Useless Machines

Blair Simmons | IMNY-UT 272 | Tues 2:00pm to 3:30pm in 370 Jay Street, Room 316C>Thur 2:00pm to 3:30pm in 370 Jay Street, Room 316C Meetings:14
Last updated: October 30, 2025
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Useless Machines is about redefining “usefulness.” Through making, we will explore what it means, on an ideological, political and historical level, to create something ‘useful’ or ‘useless.’ We will play with these definitions and explore how these objects serve to be humorous, critical, disruptive and at times… useful. 

We will study ‘useless’ machines throughout history, which will provoke conversations and disagreements around the implications of existing and emerging technologies. The students will design ‘useless’ machines for their final project.  Examples of ‘useless’ machines are drawn from Kenji Kawakami’s The Big Bento Box of Unuseless Japanese Inventions, Dunne & Raby’s Speculative Everything, Stephanie Dinkins’ Conversations with Bina 48, esoteric.codes/, CW&T, Mimi Ọnụọha’s  Missing Data, Jacques Carelman’s Catalog of Impossible Objects, viral videos/objects and much more.

Instructor Blair Simmons Website: www.Blairsimmons.com

Design Skills for Responsible Media (Topics in Media Art)

Art Kleiner | Syllabus | IMNY-UT 260 | TBD Meetings:14
Last updated: October 30, 2025
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Generative AI and other digital media affect people in unexpected ways. This is a course in the skills of responsible design and development of all forms of media covered by IMA and ITP. We will look critically at the belief systems that affect design, and will build skills for assessing the unexpected implications and consequences of any new digital project, including generative AI projects. Together, we will create personal and group processes to bring these issues safely to the surface, and create standards and guardrails (a “calculus of intentional risk”) that you can apply to your own work and to work you do in the future. This course is structured around three comprehensive group assignments:
1. Group project: Produce a case study of an ethical dilemma in a real-world tech company, based on news reports and other sources. How did this dilemma come about? How did the company respond? What could they have done differently? We will discuss these cases, and others, in class.
2. Group or solo project: Produce work in any format [not too elaborate] that brings an ethical issue to light.
3. Solo project: Propose a design practicum – a set of ethical standard – that would help you evaluate the impact of one or more pieces of your own work (or someone else’s you know well). Use this “calculus of intentional risk” to explore how you would change the design and use of these projects.
The class lectures will cover themes related to these three assignments, drawing on the instructors’ extensive research in the fields of organizational and technological ethics and responsibility. The recently published book, The AI Dilemma: The 7 Principles of Responsible Technology, will be one resource for the class. We will also draw on work on responsible technology going on elsewhere throughout NYU.

 Living Archives: Finding Stories of Peoples, Plants and Places (Topics in Media Art)

Tanika Williams | Syllabus | IMNY-UT 260 | Fri 12:20pm to 3:20pm in 370 Jay St, Room 409 Meetings:14
Last updated: October 30, 2025
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Can a plant tell the story of your people and the planet?

This course aims to facilitate student relationships to the planet through the construction of personalized genealogies from family narratives, historical migrations, and plant relationships. Plants, like people, are intelligent life forms that hold memory and transmit knowledge. Students will study edible medicinal plants (herbs) to unlock their expertise on the past, present and future of the planet and its peoples. Participants will learn how to grow medicinal plants, employ ethical research practices, and develop their family archives.

Students will begin by examining various ways plants establish communities across the planet and studying the complex chemical and social lives of plants. Next, learners will parallel postcolonial theories of plants and peoples to connect the ways plants, like humans, seeded themselves across the globe for survival. Finally, students will incorporate primary sources from the family narrative, oral history, and government archives to help students visualize botanical imprints on their ethnic, racial, and national identities.

Learners will survey the research of botanists, horticulturalists, folk medicine practitioners, and urban gardeners. The works of Alice Walker, Toni Morrison, Jamaica Kincaid, and Fred Moten will provide the course’s literary foundation. The art practices of Fred Wilson, LaToya Ruby Frazier, Alison Janae Hamilton, and Deb Willis will create avenues for social art exploration. Importantly, students will read research from a cross section of postcolonial theorists challenging Western cartography and naming conventions of land.

About Tanika Williams: www.tanikawilliams.net

 Living Archives: Finding Stories of Peoples, Plants and Places (Topics in Media Art)

Tanika Williams | Syllabus | IMNY-UT 260 | Fri 12:20pm to 3:20pm in 370 Jay St, Room 409 Meetings:14
Last updated: October 30, 2025
Show Course Description

Can a plant tell the story of your people and the planet?

This course aims to facilitate student relationships to the planet through the construction of personalized genealogies from family narratives, historical migrations, and plant relationships. Plants, like people, are intelligent life forms that hold memory and transmit knowledge. Students will study edible medicinal plants (herbs) to unlock their expertise on the past, present and future of the planet and its peoples. Participants will learn how to grow medicinal plants, employ ethical research practices, and develop their family archives.

Students will begin by examining various ways plants establish communities across the planet and studying the complex chemical and social lives of plants. Next, learners will parallel postcolonial theories of plants and peoples to connect the ways plants, like humans, seeded themselves across the globe for survival. Finally, students will incorporate primary sources from the family narrative, oral history, and government archives to help students visualize botanical imprints on their ethnic, racial, and national identities.

Learners will survey the research of botanists, horticulturalists, folk medicine practitioners, and urban gardeners. The works of Alice Walker, Toni Morrison, Jamaica Kincaid, and Fred Moten will provide the course’s literary foundation. The art practices of Fred Wilson, LaToya Ruby Frazier, Alison Janae Hamilton, and Deb Willis will create avenues for social art exploration. Importantly, students will read research from a cross section of postcolonial theorists challenging Western cartography and naming conventions of land.

About Tanika Williams: www.tanikawilliams.net

 Living Archives: Finding Stories of Peoples, Plants and Places (Topics in Media Art)

Tanika Williams | Syllabus | IMNY-UT 260 | TBD Meetings:14
Last updated: October 30, 2025
Show Course Description

Can a plant tell the story of your people and the planet?

This course aims to facilitate student relationships to the planet through the construction of personalized genealogies from family narratives, historical migrations, and plant relationships. Plants, like people, are intelligent life forms that hold memory and transmit knowledge. Students will study edible medicinal plants (herbs) to unlock their expertise on the past, present and future of the planet and its peoples. Participants will learn how to grow medicinal plants, employ ethical research practices, and develop their family archives.

Students will begin by examining various ways plants establish communities across the planet and studying the complex chemical and social lives of plants. Next, learners will parallel postcolonial theories of plants and peoples to connect the ways plants, like humans, seeded themselves across the globe for survival. Finally, students will incorporate primary sources from the family narrative, oral history, and government archives to help students visualize botanical imprints on their ethnic, racial, and national identities.

Learners will survey the research of botanists, horticulturalists, folk medicine practitioners, and urban gardeners. The works of Alice Walker, Toni Morrison, Jamaica Kincaid, and Fred Moten will provide the course’s literary foundation. The art practices of Fred Wilson, LaToya Ruby Frazier, Alison Janae Hamilton, and Deb Willis will create avenues for social art exploration. Importantly, students will read research from a cross section of postcolonial theorists challenging Western cartography and naming conventions of land.

About Tanika Williams: www.tanikawilliams.net