Open Call (Topics in Media Art)

Keith Miller | Syllabus | IMNY-UT 260 | Thur 12:20pm to 3:20pm in 370 Jay Street Room 450 Meetings:14
Last updated: October 21, 2026
Show Course Description

This class is for students interested in making, displaying and installing art for interactive media art exhibitions. This class will prepare you to apply for and develop work for open calls and everything else that happens after you are selected. The class will have an opportunity to exhibit a group show in a real NYC gallery towards the end of the semester. The students will collaborate to title, describe and document the works in the show. They will also have an opportunity to do a public talk back about their work, organize a reception and add a piece to their portfolio.

Critical Experiences

Rosalie Yu | IMNY-UT 206 | Thur 09:00am to 12:00pm in 370 Jay St, Room 407 Meetings:14
Last updated: October 21, 2026
Show Course Description

​​Critical Experience is an experiential journey through a research driven art practice rooted in care, community, and somatic inquiry. This class is based on the premise that there are many ways to know things and we can draw upon these ways of knowing and our desire to know in order to nurture a creative practice grounded in research, clear intention, and a critical lens. Critical here means: discerning, eager to participate differently, cast new light on, re-examine, course-correct.

You will be guided through traditional research methods (library and interview techniques, citations, informal ethnographies) and experience design while also being asked to cultivate intentional awareness of your own positionalities, communities, personal strengths, emotions, and desires through experimentation, hunch following, rituals, and contemplative practices.This class was created for or artists/designers who are interested in participation/interaction and its relationship to social practice, critical design, and change-making as well as individuals curious about knowing what moves them.

Why experience? The work in this class will be looked at through the lens of its ability to transform (a user, participant, audience, viewer). Interactivity is one way of doing that, but through the lens of experience design, all art is temporal and embodied.

Living Archives: Finding Stories of Peoples, Plants and Places (Topics in Media Art)

Tanika Williams | Syllabus | IMNY-UT 260 | Fri 12:20pm to 3:20pm in 370 Jay St, Room 409 Meetings:14
Last updated: October 21, 2026
Show Course Description

How can plants and food help us understand our family history?

Plants, like people, are intelligent life forms that hold memory and transmit knowledge. In this course, students examine the evolution of botany alongside the rise of colonization to draw parallels between the policies and practices that shaped their family migrations. With the aid of edible medicinal plants and traditional recipes, students research their histories and curate cultural archives that tell complex stories of belonging and longing.

Participants will learn how to grow medicinal plants, employ ethical research practices, and develop their family archives.

Students will begin by examining various ways plants establish communities across the planet and studying the complex chemical and social lives of plants. Next, learners will parallel postcolonial theories of plants and peoples to connect the ways plants, like humans, seeded themselves across the globe for survival. Finally, students will incorporate primary sources from the family narrative, oral history, and government archives to help students visualize botanical imprints on their ethnic, racial, and national identities.

Learners will survey the research of botanists, horticulturalists, folk medicine practitioners, and urban gardeners. The works of Alice Walker, Toni Morrison, Jamaica Kincaid, and Fred Moten will provide the course’s literary foundation. The art practices of Fred Wilson, LaToya Ruby Frazier, Alison Janae Hamilton, and Deb Willis will create avenues for social art exploration. Importantly, students will read research from a cross-section of postcolonial theorists challenging Western cartography and naming conventions of land.

Creative Approaches to Emerging Media

Ami Mehta | Syllabus | IMNY-UT 205 | TBD Meetings:14
Last updated: March 23, 2026
Show Course Description

We live in a world where we have more data, computational power, and access to digital connectivity than ever before. But how do we make sense of the promise inherent in this reality while holding space for the challenges that it presents for different groups and communities? How do we situate the technologies that we have come to take for granted? And more importantly, how do we leverage an artist’s perspective to creating active responses that interrogate and hint at the potential for different futures?

This course examines emergent technological fields, spanning topics like data collection/representation, digital archives, artificial intelligence, social algorithms, and automation and asks how the technologies inherent to each can be leveraged for artistic response, creation, and critique.

While this course is primarily conceptual and art theory-based, the content covered will be technical in nature and students will be tasked with making three creative responses to the content in the tradition of the new media, digital, and conceptual art worlds.

Category: Studies (aka Seminar) OR Computation and Data

Prerequisites: Creative Computing or equivalent programming experience and Communications Lab: Hypercinema or equivalent media production experience is required.