New York City is celebrated in the English speaking world as a center of theatrical production, making a consequential contribution to the culture. The sheer volume, range and scope of activity can make the theater scene challenging to navigate, especially as an emerging professional. The course “Ecology of New York Theater” unpacks the power structures, operating systems and business models currently underpinning the live theater industry. From the commercial theater to not-for-profit companies to presenting organizations and festivals, how does each part of the sector function and where do they interact? Who are the power brokers within the current ecosystem and, perhaps more importantly, who are the influencers that are driving innovation – the makers and disrupters moving the field forward? With which producing companies, unions and institutions is it essential to become familiar as amatter of professional literacy? And who are the creatives and power brokers that are most significant in the field right now? How is new work developed in both the commercial and the not for profit theater? Who really decides what gets produced – how and why? Upon what should one rely for cultural information? Do critics still matter? What about new trends such as immersive theater, illusion, hybrid concerts, autobiographical and testimony theater, circus and burlesque? And what of the audience? What does the live experience offer – and has the responsibility of the artist toward the audience changed? Who is coming to the theater and who is not? While it will not be possible to cover every linchpin organization, company or creator, students will know how to find out what they need to know when they need to know it.
Tag Archives: Spring 2021
Producing Essentials (ISPEC-UT 1006)
Poetics of Witnessing (OART-UT 829)
Today, many documentarians consider themselves working within a well-defined human rights framework where images and film are used to raise awareness about social injustice. On the far edge of this movement, however, there are writers, photographers and filmmakers whose work calls attention to the traditional documentary ethics of bearing witness but whose modes of representation blur the lines between fact and fiction. This body of work is more open-ended to interpretation and multiple readings, which also include more personal themes such as loss and melancholy, the ephemeral nature of time and memory, nostalgia and change. While not a production course per se, most students create short poetic films for their midterms and finals. The course is a great opportunity for students to open this door on short-form media production for the first time even if they wish to shoot on their smartphones. We will study several different kinds of visual poetics such as combining documentary photos with literature, artists working with archives and found images, the essay film, the personal diary and journal film, the performance film, ethnographic poetics, and new trans-media platforms and webdocs. Some of the writers and artists we will study include Roland Barthes, W.G. Sebald, Chris Marker, Christian Boltanski, Forough Farrokhzad, RaMell Ross, Roland Barthes, Miguel Rio Branco Charles Burnett, William Greaves, Agnes Varda, Margaret Tait, Robert Gardner, Jean Rouch, and Jonas Mekas.
Open Arts Curriculum (Undergraduate)
4 credits – 15 Weeks
Sections (Spring 2021)
OART-UT 829-000 (15164)
Business of Film (MKTG-UB 20)
This course is designed to provide both business and films students with a systematic overview of the modern day filmed entertainment business. The course covers the traditional “Hollywood System” operating out of Los Angeles and also examine the independent film model.. The course takes a critical look at the financing, production, marketing and distribution of filmed entertainment. Particular attention is focused on the various revenue streams inherent in the exploitation of such product both in the domestic marketplace and in the international arena. The primary objective of the course is to provide students with real life experiences, the practical realities, and a keen understanding of how things actually work in the film business. The course will hopefully provide students with a requisite background and orientation that can lead to an entry level position with a film production or distribution company, an international sales organization, or related support organizations.
Marketing (Undergraduate)
2 credits – 15 Weeks
Social Media Strategy (MKTG-UB 45)
The course covers marketing, advertising, and communications strategies in the new media landscape where traditional media (e.g., television, print) and the online social media (i.e., Web 2.0; e.g., online social networks, user-generated content, blogs, forums) co-exist. Students are expected to have knowledge about the fundamentals of traditional advertising methods and strategies. With this background knowledge, the primary focus of the course is on understanding social media, developing social media marketing strategies, and tracking their effectiveness. This course does not look at more tactical aspects of advertising/communications such as creative, message management, and publicity.
Marketing (Undergraduate)
2 credits – 6 Weeks
Sections (Spring 2021)
MKTG-UB 45-000 (10761)02/03/2021 – 03/17/2021 Wed6:00 PM – 9:00 PM (Evening)at Washington SquareInstructed by
Craft & Commerce of Cinema: Tribeca Film Fest (MKTG-UB 51)
This is a specialized EMT course, designed in coordination with the Tribeca Film Festival Board, that provides students with a framework for understanding the dynamics of the global film industry including the complete film production process from crafting the idea for a script, hiring or becoming a producer, financing the project, selling it to a studio or independent production company, building a team, production elements, post-production including music acquisition, and the selling or distribution to a global marketplace. The course includes learning about distribution and exhibition, marketing and building audience awareness, research applications, international licensing, and preparation for careers in the industry. Students attend and fully participate in the panels offered during the two week period of the Tribeca Film Festival.
