Hank D Wu – Spring Show 2020 /shows/spring2020/ Mon, 14 Dec 2020 18:36:17 +0000 en-US hourly 1 https://wordpress.org/?v=6.5.5 VR Confinement Sketches /shows/spring2020/vr-confinement-sketches/ /shows/spring2020/vr-confinement-sketches/#respond Mon, 18 May 2020 03:56:31 +0000 https://itp.nyu.edu/shows/spring2020/vr-confinement-sketches/ Continue reading "VR Confinement Sketches"

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30-second VR narratives made from photogrammetry scans of personal spaces.

Celine Yu, Hank D Wu, Jessica Chon, Michael Naimark, Qianyi Chen, Tian Qin, Wenhan Dou, Yayuan Zheng, Yanru Zhu, Zexing Li

Photogrammetry element
https://wp.nyu.edu/shanghai-vr_ar_fundamentals/

Description

The 9 students were asked to reflect on their confinement environments and express their feelings about it. Though they knew the final project would be in VR, they began with conventional photography. They then learned photogrammetry with their smartphones (mostly using Metashape) and how to export to and compose in Unity, while also writing and recording 30-second personal voice-overs and background audio. They also added simple shapes, lighting, and “camera on rails” movement, then exported to stereo-panoramic video, which we titled and uploaded to YouTube as a 5-minute a 3D 360 video.

Special thanks to David Santiano, our Research Associate for Telepresence!

IMA/IMB Shanghai
VR I AR Fundamentals
VR\\\\\\\\AR
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MediaMoney /shows/spring2020/mediamoney/ /shows/spring2020/mediamoney/#respond Mon, 18 May 2020 03:43:29 +0000 https://itp.nyu.edu/shows/spring2020/mediamoney/ Continue reading "MediaMoney"

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MediaMoney provides simple analytics for any public Twitter account. With this handy tool, you can even estimate how much advertising money your favorite Twitter accounts can make with each tweet.

Hank D Wu

MediaMoney Main Image MediaMoney Home Page MediaMoney Analytics Page Media Money Tweets Page MediaMoney Stats
https://youtu.be/qo2QN_LnkZU

Description

The chief purpose of MediaMoney ties in directly with a relatively new phenomenon: the monetization of social media. Despite rapid changes in the social media landscape, such monetization has remained rather opaque to content consumers. While many consumers now understand that social media can be a real business that drives very real profits, there remains quite a bit of misinformation regarding the quantity of such payments. Some consumers tend to underestimate the revenue generated by social media influencers (likely because few formal transactions ever take place directly between the consumer and the influencer). However, others also validly overestimate revenue, especially after viewing content depicting the lavish lifestyles of such influencers. The reality is much more nuanced. Consuming “free” media on platforms such as YouTube, Instagram, and Twitter is a large part of an important value creation process. Thus, the primary objective of this project is to cut through the opaqueness and shed light on what truly happens.

IMA/IMB Shanghai
INTM-SHU.401.2
Capstone Studio (Shanghai)
Education
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