{"id":329,"date":"2014-05-02T12:23:23","date_gmt":"2014-05-02T16:23:23","guid":{"rendered":"https:\/\/itp.nyu.edu\/shows\/thesis2014\/valerie-chen\/"},"modified":"2014-05-12T08:27:20","modified_gmt":"2014-05-12T12:27:20","slug":"valerie-chen","status":"publish","type":"post","link":"https:\/\/itp.nyu.edu\/shows\/thesis2014\/valerie-chen\/","title":{"rendered":"Pippin"},"content":{"rendered":"<h2><em>Valerie Chen<\/em><\/h2>\n<p>Pippin is a themed hard cider bar that recreates a series of historical periods significant to the story of cider in America. As patrons navigate the space and engage in symbolic gestures, they experience being a different person in a different time.<\/p>\n<h3>Description<\/h3>\n<p>Apple trees are extreme heterozygotes:  when grown from seed, instead of inheriting the characteristics of their parents, the traits of the new generation are wildly unpredictable. These capricious offspring are called pippins. Likewise, Pippin is a pop-up cider bar that takes on unpredictable forms. The entire space moves through three themes: an indoor garden paradise, a frontier log cabin, and an underground speakeasy. The themes correspond with historical moments that shaped the complicated relationship between Americans and the practice of drinking alcohol. The designs for Pippin&#39;s first iteration have been brought to life as a navigable digital environment where users can experience what such a place might look and feel like.    <\/p>\n","protected":false},"excerpt":{"rendered":"<p>Valerie Chen Pippin is a themed hard cider bar that recreates a series of historical periods significant to the story of cider in America. As patrons navigate the space and engage in symbolic gestures, they experience being a different person in a different time. Description Apple trees are extreme heterozygotes: when grown from seed, instead &hellip; <a href=\"https:\/\/itp.nyu.edu\/shows\/thesis2014\/valerie-chen\/\" class=\"more-link\">Continue reading <span class=\"screen-reader-text\">Pippin<\/span> <span class=\"meta-nav\">&rarr;<\/span><\/a><\/p>\n","protected":false},"author":1,"featured_media":0,"comment_status":"closed","ping_status":"closed","sticky":false,"template":"","format":"standard","meta":{"footnotes":""},"categories":[10707],"tags":[],"class_list":["post-329","post","type-post","status-publish","format-standard","hentry","category-katherine-dillon"],"_links":{"self":[{"href":"https:\/\/itp.nyu.edu\/shows\/thesis2014\/wp-json\/wp\/v2\/posts\/329"}],"collection":[{"href":"https:\/\/itp.nyu.edu\/shows\/thesis2014\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/itp.nyu.edu\/shows\/thesis2014\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/itp.nyu.edu\/shows\/thesis2014\/wp-json\/wp\/v2\/users\/1"}],"replies":[{"embeddable":true,"href":"https:\/\/itp.nyu.edu\/shows\/thesis2014\/wp-json\/wp\/v2\/comments?post=329"}],"version-history":[{"count":1,"href":"https:\/\/itp.nyu.edu\/shows\/thesis2014\/wp-json\/wp\/v2\/posts\/329\/revisions"}],"predecessor-version":[{"id":441,"href":"https:\/\/itp.nyu.edu\/shows\/thesis2014\/wp-json\/wp\/v2\/posts\/329\/revisions\/441"}],"wp:attachment":[{"href":"https:\/\/itp.nyu.edu\/shows\/thesis2014\/wp-json\/wp\/v2\/media?parent=329"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/itp.nyu.edu\/shows\/thesis2014\/wp-json\/wp\/v2\/categories?post=329"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/itp.nyu.edu\/shows\/thesis2014\/wp-json\/wp\/v2\/tags?post=329"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}