Marketing (Undergraduate)
2 credits – 15 Weeks
Sections (Spring 2021)
MKTG-UB 51-000 (10655)01/28/2021 – 05/10/2021 Thu4:00 PM – 6:00 PM (Late afternoon)at Washington SquareInstructed by
Senior Seminar: (JOUR-UA 401)
An elective for students who wish to explore concentrated issues such as sex and American politics, literary nonfiction, and photojournalism and war. Each section concentrates on a different topic chosen by the instructor, a member of the full-time faculty. Such offerings include Ethnography for Journalists; The Art of Opinion Writing and Polemic; and The Journalism of Empathy.
Journalism (Undergraduate)
4 credits – 15 Weeks
History of Computing (MCC-UE 1170)
This umbrella course focuses on specific time periods, technological developments and cultural contexts relevant to understanding the development of digital computing technology over the course of the 20th century and into the 21st. This course familiarizes students with the social forces and techno-cultural innovations that shaped the computing industry. Specific themes may include: personal computing; Cold War computing; computing and globalization; the quantified self; computational aesthetics; artificial intelligence and machine learning; computing and gender.
Media, Culture & Communication (Undergraduate)
4 credits – 14 Weeks
Sections (Fall 2024)
MCC-UE 1170-000 (14061)09/03/2024 – 12/12/2024 Mon,Wed3:00 PM – 4:00 PM (Late afternoon)at Washington SquareInstructed by Hassein, Nabil
Entertainment Law (MULT-UB 48)
This two-credit course is about key legal aspects of the entertainment industry. Entertainment law is not a separate legal discipline. There is really no such thing as entertainment law. Instead, it lies at the intersection of several areas of law and applies those disciplines to the diverse entertainment industry of products and services. The course will involve a foundational coverage of the following areas: contract, advertising, protection of ideas by contract, copyright and trademark (including the concepts of parody and fair use), rights of publicity and privacy, defamation, and artist representation. This course should prepare you to analyze a wide variety of entertainment law issues at a general level. Entertainment law does not tend towards an orderly system because it lacks overriding organizational principles that would tie together its myriad facets. As such, this course will appear to lack a logical outline in its progression and instead, will examine this corner of law in separate pieces, which will cover doctrine, analytical problem-solving, practical skills related to law (e.g., analytical writing, reasoning skills, argument structure, etc.), and the particular contexts in which issues arise in the entertainment industry. Dealing with more narrow topics, such as constitutional concerns or union representation, or obtaining a much deeper knowledge of specific topics discussed in class, will require additional, specialized study. This class also helps students further develop their reasoning, communication, and listening skills.
Multidisciplinary (Undergraduate)
2 credits – 15 Weeks
Sections (Spring 2021)
MULT-UB 48-000 (10639)01/28/2021 – 05/10/2021 Thu2:00 PM – 3:00 PM (Early afternoon)at Washington SquareInstructed by
MULT-UB 48-000 (10725)01/28/2021 – 05/10/2021 Thu3:00 PM – 4:00 PM (Late afternoon)at Washington SquareInstructed by
Global Works and Society in a Changing World (GWC-UF 102)
The second semester of Social Foundations spans a thousand years, from the rise of Islam and the reunification of China under the Tang dynasty (in the 7th century C.E.) through the Scientific Revolution and the decline of the Mogul empire in India. This course invites students to consider great ideas that have often helped earlier peoples organize their lives–but which have also set them in conflict, sometimes with other communities, sometimes among themselves. Such ideas have sparked movements for ethical and social reform, for conquest, for the recovery of lost classics, and for religious renewal.
