine
\n> vision, stereo
\n> 3D, AI, computer programming & image processing, interactive video
\n> installation, etc.
\n>
\n> Applications must include: CV, artist statement, statement on
\n> pedagogy, and
\n> a cohesive portfolio of professional creative work. Support
\n> materials must
\n> include three references with phone numbers, mail and e-mail
\n> addresses,
\n> samples of previous course design and recent student work.
\n> Portfolio work
\n> should be formatted for viewing on any platform. Please include a
\n> SASE for
\n> return of materials. Also inform us if you will be attending the CAA
\n> conference in Los Angeles, CA.
\n>
\n> Application materials should be addressed to: Chair, DIGITAL CINEMA
\n> and
\n> EXPERIMENTAL VIDEO Search Committee, DXARTS, 207 Raitt Hall, Box
\n> 353414,
\n> University of Washington, Seattle, Washington 98195-3414. Priority
\n> will be
\n> given to applications received before January 15, 2009. The
\n> University of
\n> Washington is building a culturally diverse faculty, and strongly
\n> encourages
\n> applications from female and minority candidates. The University is
\n> an Equal
\n> Opportunity, Affirmative Action employer.
\n>
\n> A competitive recruitment and selection process is being conducted
\n> and if a
\n> U.S. worker is not selected pursuant to this process, an
\n> application for
\n> Alien Employment Certification may be filed on behalf of an alien
\n> to fill
\n> this job opportunity. Any person may provide documentary evidence
\n> bearing on
\n> the application (such as information on available workers, wages,
\n> working
\n> terms and conditions, or other pertinent information) to either:
\n>
\n> Employment Security Department
\n> AEC Unit
\n> P.O. Box 9046
\n> Olympia, WA 98507-9046
\n>
\n> OR
\n>
\n> Employment & Training Administration
\n> Region VI, U.S. Department of Labor
\n> Certifying Officer
\n> P.O.Box 193767
\n> San Francisco, CA 94119-3767
\n>
\n> ************************************************************
\n>
\n> also —
\n>
\n>
\n>
\n>
\n> University of Michigan seeks studio faculty
\n>
\n> Dear Colleague:
\n>
\n> The University of Michigan School of Art & Design invites
\n> applications for
\n> tenure-track\/tenured studio faculty. A&D is seeking to hire up to four
\n> artists-designers whose practice is located beyond traditional
\n> disciplinarity. Applicants should have a proven record appropriate
\n> to one or
\n> more of the areas listed below, as well as a strong understanding
\n> of the
\n> history, practice, theory, and criticism of contemporary art and
\n> design.
\n>
\n> Art-Design Technologies: an innovative practitioner with the
\n> ability to
\n> create seamless interfaces between people, digital information, and
\n> physical
\n> environments. Applicants should be able to program and prototype
\n> advanced
\n> software and engineering tools to construct complex systems. A
\n> particular
\n> emphasis on understanding the social and human dimensions of these
\n> systems
\n> is desired.
\n>
\n> Large-Scale Sculpture\/Installation: an artist- designer engaged in
\n> creating
\n> installations or large- scale sculptures. Applicants should have
\n> expertise
\n> in one or more of the following practices: site-specific concerns, the
\n> natural and\/or social environment, innovative use of materials
\n> (ceramics,
\n> metals, synthetics, natural), land art or environmental issues, and
\n> the
\n> interface between digital information and the physical environment.
\n>
\n> Painting: a bold thinker with broad definitions of painting and its
\n> role in
\n> contemporary art-design practice. Applicants should have expertise in
\n> painting, drawing, and color processes, with an understanding of
\n> how these
\n> may be used to facilitate perception and invention, as well as
\n> cultural and
\n> social inquiry.
\n>
\n> Eco-Design: an artist-designer whose creative practice addresses the
\n> ultimate challenge of our time: the impact of human activity on the
\n> environment. Applicants should have a demonstrated record balancing
\n> pragmatic and poetic investigations of topics such as: ecology,
\n> bio-diversity, cultural sustainability, energy, consumerism, natural
\n> resources, and resource management.
\n>
\n> Graphic Design: an artist-designer with broad definitions of how
\n> visual
\n> communication operates in both established and emerging forms.
\n> Applicants
\n> should be solidly grounded in 2D design principles with expertise
\n> in digital
\n> interactive design, kinetic typography and data visualization.
\n>
\n> Photography: an artist-designer whose work dynamically incorporates
\n> photographic media through innovative forms. Applicants should have
\n> expertise in digital photography, and should be responsive to the
\n> cultural
\n> meaning and significance of images used within mass media, for
\n> personal
\n> expression, and for cultural critique.
\n>
\n> Special consideration will be given to applicants who are qualified
\n> to teach
\n> courses in the history and theory of art-design, to applicants whose
\n> qualifications and interests prepare them for active engagement
\n> with other
\n> academic units at the University, and to applicants who are open to
\n> collaborative\/interdisciplinary teaching, research, and creative
\n> projects.
\n>
\n> Applications are due January 5, 2009, with an expected start date of
\n> September 1, 2009. Additional details, including application
\n> instructions,
\n> can be found at http:\/\/www.art-design.umich.edu. Questions or
\n> requests for
\n> further information may be forwarded to a&dhr@umich.edu.
\n>
\n> School of Art & Design
\n> University of Michigan
\n> 2000 Bonisteel Boulevard
\n> Ann Arbor, MI 48109-2069
\n> Phone: 734-936-0671
\n> Fax: 734-615-9753
\n> Email: a&dhr@umich.edu
\n>
\n><\/p>\n
—<\/p>\n","protected":false},"excerpt":{"rendered":"
> > University of Washington, 2 professorships available > > 1. > DXARTS | PROFESSORSHIP in HYBRID ARTS PRACTICE > www.dxarts.washington.edu > > Pending budgetary…<\/p>\n","protected":false},"author":1,"featured_media":0,"comment_status":"closed","ping_status":"closed","sticky":false,"template":"","format":"standard","meta":{"footnotes":""},"categories":[3,8],"tags":[],"class_list":["post-766","post","type-post","status-publish","format-standard","hentry","category-job","category-listserv","entry"],"_links":{"self":[{"href":"https:\/\/itp.nyu.edu\/opportunities\/wp-json\/wp\/v2\/posts\/766","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/itp.nyu.edu\/opportunities\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/itp.nyu.edu\/opportunities\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/itp.nyu.edu\/opportunities\/wp-json\/wp\/v2\/users\/1"}],"replies":[{"embeddable":true,"href":"https:\/\/itp.nyu.edu\/opportunities\/wp-json\/wp\/v2\/comments?post=766"}],"version-history":[{"count":0,"href":"https:\/\/itp.nyu.edu\/opportunities\/wp-json\/wp\/v2\/posts\/766\/revisions"}],"wp:attachment":[{"href":"https:\/\/itp.nyu.edu\/opportunities\/wp-json\/wp\/v2\/media?parent=766"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/itp.nyu.edu\/opportunities\/wp-json\/wp\/v2\/categories?post=766"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/itp.nyu.edu\/opportunities\/wp-json\/wp\/v2\/tags?post=766"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}