I really enjoyed the first group session with Nun, Nicole, Zoe, Yiyang, and Dora. I think what I liked most about this session was engaging with my classmates’ work and seeing their approaches to what they were thinking about. For example I really latched onto this idea that Nicole is looking at memory and history and holding on to things, and Zoe is looking at forgetting as a magic trick ticket to freedom. Super reductive of both of them so that was NOT meant to be a thorough representation of what they’re doing or thinking about. But those elements are what jumped into my mind and stayed there. I also got excited about Dora’s idea of building a pinhole camera. The stuff of artmaking — processes, tools, materials — these are things that really resonate with me. Also it was very humanizing to hear that everyone felt a bit lost, and to also see so clearly some really rich directions they could go. Gives me hope that there’s something in my own jumbled thoughts that might yield a little fruit.
I then spent quite a bit of time over the next few days mulling and reading and watching and listening to things — a giant inhale. I still have a lot more to do, but here are some thoughts so far:
For 50 Days, I am doing 50 days of seams, which feels relevant to this class because I think I want to do something wearable/garment-adjacent for my thesis. I got a book about haute couture techniques and was reading about how different haute couture garments come together, all the many hours of work and everything hand done, etc, and I started wondering why I even care about haute couture. And honestly, IF I even care about it. I am in complete awe of the craft of it, but I don’t know why. I am certainly not “fashionable” and don’t aspire to be. I find the fashion industry deeply problematic in their treatment of women and bodies. It’s only in the last two or three years that I started wearing dresses with any regularity, yet I am so allured by them.
I decided to dig into the stories that show up in fashion. What is behind the incomprehensible garments on a runway. What the hell is happening there. I love Anouk Wipprecht’s work, the spider dress MAKES SENSE to me. I can see what is going on and I love it and gravitate to that. What the hell is Alexander McQueen doing? I don’t know and I’m not sure how much I care. I did some reading into Guo Pei, and then watched a documentary about her work called Yellow is Forbidden. I found it super interesting to see the process and how much history and story goes into the work. About how so much of the story of the cultural revolution in China influenced the dresses she created and the world that she built.
I then researched more about fashion and communication and storytelling. I read about the rise and fall of the fur coat, and about how the dressing is an applied art, much like architecture, in that it is both functional and delightful. This intersection of functionality and delight is something I responded to.
I started thinking about the functions of clothing — protection, identity, creating self image, some really functional clothing like athletic gear, performance gear, a whole host of shoes. This led me to thinking a bit about architecture, and then thinking about nature, and I somehow ended up on bird nests. I started reading about bird nests and what their functions are. Clearly they hold the eggs and allow for roosting, but do they also provide protection? From predators? From the environment? From temperature? I read about social weaver birds, who build huge intricate colonies and how these colonies do all of that.
I’m loving all this reading and absorbing, and I have a lot more on my list, but I need to turn the corner into making. There I get a little stuck. More to come.