Global Works and Society in a Changing World (Undergraduate)
4 credits – 15 Weeks
Sections (Spring 2021)
GWC-UF 102-000 (13378)01/28/2021 – 05/10/2021 Mon,Wed8:00 AM – 9:00 AM (Morning)at Washington SquareInstructed by
GWC-UF 102-000 (13379)01/28/2021 – 05/10/2021 Mon,Wed9:00 AM – 10:00 AM (Morning)at Washington SquareInstructed by
GWC-UF 102-000 (13380)01/28/2021 – 05/10/2021 Mon,Wed11:00 AM – 12:00 AM (Morning)at Washington SquareInstructed by
GWC-UF 102-000 (22751)01/28/2021 – 05/10/2021 Tue,Thu12:00 AM – 1:00 PM (Early afternoon)at Washington SquareInstructed by
GWC-UF 102-000 (13608)01/28/2021 – 05/10/2021 Tue,Thu3:00 PM – 4:00 PM (Late afternoon)at Washington SquareInstructed by
GWC-UF 102-000 (22752)01/28/2021 – 05/10/2021 Tue,Thu11:00 AM – 12:00 AM (Morning)at Washington SquareInstructed by
GWC-UF 102-000 (13382)01/28/2021 – 05/10/2021 Mon,Wed3:00 PM – 4:00 PM (Late afternoon)at Washington SquareInstructed by
GWC-UF 102-000 (13477)01/28/2021 – 05/10/2021 Mon,Wed12:00 AM – 1:00 PM (Early afternoon)at Washington SquareInstructed by
GWC-UF 102-000 (22753)01/28/2021 – 05/10/2021 Mon,Wed2:00 PM – 3:00 PM (Early afternoon)at Washington SquareInstructed by
GWC-UF 102-000 (22754)01/28/2021 – 05/10/2021 Mon,Wed9:00 AM – 10:00 AM (Morning)at Washington SquareInstructed by
GWC-UF 102-000 (13384)01/28/2021 – 05/10/2021 Mon,Wed2:00 PM – 3:00 PM (Early afternoon)at Washington SquareInstructed by
GWC-UF 102-000 (13385)01/28/2021 – 05/10/2021 Tue,Thu2:00 PM – 3:00 PM (Early afternoon)at Washington SquareInstructed by
GWC-UF 102-000 (22755)01/28/2021 – 05/10/2021 Mon,Wed9:00 AM – 10:00 AM (Morning)at Washington SquareInstructed by
GWC-UF 102-000 (22756)01/28/2021 – 05/10/2021 Mon,Wed12:00 AM – 1:00 PM (Early afternoon)at Washington SquareInstructed by
GWC-UF 102-000 (13387)01/28/2021 – 05/10/2021 Mon,Wed3:00 PM – 4:00 PM (Late afternoon)at Washington SquareInstructed by
GWC-UF 102-000 (13388)01/28/2021 – 05/10/2021 Mon,Wed3:00 PM – 4:00 PM (Late afternoon)at Washington SquareInstructed by
GWC-UF 102-000 (13478)01/28/2021 – 05/10/2021 Tue,Thu9:00 AM – 10:00 AM (Morning)at Washington SquareInstructed by
GWC-UF 102-000 (13389)01/28/2021 – 05/10/2021 Tue,Thu8:00 AM – 9:00 AM (Morning)at Washington SquareInstructed by
GWC-UF 102-000 (13390)01/28/2021 – 05/10/2021 Mon,Wed2:00 PM – 3:00 PM (Early afternoon)at Washington SquareInstructed by
GWC-UF 102-000 (13391)01/28/2021 – 05/10/2021 Tue,Thu9:00 AM – 10:00 AM (Morning)at Washington SquareInstructed by
GWC-UF 102-000 (13392)01/28/2021 – 05/10/2021 Tue,Thu8:00 AM – 9:00 AM (Morning)at Washington SquareInstructed by
GWC-UF 102-000 (13393)01/28/2021 – 05/10/2021 Tue,Thu11:00 AM – 12:00 AM (Morning)at Washington SquareInstructed by
GWC-UF 102-000 (13394)01/28/2021 – 05/10/2021 Tue,Thu12:00 AM – 1:00 PM (Early afternoon)at Washington SquareInstructed by
GWC-UF 102-000 (13395)01/28/2021 – 05/10/2021 Mon,Wed11:00 AM – 12:00 AM (Morning)at Washington SquareInstructed by
GWC-UF 102-000 (13396)01/28/2021 – 05/10/2021 Tue,Thu2:00 PM – 3:00 PM (Early afternoon)at Washington SquareInstructed by
GWC-UF 102-000 (13503)01/28/2021 – 05/10/2021 Tue,Thu9:00 AM – 10:00 AM (Morning)at Washington SquareInstructed by
GWC-UF 102-000 (13397)01/28/2021 – 05/10/2021 Mon,Wed3:00 PM – 4:00 PM (Late afternoon)at Washington SquareInstructed by
GWC-UF 102-000 (13398)01/28/2021 – 05/10/2021 Tue,Thu9:00 AM – 10:00 AM (Morning)at Washington SquareInstructed by
GWC-UF 102-000 (13399)01/28/2021 – 05/10/2021 Tue,Thu2:00 PM – 3:00 PM (Early afternoon)at Washington SquareInstructed by
GWC-UF 102-000 (13400)01/28/2021 – 05/10/2021 Tue,Thu2:00 PM – 3:00 PM (Early afternoon)at Washington SquareInstructed by
