Chatbots for Art’s Sake

Carrie Sijia Wang | IMNY-UT 233 | Tues 2:00pm to 3:30pm in 370 Jay St, Room 409>Thur 2:00pm to 3:30pm in 370 Jay St, Room 409 Meetings:14
Last updated: October 30, 2025
Show Course Description

This course is designed to repurpose existing chatbot technologies and use them for the sake of art. Comprising technical labs, design workshops, thematic seminars, and creative project development, it offers an exploration of the historical, present, and future dimensions of conversational AI; and the various roles AI has played and could play in human society. Students will delve into the design elements of conversational AI, and learn to use different techniques— such as RiveScript, p5.speech, APIs, Markov Chains, and Language Models—to create functional and artistic chatbots. The course expects students to conduct research and complete creative assignments, encouraging them to express their unique artistic visions.

Computational Image Deconstruction (Topics in Media Art)

Alan Winslow | IMNY-UT 260 | Mon 7:00pm to 8:30pm in 370 Jay St, Room 409>Wed 7:00pm to 8:30pm in 370 Jay St, Room 409 Meetings:14
Last updated: October 30, 2025
Show Course Description

This class explores how as creatives, we can take the wealth of data that each still image contains and re-purpose it. In the first few weeks of the course, students will develop an understanding of technical and creative photographic techniques through lectures, hands-on assignments, and critiques. As the class progresses, students will develop a series on a particular topic of interest (portraits, architecture, street photography). Using p5js we will explore simple scripts to extract information or manipulate the images (what are the most represented colors in the photos? What are the RGB values that make up the image? Can we add movement to the picture?). At the end of the course, students will present their series.

Prerequisite: Creative Computing
About Alan Winslow: www.alanwinslow.com

Shared Minds (Topics in Computation and Data)

Dan O'Sullivan | Syllabus | IMNY-UT 220 | Tues 12:20pm to 1:50pm in 370 Jay St, Room 409>Thur 12:20pm to 1:50pm in 370 Jay St, Room 409 Meetings:7-Second Half
Last updated: October 30, 2025
Show Course Description

This class asks students to think about thinking. Based on first person introspection, meditation and readings in psychology, students will examine the experience of their minds. Then we look at how computation, in particular recent developments in AI, can better work as a medium to capture and share that experience. Class time is evenly divided between conceptual discussions around the psychology of media, looking at student work, and then learning coding skills for the following week. The early course materials direct students towards developing and implementing multi-user web apps to improve our society’s social media ecosystem but final projects often take different directions. 
 
On the technical side, the class gently picks up from any introductory javascript coding class.  Compared to Creative Computing it moves away from the p5.js in favor of vanilla javascript in an environment like Visual Studio Code assisted by AI.  The class encourages students to find a healthy balance of using “vibe coding” while maintaining the ability to specify overall architecture and debug individual lines of code. In particular the technologies covered are Replicate.com’s API’s for Machine Learning Models for generation and relation of text and images, Firebase tools for server based databases, realtime sharing, storage and authentication. Libraries like UMAP for dimension reductions, Three.js for realtime rendering, P5LiveMedia for Audio and Video sharing, and Colab for running python notebooks.

Each week students will post a quick sketch experimenting with the technology as well a short written response to a prompt together with a short reading or video.

Experimental Photography

Ellen Nickles | Syllabus | IMNY-UT 232 | Thur 12:20pm to 3:20pm in 370 Jay St, Room 408 Meetings:14
Last updated: October 30, 2025
Show Course Description

What are all the ways that you saw or made a photograph this week? How are those ways similar and different? How do those pictures function in your life and in society? What is a photograph? This course repeatedly asks these questions by using emerging computational tools to design alternative forms of making and interacting with photographs. The forms and applications of these tools, such as those for creative coding, physical computing, and AI, are explored weekly in technical tutorials and hands-on workshops. These are informed by discussions of critical debates in photography and various practitioners working with photographs, past and present. The homework includes readings, short writing responses, and photography assignments. Prerequisites: Comm Lab: HyperCinema (or similar coursework exploring communication and storytelling with digital tools) and New York’s IMA Creative Computing (or similar coursework with creative coding using the p5.js JavaScript library and programming for physical computing using Arduino microcontrollers). Note that prior experience with physical computing using the Arduino platform is required for this course. Please feel free to contact the instructor if you have any questions about the course.

Interactive Multi-Screen Experiences (Topics in Media Art)

John Henry Thompson | Syllabus | IMNY-UT 281 | Mon 3:40pm to 6:40pm in 370 Jay St, Room 411 Meetings:7-Second Half
Last updated: October 30, 2025
Show Course Description

We experience screens daily in many forms: in our hands, on our desktops, on walls and public installations as we travel. This course will explore the creative possibilities of real-time interactive and reactive art on screens in various forms. Using the recently developed p5VideoKit we will create standalone installations. p5VideoKit is a new library of live video effects – building on p5js – presented as a dashboard for mixing video in the browser. This library allows the user to apply visual effects to live video from connected cameras and sensors or streaming from devices on the internet. p5VideoKit is open source and can be extended with the user’s p5js code for a plethora of visual effects and interactivity. One possible application of p5Videokit would be a public facing installation allowing anonymous people on the street to use their hand held devices to interact with large street facing screens, thereby collaborating on real time creation of “digital graffiti”.

Building on Creative Computing, students will learn how to adapt simple sketches into components of p5VideoKit so that algorithms can be quickly composited and orchestrated into more complex works. Students will also learn how to edit and share code beyond the p5js editor, use nodejs/javascript to automate deployment of installations, and remotely configure dedicated computers with long running installations. Several dedicated computers and screens will be available to preview installations on the floor and street facing areas of the 370 Jay Street campus.

Prerequisites: Creative Computing or equivalent coding experience.

About John Henry Thompson: http://johnhenrythompson.com

Chatbots for Art’s Sake

Carrie Sijia Wang | IMNY-UT 233 | Tues 2:00pm to 3:30pm in 370 Jay St, Room 409>Thur 2:00pm to 3:30pm in 370 Jay St, Room 409 Meetings:14
Last updated: October 30, 2025
Show Course Description

This course is designed to repurpose existing chatbot technologies and use them for the sake of art. Comprising technical labs, design workshops, thematic seminars, and creative project development, it offers an exploration of the historical, present, and future dimensions of conversational AI; and the various roles AI has played and could play in human society. Students will delve into the design elements of conversational AI, and learn to use different techniques— such as RiveScript, p5.speech, APIs, Markov Chains, and Language Models—to create functional and artistic chatbots. The course expects students to conduct research and complete creative assignments, encouraging them to express their unique artistic visions.

Chatbots for Art’s Sake

Carrie Sijia Wang | IMNY-UT 233 | TBD Meetings:14
Last updated: October 30, 2025
Show Course Description

This course is designed to repurpose existing chatbot technologies and use them for the sake of art. Comprising technical labs, design workshops, thematic seminars, and creative project development, it offers an exploration of the historical, present, and future dimensions of conversational AI; and the various roles AI has played and could play in human society. Students will delve into the design elements of conversational AI, and learn to use different techniques— such as RiveScript, p5.speech, APIs, Markov Chains, and Language Models—to create functional and artistic chatbots. The course expects students to conduct research and complete creative assignments, encouraging them to express their unique artistic visions.