Blender is a dynamic tool that can be used to design real world sets, physical objects and virtual assets for various media and live performance. It can render robust animations and impose visual effects on recorded video. It has the capacity to interface easily with interactive softwares like Unity and Unreal, while having the potential to output hi-fidelity renders for print. But beyond that it’s just a software. The ability to create any believable world comes from you. In this class we will explore a variety of techniques to create living, breathing fictional worlds while honing the skills in Blender to bring them to life. Students will be asked to create food, buildings, clothing, people and traffic signs from their fictional universe – building consistency of aesthetic, narrative allusion, and the fine details that make any world “believable”. The class will involve dissecting and discussing media on this world building, technical tutorials and instruction in Blender, and hands on workshops that tackle the conceptual questions of world building while exploring how to interface Blender with an outside medium: (3D printing, Pattern Making, Asset Development, Unity, Unreal, After Effects, recorded video). Students will be expected to watch technical tutorials and read short pieces on these topics for homework. Students will also complete weekly deliverable assignments.
Category Archives: Spring 2026
Experiments in Art and Technology (OART-UT 1059)
All art uses technology, yet technology alone isn’t art—it is the burning spark of imagination and personal vision that rips time, space, and the ordinary apart, harnessing tools and bending materials to create a manifestation born from the mind’s eye, and in this course, you will explore the relationships between art, imagination, and technology, paying homage to pioneering engineer-artists of the late 20th and early 21st centuries by reconstructing historic work and learning to embrace the spark, bang, buzz, and smoke that often arise at the periphery of the known. Through research, field trips, discussions, and hands-on projects, you will celebrate past achievements, challenge boundaries, and embark on a personal journey between invention and art.
Projecting History (MCC-UE 1140)
Duration: 15 Weeks
Dates: Tue,Thu
Media, Culture & Communication (Undergraduate)
4 credits – 15 Weeks
Intro Numerical Analysis (MA-UY 4424)
Duration: 15 Weeks
Dates: Tue,Thu
Duration: 15 Weeks
Dates: Tue,Thu,Fri
Duration: 15 Weeks
Dates: Tue,Thu,Fri
Duration: 15 Weeks
Dates: Tue,Thu,Fri
Duration: 15 Weeks
Dates: Tue,Thu,Fri
4 credits – 15 Weeks
Expressive Culture: Museums in Field Study: (CORE-UA 9723)
Duration: 14 Weeks
Dates: Thu
College Core Curriculum (Undergraduate)
4 credits – 14 Weeks
Artists & Audiences in Historical Context (REMU-UT 1203)
A follow-up complement to the first-year required Creative Entrepreneurs in Historical Context course that focused on entrepreneurs and producers, Artists and Audiences in Historical Context considers the history of popular (& semi-popular) music through the lens of iconic performers/recording artists and their audiences and communities, with special attention to issues of space and geography. Here are the central questions this class asks: Why do we have performing musicians and recording artists? What work do they do in the world, and how have our conceptions of the artist changed over time? And why do artists continue to need audiences? What role do fans and listeners play in our culture and politics? As we tackle these questions, we’ll look at how artists and audiences have been impacted over the decades by emerging media and technologies; we’ll look at auteur theory, crowd theory and cultural conceptions of musical genius; we’ll address taste and the rockism/poptimism debates; the pervasive role of stardom/celebrity as it determines what we might call today’s “pop industrial complex;” we’ll talk about issues of freedom of expression and political activism; we’ll think about the artist’s role in and against forces like war, terrorism and various forms of state and religious repression; and the artist’s struggle to reach audiences in, and against, categories of classification like genre and format. Artists and Audiences in Historical Context is an intensive reading and writing course, perhaps the most intensive one you will take at REMU: students read critical and historical writing about a diverse range of performers/recording artists, and then practice critical/creative writing themselves. Working with assistant editors/mentors as well as the instructor, students will be expected to learn how music writing improves through drafting, editing and stylistic refinement. Weekly audio/video playlists will supplement the reading and writing.
Internship (ITPG-GT 2100)
Internship can fulfill a Tier 2 (elective) requirement. An internship is done with an outside agency that provides a student with opportunities to work on projects that enable the student to develop and demonstrate his or her practical abilities, and which involve both new interactive technologies and their users.
Probability and Statistics for Engineers (MA-UY 2224)
Duration: 15 Weeks
Dates: Mon,Wed
Duration: 15 Weeks
Dates: Mon,Wed
Duration: 15 Weeks
Dates: Mon,Wed
Duration: 15 Weeks
Dates: Mon,Wed
Duration: 15 Weeks
Dates: Mon,Wed
Duration: 15 Weeks
Dates: Mon,Wed
Mathematics (Undergraduate)
4 credits – 15 Weeks
Principles of Data Science I (DS-UA 9111)
Duration: 14 Weeks
Dates: Mon,Wed
Duration: 14 Weeks
Dates: Mon,Wed
Data Science (Undergraduate)
4 credits – 14 Weeks
Berlin’s Modern History & Culture: A European Perspective (GERM-UA 9225)
Duration: 14 Weeks
Dates: Mon
German (Undergraduate)
4 credits – 14 Weeks
Basic Practice of Statistics for Social Science (MA-UY 1414)
Duration: 15 Weeks
Dates: Tue,Thu
Mathematics (Undergraduate)
4 credits – 15 Weeks
What is Islam? (HIST-UA 9085)
Duration: 14 Weeks
Dates: Mon,Wed
Duration: 14 Weeks
Dates: Mon,Wed
History (Undergraduate)
4 credits – 14 Weeks
Research in Food Studies (FOOD-UE 1118)
Duration: 15 Weeks
Dates: Tue
Food Studies (Undergraduate)
2 credits – 15 Weeks
Film, Race and Representation (IDSEM-UG 9650)
Duration: 14 Weeks
Dates: Thu
Interdisciplinary Seminars (Undergraduate)
4 credits – 14 Weeks
Intro to Television Writing (FMTV-UT 1017)
This course, aimed at second semester sophomores, is the launch pad of Television Writing in the department. Before taking any other TV writing courses, students must take Introduction To Television Writing. The course will introduce sophomores interested in TV writing to all aspects of what goes into the creation of a script for a TV program. It is also recommended for non-writers who wish to learn the fundamentals of TV writing as preparation for creating shows and working with writers. The course will also prepare students for other TV-writing courses in the departmental Television Progression. The course is also open to seniors with an interest in television writing who haven’t taken other TV writing courses. This course allocates as Film & TV, Scriptwriting for Film & TV majors.
Advanced Coding Workshop (MCC-UE 1154)
Duration: 15 Weeks
Dates: Tue,Thu
Media, Culture & Communication (Undergraduate)
4 credits – 15 Weeks
Social Impact: Research and Creative Strategy (MCC-UE 1054)
AI & Society (MCC-UE 1423)
Topics in ITP: Creative Image Generation Creative Image Generation (ITPG-GT 2378)
This course will cover a variety of academic topics within the field of Interactive Telecommunications. For further details, please refer to the individual class section notes and topic subtitle.
Class titles vary by section.
Topics in ITP: The Body Everywhere and Here The Body Everywhere and Here (ITPG-GT 2380)
This course will cover a variety of academic topics within the field of Interactive Telecommunications. For further details, please refer to the individual class section notes and topic subtitle.