GWC-UF 102-000 (13401)01/28/2021 – 05/10/2021 Tue,Thu11:00 AM – 12:00 AM (Morning)at Washington SquareInstructed by
GWC-UF 102-000 (13504)01/28/2021 – 05/10/2021 Tue,Thu4:00 PM – 6:00 PM (Late afternoon)at Washington SquareInstructed by
GWC-UF 102-000 (13403)01/28/2021 – 05/10/2021 Tue,Thu3:00 PM – 4:00 PM (Late afternoon)at Washington SquareInstructed by
GWC-UF 102-000 (13407)01/28/2021 – 05/10/2021 Mon,Wed4:00 PM – 6:00 PM (Late afternoon)at Washington SquareInstructed by
GWC-UF 102-000 (13404)01/28/2021 – 05/10/2021 Mon,Wed8:00 AM – 9:00 AM (Morning)at Washington SquareInstructed by
GWC-UF 102-000 (13406)01/28/2021 – 05/10/2021 Tue,Thu9:00 AM – 10:00 AM (Morning)at Washington SquareInstructed by
GWC-UF 102-000 (13405)01/28/2021 – 05/10/2021 Mon,Wed12:00 AM – 1:00 PM (Early afternoon)at Washington SquareInstructed by
GWC-UF 102-000 (13582)01/28/2021 – 05/10/2021 Mon,Wed11:00 AM – 12:00 AM (Morning)at Washington SquareInstructed by
GWC-UF 102-000 (13381)01/28/2021 – 05/10/2021 Mon,Wed2:00 PM – 3:00 PM (Early afternoon)at Washington SquareInstructed by
GWC-UF 102-000 (13383)01/28/2021 – 05/10/2021 Tue,Thu12:00 AM – 1:00 PM (Early afternoon)at Washington SquareInstructed by
GWC-UF 102-000 (13386)01/28/2021 – 05/10/2021 Mon,Wed11:00 AM – 12:00 AM (Morning)at Washington SquareInstructed by
GWC-UF 102-000 (13402)01/28/2021 – 05/10/2021 Tue,Thu3:00 PM – 4:00 PM (Late afternoon)at Washington SquareInstructed by
GWC-UF 102-000 (22757)01/28/2021 – 05/10/2021 Mon,Wed9:00 AM – 10:00 AM (Morning)at Washington SquareInstructed by
Art and Architecture of the Islamic World (ARTH-UH 1810X)
A broad survey, we will consider works of architecture, ceramics, metalwork, textiles and the arts of the book. Given the span of centuries embraced by the term ’Islamic art’ – from the 7th century up to the present day – and the expanse of geography – from Spain to China and beyond – this course cannot be a complete survey within the constraints of a single semester. Instead, this course will present a select group of materials within a chronological and dynastic framework, with an emphasis on specific case studies. These selections will highlight important internal developments as well as ’points of contact’ between cultural entities. This approach – at once global and local – speaks to the dynamic and fluid qualities of many of the arts produced in the regions under scrutiny.
Art History (Undergraduate)
4 credits – 15 Weeks
Sections (Spring 2021)
ARTH-UH 1810X-000 (18559)01/17/2021 – 05/03/2021 Tue,Thu9:00 AM – 10:00 AM (Morning)at Abu DhabiInstructed by Teece, Denise
Technology and the Future of Work (TCHL-UE 1021)
This course offers students the opportunity to discuss trends in technology and learn about the changing nature of work. Students explore the accelerating rate of technological development by doing independent research on forthcoming innovations and sharing their discoveries through class presentations and Socratic discussions. Students analyze how we view work as a society, what work means to us as individuals, and explore possible solutions to mass unemployment and automation. Guest speakers join us for class discussions and all classes are recorded and shared.
Teaching & Learning (Undergraduate)
2 credits – 15 Weeks
Electronics for Scientists I (PHYS-UA 110)
Introduction to basic analog and digital electronics used in physics experiments. Concepts and devices presented in lecture are studied in the laboratory. Topics include DC and AC circuits, filters, power supplies, transistors, operational amplifiers, analog to digital converters, and digital logic.
