Cough Syrup

Cough Syrup is a collaborative digital archive presented in the form of an easily digested zine; It aims to document, share, and guide members of the Millennial and GenZ populations throughout a time of quarantine and social distancing.

Benjamin Lasala Tablada

https://issuu.com/bentab/docs/coughsyrup_final1_

Description

I’m a member of what I like to describe as the ‘missing generation’—born in the year 1997, too young to relish in the golden age of the Backstreet Boys and the Spice Girls, yet old enough to still quote Vines even after its closure. Some say that I belong amongst the Millennial population, while others will argue that I’m a part of Generation Z, but this intersection is what makes my understanding of both communities so unique. I’ve lived through flip-phones, multiple recessions, saw the rise of Tik Tok, and am currently spending my 20’s in a global pandemic. The digital age is volatile in nature, but it is an outlet for this evolving community to express their ideas, moments of clarity, or in this case, obscurity.

Cough Syrup like its name suggests, soothes and alleviates—it does not heal, nor is it a solution to the ongoing pandemic—rather it serves as a method of coping and documents a time period in which members of the Millennial and GenZ communities feel tremendous amounts of discomfort. In light of the multiple nation-wide quarantines, members of these communities have utilized social media, memes, and digital applications like Zoom to serve as methods of self-discovery and a platform to exchange ideas.

The goal of this digital publication is to be humorous, philosophical, and profound, utilizing first-person interviews and current events as a method of chronicling this particular moment in history. Within ‘Cough Syrup’, the reader will find a plethora of relevant content from trending tik tok hashtags, the rise of Zoom, and data visualizations through screenshots and photographs. It attempts to deepen how 21st-century communities react to concepts of productivity, health and wellness, and the stark differences or similarities of our daily lifestyles through the lens of the ‘missing generation’.

IMA/IMB Shanghai
INTM-SHU.401.1
Capstone Studio (Shanghai)
Culture,Narrative/Storytelling

THE CAGE

“Across the Great Wall, we can reach every corner in the world “… or not?

Ren Tao

https://youtu.be/Yn0lcMU60jo

Description

THE CAGE is an artistic installation made for reflections on China's world-strictest Internet censorship system. A wooden bird cage is placed in front of a white wall, and stands on a rotating platform. Three components make up the cage inner: The bottom stands images of China's ten greatest infrastructure projects from 200-2018, depicting the flourishing industrial development; Images of the Great Wall are placed at the top, which resembles the "Great Firewall". Between two parts, several twitter-logo like birds images hang in the air. They symbolize the Chinese netizens groups restricted in the cage. All elements are printed and cut on Chinese traditional parchment. Two LED lamps, which lighten up the whole project, are fixed in the middle hollow space. The installation is around 45cm tall, 20cm²; wide. All elements are designed in Photoshop, printed and cut by hand. Hardwares are available online.

Alongside the cage is a piece of paper attached on the wall, printing "Across the Great Wall, we can reach any corner of the world" with its Chinese translation. This is the first email China officially sent to the world in 1987.

This project expresses such an idea: When voices of Chinese netizens cannot be heard, they lose individual personalities on International social platforms, and eventually become a vague concept of mass collection (based on imaginary and limited information). In this way, the artist regards the system as a bird cage, through which communication between "human and human" can never happen. The artist asks the audience one question: "The country is developing by leaps and bounds, however with the "Great FIrewall" above the land, where is China going, as time passes? 

IMA/IMB Shanghai
INTM-SHU.401.1
Capstone Studio (Shanghai)
Culture,Social Good/Activism

家: An Art Book on Intergenerational Trauma

“家” is a multimedia art book that chronicles my experience with intergenerational trauma within my Chinese American family.

Maya Yanjie Wang

https://youtu.be/hejROfwPtnA

Description

My book exposes and chronicles intergenerational trauma within my Chinese American family. Three generations of my family’s history are recounted through interviews, poetry, photos, and paintings. Topics such as parent/child relationships, domestic abuse, mourning, and diaspora are addressed. I created this book not only to document and spark discussion about difficult and painful familial relationships, but also to reconcile my own experiences in an act of catharsis. The narrative progresses and regresses in a nonlinear way to reflect the true process of healing.

I invite viewers to interact with my work and think about their own experiences in tandem. Discussing family trauma is stigmatized, and when left unresolved, trauma manifests in dysfunction that is inherited by the next generation. The conception of this project stemmed from a desire to reconcile my own experiences, but it has developed into the creation of a metaphorical space where people can discuss and reflect on the shared issues and experiences of a minority identity. Art that comes from an honest and personal place has the ability to resonate with people and be a medium for self-reflection – despite the deeply varied human experience – because of universal themes.

IMA/IMB Shanghai
INTM-SHU.401.1
Capstone Studio (Shanghai)
Art,Narrative/Storytelling
NYU Tisch School of the Arts provides reasonable accommodations to people with disabilities. Requests for accommodations should be made at least two weeks before the date of the event when possible. You can request accommodations at tisch.nyu.edu/accommodation