Physics (Undergraduate)
4 credits – 15 Weeks
Sections (Spring 2021)
PHYS-UA 110-000 (10434)01/28/2021 – 05/10/2021 Mon12:00 AM – 4:00 PM (Early afternoon)at Washington SquareInstructed by Gershow, Marc
The Business of Broadway (MKTG-UB 25)
This is a specialty marketing course designed to provide students with a framework for understanding the dynamics of Broadway and live theater, as an important business enterprise within the entertainment industry. The focus is on understanding the development and application of the economics, finance, structure, implementation and staging of performances, as well as the marketing strategies and tactics for gaining audience awareness and decision to purchase. The course will examine funding, marketing, branding, product positioning and the global distribution of live theatrical entertainment. The course will cover the history, venues, vocabulary, players, business and creative structures, budget development, supplementary revenue streams, successes and failures, relationship with the movie and music industries, the important figures and support systems that make the system work, global reach, and other topics. Lecture, discussions, site visits, and project work will be included.
Marketing (Undergraduate)
2 credits – 15 Weeks
Sections (Spring 2021)
MKTG-UB 25-000 (10616)01/28/2021 – 05/10/2021 Mon3:00 PM – 4:00 PM (Late afternoon)at Washington SquareInstructed by
Race & Reproduction (SCA-UA 158)
Examines the connections between gender, racial ideology and history of medicine to consider the range of ways that reproduction—medically, culturally, and experientially—produces and troubles racial ideology. In this course we will explore issues in the history of race and reproduction, focusing primarily (though not exclusively) on North American contexts. Cross-cultural breadth will help us to consider the relationship between biological experiences (which are often portrayed as universal) and socio-cultural context. While questions about biology will be central to this history, we will also locate biology within a wider set of issues around social reproduction and the practices of motherhood. Through our readings we will consider how different disciplinary orientations (social history, medical anthropology, feminist theory, art history, etc.) help us to illuminate and problematize the connections between technologies and politics of biology and difference.
Social and Cultural Analysis (Undergraduate)
4 credits – 15 Weeks
Intro to Soviet Cinema (RUSSN-UA 850)
Iampolski. Offered every year. 4 points. An examination of the history of Russian cinema from its beginnings. The main focus is on landmarks of cinematic art and on the cultural specificity of Russian cinema. The survey also includes questions of cinema and politics (cinema as a propaganda tool), and cinema and the market. Artists discussed include Eisenstein, Vertov, Pudovkin, Kuleshov, Barnet, Shub, Kozintsev, Trauberg, and Tarkovsky. Topics include cinema and revolution, the cinema of the Russian avant-garde and constructivism, cinema and totalitarianism, and socialist realism in film.
Russian & Slavic Studies (Undergraduate)
4 credits – 15 Weeks
Sections (Spring 2021)
RUSSN-UA 850-000 (23815)01/28/2021 – 05/10/2021 Tue4:00 PM – 7:00 PM (Late afternoon)at Washington SquareInstructed by Iampolski, Mikhail
Controversies in Public Policy: Logic and Evidence (POL-UA 315)
This course is about using logic to think about issues of public policy and evidence to do the same thing. One way to think about this course is it is sabermetrics (logic and evidence applied to baseball, and in Moneyball) applied to vastly more important topics than baseball: making schools better, designing health policy and dealing with climate change (with tons of other policy applications possible, but we will focus on these three).
Politics (Undergraduate)
4 credits – 15 Weeks
The Biology of Politics (POL-UA 311)
Why do we participate in politics? Who tends to participate? When are we most likely to participate? Political scientists have traditionally focused on factors such as demography, socioeconomic status, mobilization, electoral institutions, and social norms to answer these questions. However, scholars have recently begun to explore the possibility that genetic differences may, at least in part, help to explain individual differences in political participation.
Politics (Undergraduate)
4 credits – 15 Weeks
Tpcs in Islamic Studies (MEIS-UA 782)
Topics vary by semester.
Middle Eastern and Islamic Studies (Undergraduate)
4 credits – 15 Weeks
Sections (Spring 2021)
MEIS-UA 782-000 (22564)01/28/2021 – 05/10/2021 Thu9:00 AM – 12:00 AM (Morning)at Washington SquareInstructed by Antoon, Sinan
Ordinary Diff Equations (MATH-UA 262)
First- and second-order equations. Series solutions. Laplace transforms. Introduction to partial differential equations and Fourier series.
Math (Undergraduate)
4 credits – 15 Weeks